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Lecture

What is criminology?

A very specialist segment of only a few university social science departments 30 years ago, today virtually every British university offers undergraduate programmes in criminology and some even have distinct criminology departments. But what is criminology and why has it become so popular?

In this introductory lecture, we will look at the scope and subject matter of this fascinating discipline and along the way, dispel some of the myths about crime and how best to deal with it in contemporary societies! 

Video transcript

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louisa

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thank you very much louisa and welcome everybody to this lecture what is criminology i'm

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going to put up um i'm going to share my screen with you

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and put up um my powerpoint presentation

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i hope everyone can see that that all okay right okay

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well well welcome to this lecture on what is criminology one of the first things to say that i

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want you to bear in mind is that this is just an introductory taster

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to criminology um and bear in mind if you if you were

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studying for a degree in criminology you would have about 10 hours teaching

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a week for three years so what i can get into one hour is just to

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really give you an idea of what criminology is all about

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so to start with i i made up this quote [Music]

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criminology is an interdisciplinary scientific as opposed to a moral undertaking that

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involves the study and understanding of the making of laws the breaking of

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laws and of society's reaction to the breaking of laws let me deal with um each bit of that

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that's underlined by interdisciplinary we mean that

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criminology is not one single discipline that involves a number of different

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disciplines including history law biology psychology

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forensic science politics sociology social policy

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and so on by scientific now this is a very contentious term

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which i'll talk more about later on but basically

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in this context we mean that it is studied the subject

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is studied in a rigorous systematic way and not as some sort of mole crusade

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to either vilify criminals or to make moral judgments about others

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[Music] it's concerned with the making of laws in particular it's concerned with the

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political nature of a lot of law making

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we ask the question in criminology why are some actions made illegal

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whilst other actions that might potentially be more harmful either to

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individuals or to society as a whole and not made illegal

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it's also about the breaking of laws so what we're interested in is

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what groups of people are more likely to break laws than others

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and what laws are they most likely to break and why and this is where theories

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about law breaking come in and lastly it's about society's reaction

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to the breaking of laws basically what should be done

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with those people who break laws again we need to avoid making moral

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judgments in favor of discussing the most effective remedies

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now you might think that criminology involves studying anything

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to do with crime now this in itself is not straightforward because there is

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a great deal of disagreement amongst criminologists themselves

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about what should be included in the curriculum of criminology and what shouldn't be

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included that basically involves these things

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what is crime what is a criminal what is the extent of crime fear is about what causes crime

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uh how the criminal justice system works and how it doesn't work some of the time

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and also about policing and penal policy what i'm going to do is look at each of

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these in turn so let's start with what is crime well the legal definition of

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what is crime is an act which breaks the criminal law for which someone can be prosecuted

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and suffer specific penalties now when we are talking

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about crime we're usually referring to criminal law as it says there as

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distinct from civil law now civil law as you probably know is

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concerned with researching sorry resolving disputes

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between individuals where one individual sues another or others

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and claims compensation or damages now generally that's not

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the province of criminology however there are problems

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with defining crime in this way firstly

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criminal and civil law actually overlap to a great extent and one can tip over

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into the other i was involved in a very long-running

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civil case as a plaintiff which

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did tip over into criminal law

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but also the distinction between what is made civil law and what is made

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criminal war is quite arbitrary often for political reasons

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also defining crime in this way means that if there was no criminal law

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there would be no crimes furthermore criminal law

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is a socially variable phenomenon in other words crime and what is defined

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as crime and a criminal are socially constructed as we will see also

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a number of conditions have to be met before an act can be legally

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defined as a crime so first of all the perpetrator

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must have criminal intent that's called menswear

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now because we can't see inside people's minds it's sometimes very difficult to

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establish whether there was criminal intent or not

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so for example people may plead uh insanity or diminished responsibility

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secondly the perpetrator must have acted voluntarily that's called actus

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real now how do we know that the perpetrator

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wasn't coerced or not or forced in some way to act illegally

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let me give you the example of brothels now brothels are illegal in the united

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kingdom but sex workers that have been brought from abroad

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and forced to work in brothels are treated as victims not as criminals

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quite rightly so and there are many scenarios however

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where this could be the case or the perpetrator

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may use this defense of they weren't acting voluntarily they

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were forced to do it um maybe sometimes illegitimately

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using that as a defense thirdly there must be some legally

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prescribed punishment for the committal of the act

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if there is no legally prescribed punishment then there is no crime and lastly

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it must be legally prohibited the act

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[Music] in the country in which it takes place

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at the time it is committed now there are exceptions to that because

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um very few crimes but some crimes have been made retrospective

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but one of the things to say about this at the time it is committed is that laws

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are changing all the time so what is a crime today may not have been a crime yesterday and

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vice versa um abortion for example

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abortion was totally illegal under any circumstances in the united kingdom

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until the 1960s many men and women were sent to prison

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for carrying out illegal abortions it was decriminalized in the 1960s

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but only under certain conditions so for example doctors have to agree to

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it it has to be under 24 weeks pregnancy and so on now all of this should

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tell us one thing that personal preferences or personal

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choices are political issues as feminists used to say

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the personal is political so if nothing else this raises the

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question of how can we compare the level of crime generally now with

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the level of crime in the past if laws are changing all the time

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or homosexuality again until the 1960s

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it was illegal in britain many famous people like oscar wilde

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were jailed for long prison terms with hard labor for declaring themselves

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to be gay and now not only is it legal

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but also marriage and civil partnerships for gay couples

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are enshrined in the law this was a famous celebrity couple at their civil

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partnership ceremony um they have since married once the law allowed them to do

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so but what is a considered a crime also

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differs not only from time to time but also differs from place to place

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from country to country now you that may remember or you may not

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remember this man when this man was president of iran he claimed that there were no

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homosexuals in iran now why didn't gay people

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in iran would protest about this clear nonsense

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because this is what would have happened to them it's not surprising that nobody admitted

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to being homosexual with iran because it was illegal and punishable

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by torture and execution often by this brutal public method

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other things are illegal in countries other than britain

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so again in most muslim countries alcohol is banned but don't run away

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with the idea that we are always more liberal in britain

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than in other societies some things that are criminal in britain

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are quite legal elsewhere now i guess that some of you may not may

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know what this is if you don't know what it is it's cannabis it's a cannabis plant despite the fact

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that about three million people smoking on a regular basis

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in britain cannabis remains illegal but it is

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legal in most scandinavian countries it's legal in the netherlands and it is

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now legal in 10 states in the united states of america

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any of you that have ever been to amsterdam you may have i went to amsterdam two

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years ago you may have seen the cafes that are licensed to sell

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cannabis in recent years both canada and portugal have

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decriminalized it for recreational use and even pizza hut

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and ben and jerry's ice cream ran a weed themed promotions bay but

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coincide with weed day on the 20th of april

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well take something else polygamy a man having more than one wife

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now that's illegal in britain but it's perfectly legal

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in parts of the united states and in many african countries

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also within britain many activities on the statute books as

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crimes but the people perpetrating them are not considered by everyone as

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criminals for example is graffiti a crime

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or is it art banksy's street paintings sell for

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millions so are they crime or are they art

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and if we simply use the legal definition of of crime as the subject matter of

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criminology then does that mean that we don't discuss the following

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do you remember these as bones anti-social behaviour orders

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they were not part of the criminal law they were civil actions that could be

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issued by the police and local authorities

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it was the case however that if you broke the nazbo you could then be prosecuted

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under criminal law as those have now been replaced by two new powers which i won't go into

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with all this what i'm trying to say is that crime is a relative concept the boundaries

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between crime and non-crime are variable and vain

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so is there anything given that set the criminal apart from the non-criminal

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maybe we should define our subject matter in a different way

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some criminologists argue argue that we should widen the scope

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to look at everything that society regards as deviant

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in other words that breaks societal norms so everything from i don't know me being

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drunk whilst giving a lecture to armed robbery a murder

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and everything in between but what may be deemed deviant

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by some groups in society may be viewed as quite normal by others

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it may vary with regard to contact so for example going back to me being

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drunk um in other contexts other than giving a lecture

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um you know it may be regarded such as if i was drunk out on a

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stag night for example it may be regarded to only say maybe

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it may be regarded by some people as being quite acceptable now this raises the question

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about who has power to decide what is and what isn't deviant

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in any society indeed what you may have noticed from

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what i've said so far is that criminalization tends to reflect differences in levels

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of power in society some groups have more power

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than others so crime occurs within a social and political context

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or to put it another way crime doesn't need this only acts exist

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which are given different meanings in different circumstances according to

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the distribution of power so i'll explain this slide

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so for example one million people were killed by the war launched against

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iraq by blair and bush and that was against the wishes

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of the overwhelming majority of people in this country

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in fact two million people marched through london in 2003

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demanding that the government do not authorize the invasion of iraq

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it was the biggest demonstration ever seen in britain the invasion

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breached international law it was against un decisions and the un inspector

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hans blitz you may remember him had found absolutely no evidence

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of weapons of mass destruction which was you know weapons of mass destruction

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were the reason was the reason that was given for invading now many people

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think that blair and bush should stand trial as mass murderers because killing

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one million people in other circumstances might be viewed differently by the

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powerful now i've deliberately used this graphic picture from the iraq war

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of a little girl with her foot blown off being cradled by her dad

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to show some of the horrific things that are not considered crimes when committed

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by the powerful so think we have to bear that in mind

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so maybe there are alternative ways of defining crime we could define crime as a

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violation of moral codes now in this view not all

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conduct norms are necessarily reflected in the law so terms like

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deviancy and non-conformity anti-social conduct are preferred

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to the use of the word crime however a definition like this

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suffers from extreme cultural relativism in other words what is normal

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there are no absolute standards over time and place as we've already seen

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well maybe secondly we could define crime as a social construct what becomes

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defined as a crime is as a result of a negotiated process that involves the

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law violator the police the criminal justice system the courts lawyers and lawmakers

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who define a person's behavior as criminal behavior may be

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labelled criminal but it is not this behavior that in itself constitutes crime

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behavior is criminalized by a process or processes of perception

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and reaction or we could see crime as ideological sensor sensor in this view

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labeling needs to be grounded in the specific relations of power and domination

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that exist in any society so for example public order offences are often used

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to curtail political opposition and we've got a bill going through

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parliament at the moment which is attempting to curtail people's rights

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the protest and we know how that will be used um

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and this this is these are the kinds of things that marxist criminologists would look

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at or we could use um we could think of

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crime as a invention now it wasn't until the 18th

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century that state law developed and the idea of crime really became

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prevalent prior to then there was

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you know people didn't call acts that they disapproved of as crime

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um they talked about them as sin or civil wrongs or private disputes

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so history suggests that the origins of criminal law

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lay in the distribution of economic power as a consequence of an emerging

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capitalist class so the development of criminal law again

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has been a political process well last week lastly we could look at

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crime in terms of the social harm that acts um create now in this view we need to

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move beyond legally defined conceptions of crime to other far more damaging forms of

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injury or social harm so for example the

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denial of fundamental human rights or maybe tobacco companies

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promoting unsafe and life-threatening substances as they did for donkeys years

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knowing that they were life-threatening or the international dumping of toxic

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waste or the abuse involved in the transportation of live animals

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in other words this is the view that a legal concept is not only partial but also

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many of the most harmful acts are actually supported by

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the law but now we've looked at what crime is or isn't and i think you need to

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make up your own mind about that let's go back to our list again so what is a criminal

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now we're all criminals aren't we um oh i can ask you a number of

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questions to think about um have you ever knowingly

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or otherwise bought or received anything that was stolen

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it's an indictable offense under the theft at 1969. have you ever smoked a spliff or taken

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any illegal substances that's an offense under the misuse of 1971.

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have you ever sent an offensive email or reposted a malicious

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post on facebook that's an uh indictable offense under the communications act

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2003 have you ever going back to one of my earlier examples

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being drunk and disorderly in a public place on say a staggering hendon

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that's an offense under the public order act have you ever exceeded the speed limit

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whilst driving your car that is an indictable offense under

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the road traffic act 1965 sorry 1995 have you ever found money in

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the street and not handed it into a police station that's an offense under the theft act

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1969 have you ever taken anything from home from work

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like paper clips paper staples for personal use without permission

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again that's an offence under the theft act 1969 or have you

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ever exaggerated your expenses claim from work again that's

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an offense under the theftback 1969 now these are all what are called

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indictable offenses for which in theory you could be fined or face imprisonment

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now if you have committed any of these offenses and indeed

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numerous other ones you are by definition a criminal you may say that you've never

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committed any of these and you may be a paragon of virtue i don't know but um so what's the difference

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between you and the people that we call criminals

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perhaps the only difference is that they got caught and you didn't or maybe

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it's that you think that you only did did it once

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but they are serial offenders and therefore deserve to be labeled criminals

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or maybe you think that their crimes were more serious than yours

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so you know there isn't in other words what i'm saying is that there isn't any

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essential thing called a criminal that you know if we look at committing

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of crime we've all committed crimes so we're all criminal

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so let's go back to our um

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let's look at the extent of crime now there's always a lot of debate

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about whether crime is rising or falling criminal statistics should answer that

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question but it's never quite that simple as we've already seen

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you know not least because what is a crime changes over time um and um

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[Music] uh you know so for example um during the labor years of 97

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uh to 2010 labor government and that enacted 3 000 new laws

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so we can't compare the past with the president um but also

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the way the criminal justice system works means that it's very difficult to

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estimate the extent of crime now although this chart

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um was constructed in 1971 by stephen bob in a great book by the way deviants

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reality and society it's still relevant today apart from the

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fact that we now have something that we add into this which is the ground prosecution service

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there is a whole series of steps as you see

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to be taken in which police officers and ports have a great deal of discretion

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but we have to look at how official statistics are socially constructed

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um so for example you may or may not have

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seen a shocking government report last month

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that estimates that only 1.6 of rates now end in a conviction

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shocking figures now it can only be an estimate but that's the best estimate that we

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have also there may be a whole host of reasons why people don't report

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crimes that are committed against them so let's have a look look at

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the reasons people may not report crime first of all the crime might be what's

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called a victim that's fine so you know neither party sees

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themselves so like an example sex between

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consenting 15 year olds you know you can't have sex until you're 16

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according to the law but if it's between consenting 15 year olds

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they don't see it as a problem and that depends entirely on police activity

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um or it might be because of embarrassment i mean i've already mentioned rape um

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and although things have improved now bringing a rape charge against someone leads to

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the public exposure of a woman's moles and even if it is reported

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it's often difficult to prove that the sex wasn't consensual on the other hand

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um a higher proportion of other serious crimes are reporting

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the police and ending conviction so for example the reporting and the

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detection rate the murder is 90 percent

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because the police devote much greater effort and resources to clearing up murders

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than they do other crimes sometimes it's not in the best interest

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of the victim to report the crime so for example companies might not prosecute an

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employee in order to avoid bad publicity they will just set them or crimes

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against people while while they've been committing crimes themselves

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they're not going to report all people may not be insured

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so as insurance has increased so has so for example you can't make a

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claim unless um it is reported to your insurer um you can't make a

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claim on your insurance unless the crime is reported and you have a crime number

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so for example almost all car thefts are reported for this very reason

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um it might be because of a lack of

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confidence in securing retribution both which so for example um

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uh a minor theft the victim might consider it too trivial

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to report it or they don't think the police will do anything about it

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when it comes to the police there's also a mistrust of the police in some

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communities in some communities what's called grassing is regarded as

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unacceptable and most communities may prefer to deal with it in another way

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i come from the east end of london and the craze used to deal with crime in another way um

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or racially motivated crimes may not be reported

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because the police in certainly in some communities are regarded whether justifiably or not

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as racist themselves they people may be unaware that they are

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victims we've already said about employers they might not discover employee theft or often children

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are not aware that they are victims of crime or the victim may be too scared to

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report it so you know is there an alternative way

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other than police statistics of measuring the extent of crime

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since 1982 the home office had commissioned criminologists to

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undertake national victimization studies originally called the british crime

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survey now they're simply called crime surveys for england and wales

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they were conducted intermittently until 2001 when they became

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annual surveys on a rolling basis now the rationale for the surveys

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was that by asking representative samples of the public

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who described crimes that had been committed against them within a given recent

37:18

period two problems with official crime statistics could be avoided

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first of all the under reporting of crime and secondly police

37:32

under recording of crime the responses would therefore contribute

37:38

to providing a fuller and more valid picture of crime in britain

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now though they're not they're far from perfect

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now what happens is a combination of police recorded crime and

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survey data from the surveys are used to estimate

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the extent of crime overall and the extent of particular crimes

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now some people might say that because they may be

38:17

inaccurate we might as well rely on guesses based on our own experiences

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you know as a criminologist i would say this is a bit like saying because surgeons can't carry out

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operations in perfectly antiseptic conditions they might as well carry out

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operations in sewers and if there are biases in the

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statistics then those biases are likely to remain

38:52

over time between survey so we can at least estimate

38:59

the trends of crime with some degree of accuracy and what we

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what what the statistics show is that for the last 40 years crime overall has been falling not going

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up it's been falling now some crimes there's a spike in some kind so for

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example before the pandemic there was a spike in knife crime um but um crime overall

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has been going down for 40 years um so let's go back to

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our list fear is what causes crime now these fall into basically

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three categories biological causes which were big in the 19th century

39:53

but many of them have been largely discredited um you know the phrenologists who said

39:59

it was to do with bumps on your head and different shapes of human bodies and so

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on most of them have been discredited psychological theories and sociological

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theories now the latter i mean i i was trained originally as a

40:18

sociologist and i concentrate on sociological things they include

40:24

some cultural theories that there is uh different subcultures in um

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in in britain some people you know talk about an underclass a criminal underclass

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marxist theories feminist theories labeling theories and so on

40:44

and most criminology is concerned with testing theories against the evidence

40:52

about the causes of crime and the causes of specific crimes

40:58

but basically views about why people break the law

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basically can be grouped into three categories people break the law because

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they have a biological or psychological defect in some way if we accept that

41:20

then in that case they can't really be blamed um because it's to do with their

41:28

psychological defect or the second way is that they are victims of the kind of society

41:34

or social group that they live in in which case we should address the

41:40

defects of society rather than concentrating on the individual criminal

41:47

and this is the approach that is generally favored by most academics now this doesn't lead

41:56

to easy answers but rather it often leads to very uncomfortable

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answers especially as there is a quite understandable urge

42:09

to punish people as severely as possible and the third way is that the third view

42:17

is that people have free will that make the wrong choices in which case they can and should be

42:24

blamed and punished severe crime should be costly to now this is

42:31

generally the simplistic view that is held by the media that's held by

42:38

politicians and to a large extent held by the general public

42:44

but also by a very small number of criminologists

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but i would argue as most criminologists would that this is an easy and lazy way

42:58

of thinking about how crime can be reduced but it doesn't work if we look at the

43:06

united states for example where the public have demanded longer

43:13

and harsher sentences you know some offenders are now being given

43:18

sentences of more than a hundred years in the night united states

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this is has resulted in more and more prisons being built until in the united

43:32

states they've reached the point where for example 25

43:38

of black people of black americans now have a criminal record and millions

43:46

of them are incarcerated but crime continues to grow in the united states

43:54

now revenge might be a very comfortable feeling and you don't need to ask

44:01

the difficult questions like why offenders think the way they do

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and why they make the choices so let's have a look at now

44:16

the criminal justice system criminal justice system is about the mechanics of the criminal

44:23

justice system i'm not going to deal with this in great detail this is a summary of how it all works

44:31

law students would have to learn about all the interfaces of the way that the criminal justice

44:39

system works indeed some academics argue that this is

44:44

not the prophet criminology but it's the province of law studies

44:51

um now thereby there's basically three types of ports so magistrates courts for example

44:59

can only give a maximum of six months in prison if it's an offence that demands more

45:06

than that they have to refer a case to a higher court

45:12

it's very interesting actually to sit in the public gallery at a

45:17

magistrate's court which any of you can do i've done it on several occasions you

45:23

really learn a lot you sit there for the day you usually hear about 10 cases so

45:31

you know i'd advise you to do that it's quite enlightening um

45:38

most of the people that come before magistrates courts um so anyway to go on to the last thing

45:45

which is policing and penal policy um

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now some academics argue that this is also not the province of criminology but of a

45:59

separate discipline called penology but most academics don't most uh

46:07

criminologists think that this is part of criminology what it also involves is looking at the

46:14

history of crime and punishment to see what we can

46:20

learn because if we don't learn from history we'll carry on making the same mistakes

46:28

[Music] now we have now been

46:35

incarcerating people in prisons for about 250 years

46:42

before that most punishment was punishment of the body in various forms

46:50

and as i said earlier if there's anything we should have learnt from this history is that simply

46:58

putting people in prison doesn't work there are a number of reasons why

47:06

firstly i would think that if you want people to stop committing crime the last

47:13

thing that you would do is to put them together with other criminals for 24 hours a day

47:22

many of those who are sent to prison just come out having learnt new criminal skills to be

47:30

able to be more successful criminals and being socialized by their peers

47:37

into criminal behavior being an acceptable way of life in other words

47:44

people who are just simply sent to prison they have a much higher recidivism rate in other words

47:52

they uh re-offend more often than with other

47:57

[Music] ways of dealing with criminals

48:03

at the very least if we have to send some people with and i accept

48:10

that there are some criminals for which this is the only viable option

48:16

then we need to do something with them to rehabilitate and re-socialize

48:24

now i've personally experienced and been involved with rehabilitation programs

48:33

and so i've seen it first hand and seen the really positive results that can be achieved

48:41

through education yet when there are cuts to the prison service

48:48

what is the first thing to go prison education so what's the alternative to

48:56

sending people to prison there are alternatives that have been tried in recent years

49:02

with varying degrees of success tagging community service and west

49:08

restorative justice program now the latter

49:15

what restorative justice program starts from the argument that for the last 250 years the emphasis

49:22

in the criminal justice system has been on the offender the needs of

49:28

victims have been virtually ignored victimology

49:33

attempts to redress this and put the emphasis on the needs of victims

49:42

restorative justice programs are an attempt to meet the needs of the vic restorative justice isn't one single

49:50

solution that is an approach to justice that puts reparation to this victim at center

49:58

stage now one way of doing this is to organize a meeting between the

50:03

victim and the offender sometimes with representatives of the wider community

50:09

the goal is for them to share their experiences of what happened

50:15

to discuss who was harmed by the crime and how and to create a consensus

50:21

for what the offender can do to repair the harm from the offense

50:27

now this can include lots of things like apologies

50:33

um to compensate those effective and to prevent the effect of the

50:38

offender from causing future harm it has to be emphasized that this isn't

50:45

instead of prison a restorative justice program aims to get offenders to take

50:52

responsibility for their actions to understand the harm they have caused

50:57

and to give them an opportunity to redeem themselves and to discourage them from causing

51:04

further harm the victims the goal is to give them an active role in the process and to

51:12

reduce feelings of powerlessness which victims have said for years

51:19

that they've felt so i'm going to wrap this up in a second because we're kind of

51:24

running over a bit um but it has to be emphasized it's founded on alternative theory for

51:32

the traditional methods of justice which often focus

51:37

on simply on retribution so some members of the public think this

51:43

is all wishy-washy liberal nonsense but the interesting thing about this is

51:50

that research found that it has made offenders less likely to reoffend it has the

51:58

highest rate of victim satisfaction and it has the highest

52:04

rate of offender accountability indeed criminology is based on rigorous

52:12

and systematically gathered evidence i'm gonna kind of leave it there i've

52:19

got a bit more to say apart from the fact that um there um are a number of books if you're

52:27

interested in taking your study further there's an introduction by

52:33

tim newbern called criminology a very short introduction or there's um

52:40

a much more comprehensive book by tim newbern who's one of britain's leading criminologists but

52:48

also if you want to find out more about criminology i'm actually running an online course starting in the autumn

52:57

um which is called what is criminology it's eight sessions two hours per

53:03

week uh for eight weeks so thank you very much for listening sorry

53:08

louisa if i have gone over time a little bit um but um thank you very much for

53:16

listening over to you lorisa thank you jack you didn't go over at all the timing was

53:22

absolutely perfect um we've had a few questions in so i'll just ask those um so the first

53:30

question was are there any countries with a particularly low crime rate um and i guess an extension

53:37

to that question is is that because they have less things criminalized

53:42

people don't report them or it's just a very peaceful place

53:48

what you what i think one has to bear in mind is that there you know there are

53:55

countries differing you know society's different lots of other ways so for example we have

54:01

you know the difference between first world and third world countries so um it's very difficult to compare

54:08

first world and third one um but there are some countries in the third world

54:13

that have very high rates of crime somalia for example has very high rates of crime there are

54:20

some that have very low rates of crime i visited cuba some years ago and uber has one of the

54:28

lowest rates of crime amongst uh third world countries you could go out in the middle of the

54:34

night in cuba i stayed in havana you could walk around the streets of

54:40

havana without any fear of being um attacked or

54:45

uh and sold um in terms of the developed world one of

54:51

the highest rates of crime is the united states of america

54:57

um just over the border in canada they have much lower rates of crime

55:05

and it's still north america in terms of europe the lowest rates of crime tend to be

55:11

the scandinavian countries and yet the state scandinavia

55:18

and probably the most liberal um punishment uh regimes

55:25

of all european countries um so yes they do differ um and

55:31

those are some examples that's great thank you and then it's a

55:38

linked data question if data is skewed how can we get a good data and stats

55:45

like how can we hope to get there uh that's a good question and it's

55:52

something that criminologists have been um have been um pouring over for 40

55:59

years now um well as with any social surveys

56:08

a good response rate is important and the way that the questions are

56:14

worded is very important as well so these are changing

56:21

all the time as we learn more and more and more about how people respond

56:29

i think we also have to be careful so for example if we take the example of domestic violence

56:36

if we go around knocking on people's doors and one person in the family answers the

56:42

door they're not going to tell you that domestic violence has been going on in in that household so we have to look

56:50

for other ways of gathering that data

56:56

so there's a variety of different things the data is improving all the time but of course

57:03

crime is changing all the time so for example 30 years ago there was no such thing as

57:10

cyber crime now it's increasing massively so we've got to come to grips

57:17

with how we measure cybercrime so i don't think there's any easy answers to the question

57:24

sorry i wish there were no that was quite a big question

57:29

um we've had two questions in on um the restorative justice

57:36

uh so i will ask them both and maybe we can intertwine the answers so um how is the offenders accountabilities

57:45

like how is the success of accountability assessed um and how and how is the success of

57:51

restorative justice measured fairly it might be expected that criminals who choose to take part may already be

57:57

pre-dis predisposed to reform their behavior those are some of the difficulties yeah

58:04

um yeah as you say they might be predisposed to doing it because the you know prisoners have to be uh

58:12

have to volunteer um you know they can't be forced uh so as you say

58:19

those who do volunteer um you know that they may be um uh aware of

58:26

uh you know the uh effects of their crimes anyway

58:32

but um they're made accountable by the victims

58:37

because the victims will tell them the effects it had on their their lives so for example a few years ago i went to

58:44

a conference where one of the presentations was given by

58:51

a serial burglar and he lived in a community where

58:58

and he was all his friends did the same they were all burglars

59:04

one of the things that they never considered was the effects that those burglaries had

59:09

on their victims many victims of burglary say that um you know they may not have had

59:18

uh um you know a lot of valuables taken

59:23

but the effect it's had on their lives it gives them the chance to explain

59:29

the effect it's had on their lives and um you know those um

59:35

[Music] those criminals that have committed

59:40

those crimes um you know can then ponder

59:46

on uh you know something that they're probably not considered before

59:51

the other thing is about how do we measure success one of the ways we measure success is

59:58

comparing people who have committed the same crimes those who have gone through

1:00:04

a restorative justice program and those who haven't what happens when they're let out of

1:00:09

prison the recidivism rate that's the rate of reoffending is much

1:00:16

lower for those that went through a restorative justice program now again

1:00:22

of course people will say yes but you know they were sorry for what they did anyway

1:00:28

um whereas those that refused to go through it um were not sorry but um

1:00:35

uh there is that there is a book i can't remember the name of the book now on uh but you know if you

1:00:41

google in amazon restorative justice you'll probably get the book come up uh which was the research that was uh

1:00:48

undertaken into restorative justice programs

1:00:54

that's great thank you we've had some more questions in but um jax kindly agreed to answer them

1:00:59

via email so we will end just a few minutes over and we will get the answers to the rest of the questions out to you next week

1:01:07

um so i'm just going to stop recording now

1:01:12

and

Lecture

Pollock's Toy Museum

Established in 1956 by Marguerite and Kenneth Fawdry, Pollock’s Toy Museum is the oldest in the UK and housed in two atmospheric 18th and 19th century buildings in Fitzrovia, London.

In this lecture given by Jack Fawdry, the great grandson of the museum’s founders, we’ll take in a photographic tour of the museum, explore how it was set up and how it got its name, and discover what makes it special. 

We’ll then take a delve into the history of the toy theatre and its links with the 19th century theatre world of Covent Garden, what are they, who made them and who played with them? Lots of fun guaranteed!

Video transcript

0:00

so um it's a 200 year history um of the toy theater and the museum so

0:07

and i'll try and squeeze it into 40 minutes so just a breakthrough of what we're going to look at so first is the history

0:13

of the toy theater and then what is a toy theater and how it's made and in the actual history of the museum itself

0:20

and then a quick tour of the museum um so this is just a picture of the

0:26

building i'm in at the moment the current museum building where i'm in the basement of just to give you a bit more context

0:32

um and yeah we've been here since the 60s but as our name suggests pollock's toy

0:38

museum um is that we're named after mr benjamin pollock so he this is him standing outside of

0:45

his shop in hoxton in east london and he was a toy theater seller so that

0:50

was his sold uh kind of business was making and selling toy theaters

0:56

and um we are kind of a lineage from his shop because my great-grandma managed to buy

1:02

up all of his stock um which then formed the core of the museum which we'll come to a bit later

1:07

but um yeah he was the kind of last of the great toy theater publishers um

1:13

making making these toy theaters and he went out of business in the 30s so we have here a little timeline of the

1:20

toy theater trade and to do with the museum so reddington

1:25

was uh mr pollock's father-in-law and he was making toy theaters in the

1:31

1840s to the 1870s and this picture that you can see here is actually

1:36

a backdrop from one of the plays that he'd produced but he rather cleverly added a bit of

1:42

advertisement for his own shop by making the backdrop of the play

1:47

a picture of his own shop so it's quite a lovely documentation of what his shop would have looked like and

1:53

then when mr pollock um inherited it off his well he married mr pollock married into

2:00

it and because of the kind of i suppose sexism in the victorian age uh he inherited it not the daughter but it

2:07

then became mr pollock's and he based his shop front very similar on this reddington shop front um and then our

2:15

shop front you'll see is also quite similar so there's been this nice lineage of keeping the shop fronts the

2:20

same of the toy theater shops um so yeah this is a closer look at mr

2:26

pollock so he um took over the business in 19 in 1870 and um he ran it all the way up until

2:32

the second world war so he was seen as the last person still making them and they were very much a kind of

2:39

victorian past time and by the time the 30s had come along he was of a dinosaur even then so

2:46

it's a kind of miracle that we've managed to keep going um this is um a photo here of some little

2:54

boys kind of peering in the window and of his hoxton shop

2:59

um yeah so i'm just gonna go through what theater is to give this to some

3:06

context because um for me kind of growing up with them all around me i kind of take

3:11

them for granted in lots of ways but um the toy theater this is an example of one we still make

3:17

so it is essentially just a miniature stage that you can perform and plays on so

3:24

um so these are some examples of some of

3:29

the ones we have in the museum collection so you have um loads of different styles and

3:35

different ones made um throughout europe but england had a very strong toy theater tradition so they were such popular toys um

3:43

that kind of sprung up from the central london kind of um theater theater scene in the early

3:51

1900s so early 1800s so um in a world pre-er

3:58

like extreme entertainment like we have now with movies and um uh kind of literature everywhere and

4:05

uh the internet the theater was the place where people went to get their entertainment

4:10

and in common garden it kind of exploded around that time and there was theaters

4:16

kind of all over and really concentrated around the center of town around jerry lane and

4:21

covent garden um and off the back of this theater industry then the toy theaters kind of popped up

4:29

because um there was such a kind of dense uh cluster of theaters that it also meant that merchandise and shops could also

4:36

pop up that would cater to these new theater kind of crowds coming in and

4:41

this was a recently kind of richer middle class and kind of funded

4:46

by the industrial revolution and the british empire and so there was money swirling around and

4:52

and especially teenage boys were very fond of uh going to the theater but then

4:57

when they'd left they really wanted to take something home with them so they would buy the toy theaters from

5:03

quite a few different cellars of toy theaters and there was quite a big

5:08

sustainable trade in it with about 10 or 20 at any given time throughout the

5:14

kind of night 1800s so um yeah and teenage boys and girls but apparently it was more

5:20

boys that would go to the theater would then go home and perform the show they've just seen

5:25

um so the theater back then would have been quite a

5:30

spectacle in itself it because it was such a popular

5:36

form of entertainment and there was a lot of money thrown at it and apparently some of the sets and the the

5:43

theaters would have been incredible and even kind of quite impressive to our

5:48

modern eyes they would have really been real hubs of entertainment um

5:55

so the other very interesting thing about the toy theater is that this you know we've got these pictures

6:00

of artists interpretations of theater at the time but the toy theaters because every single play or lots of the

6:06

plays that were performed in the west end were then reproduced as toys they offer like a very wonderful visual

6:13

insight into what the theater was like so they're a great the costumes of the time and and the

6:20

sets and things like that so um yeah they they offer us a wonderful kind of

6:26

archive um in a pre for the photographic world um

6:31

so this is just to show you the kind of grandeur that still exists of the victorian toy of the victorian theaters this is still

6:38

uh in shafts avenue um so and again wonderful amazing

6:43

prosceniums that the toy theaters are mimic and copy um

6:49

so just to give you a bit more context of victorian childhood again like this the these children this would have

6:55

been incredibly entertaining and would have they would have um spent hours playing

7:00

with these um toys they kind of sprung up from early so it's argued where the first toy

7:08

theater kind of popped up from but um if you'd gone to the theater you'd have wanted to

7:13

get a bit of merchandise when you left and um these were the first ones they made so these were posters

7:19

about a5 size and they are um theatrical portraits so you see the names at the bottom so

7:25

these are the celebrity actors of the time playing their roles um and you would

7:31

have bought this as a fan to take home and color in yourself and these were incredible and i suppose

7:37

the beginning of what we now have as a very dominant celebrity culture and so these would have been the yeah

7:44

very early forms of that and it's then debated whether what artists oh well this is also

7:51

tinsling which is similar so people would have decorated their theatrical portraits so it became

7:57

a very kind of uh wonderful kind of i suppose a kind of folk art that popped

8:02

up around decorating these wonderful things and and lots of the toy theater makers would also sell these wonderful

8:08

stamps and stickers to put to decorate your um theatrical portraits um and yeah then then it was

8:16

how they became shrunken down so there's an argument whether or not it was someone being cheap and they wanted to

8:22

try and squeeze more theatrical portraits on a sheet which is very possible but someone decided to make them a bit

8:28

smaller and then and have them ready to go on a stage so this was the beginning of the toy

8:33

theatre and they became incredibly popular and they would have been sold

8:38

black and white or colored and they would double the price if they were colored for you but lots of people that

8:45

bought them would have enjoyed coloring them in and then carefully cutting all the characters out and then having them

8:50

ready to perform on the tiny stages that you would also buy so we have here scenes from oliver twist

8:57

um the artistry in them is often very beautiful as well and um kind of lovely evocative scenes

9:05

we've got jack the giant killer here um which is great this one's i love this one this has got the big

9:10

giant in the foreground but then you can use the smaller one to to um create a bit of depth while you're

9:15

performing um and strange knife juggling going on

9:21

and they often have very funny scenes in them so this is a lovely interior for your backdrop

9:26

and again some very odd strange characters so a lot of the

9:32

pantomimes were done in toy theater and the pantomimes have quite strange goings-on

9:37

happening in them um so [Music] yeah it's another lovely scene

9:44

background so so then once you've cut out all your

9:50

things then this is a toy theater here where you can see you set up the the the um

9:56

stage and you have your characters and your backdrops and everything put in place so and then you're ready to perform to your friends and family and

10:02

you've got a little script booked here the miller and his men and then you would um sit around this is a jolly scene here

10:10

from a kind of what looks like quite a well-off uh family so they'd all sit around and

10:16

entertain everyone else this is maybe slightly later on maybe just pre-war um and again you see

10:24

people kind of gathered around this what would now be replaced with the telly basically

10:32

so this is just another example to give you more context so the next stage is just going on to

10:38

actually how they were made and this is one an area of particular interest to me because i'm a printmaker

10:44

so they are nearly all uh printed uh etched onto copper plates so you have

10:50

your copper plate here on the left and this is uh either scored in with a with a with an engraving tool or drawn

10:58

with a wax layer put on top of it and then drawn into it and then you then dip this in acid and

11:04

then this um creates grooves within the metal plate and then allows you to then uh take a

11:10

print from it which you can see on the other side by squidging it through a press which i'll have a picture of here so this is a

11:16

close-up of a piece of metal with the etch lines in it and i hope you can see that this is they

11:21

they are grooved in they are kind of three-dimensional things that the ink then pulls inside of so this is what an

11:27

etching or an engraving is and these this is the main form of how things were printed for

11:33

about 200 years and it's still a popular art form to this day and i still practice it so

11:39

it's um has wonderful qualities to it so and this is a picture of me actually

11:45

smoking a plate so this is when you get it ready with the wax layer on top so you can see that is a very kind of

11:50

dickensian process that you still have to go through which i quite enjoy

11:56

um and here you have yeah some some examples of some different presses uh the one on the right is the one that

12:02

i use which is an etching press and then this one's more of a lithography press and and this is how they would have

12:07

printed the toy theaters um in great numbers when labor was cheap and materials were more expensive but

12:15

um and then once the two things was printed then it would be hands colored by members of the family

12:21

and um then sold either double the price colored or um half the

12:27

price for black and white and then you would color it in at home uh if you bought it black and white

12:33

and then you there's an example of one fully colored and they could be very dramatic and beautifully done

12:40

and quite um yeah gordy so um i'm whistling through making sure

12:46

i'm on good time so yeah so so that's a kind of very quick little history of the toy theaters and

12:52

things but then so the museum itself um has its own kind of wonderful history so um

13:00

the museum was started uh so mr pollock dies in 1930 and his daughters took on

13:06

running the business for a while uh but they were dealing with a a kind of trade that was becoming less

13:13

and less popular as more exciting forms of entertainment started up like early um cinema

13:20

and magic lantern shows and then they also had to compete with the oncoming uh war which

13:27

um was particularly the east end was particularly hard hit so they actually just went out of business just before

13:33

the war and they luckily sold all the stock which contained all thousands of these metal

13:38

plates and lots of theaters and lots of wonderful um kind of toy theater memorabilia and

13:44

things they sold it just before the war and moved it out of the shop and then the shop was actually

13:50

hit by a bomb um in the blitz which i think i have a

13:55

picture of here so this is the bombed out shop on the on the right and this is what it would have looked like

14:00

just before so the daughters yeah by a very lucky um twist of fate managed to

14:07

get the stock all out of there and it was sold to a man called alan keane who carried on the business for 10 years

14:14

after that but he actually um it went bankrupt basically

14:20

and this is when um my great grandma steps in looking very

14:25

lovely here in her on our wedding day so she um the story goes is that her son who's my

14:32

grandad was um a big fan of the toy theater and he wanted to buy another wire slide

14:39

for some of his characters which bring them on and off stage and she rang up to find out if she could

14:46

buy them from the toy theater shop that alan keane was working on and he she found out that

14:51

they'd gone bankrupt and they said that they couldn't she couldn't buy one slide but she could potentially buy all the stock

14:58

uh if she wanted so she uh did a bit quite a bold thing and did

15:04

that and um started the museum um with all this uh mr pollock's old stock

15:12

so she started it in the 50s in covent garden and then um she was quite a kind of wonderful

15:20

entrepreneur and pioneer because as i imagine the 1950s would have been a kind of hard place for

15:27

a woman to be um striking out on a kind of eccentric

15:32

business venture but also it was the kind of perfect um environment for her to be

15:38

um kind of operating in a world that was maybe looking back not looking not wanting to look back too

15:45

much after the war and wanting to look forward but she was actually collecting and and reviving a lot of victorian

15:52

uh traditions like the toy theater so lots of people rallied around her and supported her donated lots of toys

15:58

donated lots of time and she kind of did create a bit of us um a kind of scene

16:04

of this revival of the victorian and kind of yeah um and she was also in the right place

16:11

at the right time because um buildings back then were much cheaper and uh kind of yeah much less desirable so

16:19

we were started in common garden but then uh in when covent garden changed from being a fruit and veg

16:25

market into what it is now uh it kind of gentrified the area so the rents went up so she moved

16:30

to fitzrovia in the 60s which then would have been quite a backwater kind of part of central london

16:37

and not very desirable so she managed to acquire these two old um townhouses

16:44

to house the museum in which now are worth a lot of money but that back then i don't think we're worth very much so

16:51

um it's the type of thing that makes our museum quite special because we're situated right in the middle of central

16:57

london but um and as an independent museum and i don't think it would be possible to kind of uh

17:03

create something like this now so um so yeah we're housed in this this is a nice picture from the 70s

17:10

when and you can see this is a picture from the other day so you can see how big the trees got

17:16

which is a nice kind of uh show's time moving and a different paint job slightly

17:23

different paint job um so the buildings that were housed so this building here on the corner was

17:28

built in 1760 and then the building next door to it is a bit younger and it's uh

17:34

built in 1880 so the buildings that the museum's housed in is are quite um special because they're

17:41

pretty unchanged since they were built and um pretty old for the area

17:46

especially the 1761 there's not many complete townhouses like that in the area so

17:53

um so yeah we have here kind of some exterior shots of the museum and um

18:01

yeah so this i'm not going to just take you on a quick um tour around and i will kind of point

18:08

out bits of particular interest so you can see here this is the shop front and it's a

18:14

again this is not where mr pollock would have uh had his shop because it was in hoxton

18:19

but it's uh very much uh modeled on what his would look like so this is a genuine

18:25

uh victorian shopfront um but my great-grandma added these

18:31

wonderful theatrical portraits and uh kind of used pictures of what mr pollock's shop would look like to kind

18:37

of decorate it and make it look as much like mr pollock's shop so um this pictures kind of clearly shows

18:44

you the two different buildings as well joined together so you have the 18 the 1761 the georgian one and then the

18:51

late victorian one and they're knocked through so when we go on the tour you get to go on a kind of complete circle round

18:58

and both buildings so let's begin the tour so when you first

19:03

enter the museum you are confront you are um kind of greeted with this wall of toy theaters

19:10

um as they are our kind of heart and core so this is the entrance um room of the

19:16

museum where you would buy your ticket and also where you can buy things from the shop and again this is modeled very much on

19:23

what mr pollock's shop would have looked like um but he would have had a lot more plays and um scenes available

19:29

and less the actual theater so um we've got a bust of my great grandma

19:34

to make sure that we're all behaving ourselves and she's looking over us and some more toy theaters

19:41

and then we go to a door to our right and we enter the first section of the

19:47

museum which has toys from america and money boxes and cast iron toys from america

19:53

and from the usa and then also from central and south america and this is a close-up i know it's a bad

20:00

picture because the glass is quite reflective but these um are wonderful nativities scene um

20:07

actually made of bread and this is a kind of traditional um uh

20:13

where in from ecuador where they would bake the bread very high temperature and then you can decorate it with coloring and things so

20:19

um they're very wonderful and beautiful things but made out of such a simple um material which is a kind of recurring

20:27

museum which is um yeah things are beautifully made but out of quite simple things

20:34

so we carry on up the windings narrow staircase and we come to room one so room one

20:40

contains a huge late victorian rocking horse and lots of uh board games

20:48

and um kind of parlor games and things like this so a

20:53

kind of good um reminder of all the ways that everyone would have entertained themselves pre

20:59

computers and television and we have examples of early cinema and these are magic lanterns

21:05

so these were very popular ways of um putting on shows by projecting images

21:12

beautiful images actually that were painted and then you would start you'd have a small fire lantern in here and it would

21:18

project into a dark room um and yeah you might have live

21:24

music or someone narrating the story so in many ways these are what's kind of

21:30

surpassed the toy theater so we have an examples here of some backlit slides from the from the magic lanterns and

21:36

yeah they're very beautiful often hand painted and um yeah onto glass

21:44

uh also in this room we have space toys which again is quite interesting because i

21:50

suppose toys they do shine a reflection on what society is doing at the time

21:55

so space toys all becoming very popular in 60s and 70s um showing our fascination and ambition

22:03

to get to space and um yeah it's it's it's interesting to see toys mimic society

22:10

and what we can learn from that um and these wonderful creative visions of space

22:16

exploration that uh never really seem to materialize or not yet anyway

22:23

um so this is the way back out of room one and we go up the steps

22:28

in and then we got the steps to room two so room two contains um a few puppets with punch and

22:34

judy um a section on indian toys which again are often very and beautifully made

22:41

without very simple materials um and we have quite a few

22:47

other puppets on display as well so because of the toy theaters also being

22:52

kind of related to puppetry we have a big connection with lots of puppets and we've got city and sweep up here and

22:59

um in this case at the far end actually there's a puppet with their with a hitler in it and and

23:06

pirate cream is often used as uh ways to express satire and and current affairs

23:11

and from a time where people most people wouldn't read and write and um so having your um the news or kind of

23:19

jokes about current affairs were often played out in puppetry um on the street

23:26

and also there's there's a thought that if the puppet is kind of um carrying out acts

23:33

of uh kind of satire or or anti the state or ansi the leader it's not actually the puppeteer

23:38

it's the puppet that gets blamed so there's ways of kind of um maybe getting away with kind of

23:45

things that maybe you might not get away with by saying yourself so this is why puppetry has always been a kind of popular form of

23:51

entertainment and especially satire so yeah this is our um examples of that here and then we

23:58

have a huge case of tin toys um from around europe but mainly my great-grandma had a big

24:04

collection of uh tin toys from england so uh again this reflects society at the

24:11

time because a lot of toys were made in germany uh pre-war but then after the war um england had to start kind of

24:18

producing its own toys and there wasn't much of an appetite for buying german goods so and then suddenly a lot of toys were

24:24

made in england again and obviously now we've kind of moved away from that again and now

24:29

most of the toys we get are made in china so they riff they do reflect what's happening in society quite

24:35

accurately um so some more puppets here again from around the world so um

24:43

yeah puppetry is incredibly kind of unifying uh international kind of pastime and art

24:50

form um and then we go on to room four which is uh has our teddy bear

24:57

collection in it and um you'll notice that around the museum is kind of curated quite um

25:04

kind of uniquely in many ways and quite beautifully so um it's often kind of yeah the visuals

25:11

are as important as the information and and may what makes us quite special is that each case is almost like an art form in

25:18

its own right um and in this case here we have eric down here and eric is our oldest

25:24

teddy bear so he's 116 years old and um he his label is rather kind of

25:32

ambiguously titled the oldest known teddy bear now technically he's not actually the world's oldest teddy bear the world's

25:38

oldest teddy bear is one year older than eric but uh crown of the oldest known teddy

25:44

bear is leaves it kind of vague enough so maybe the oldest known to my great grandma at the time when she wrote that

25:49

label so but he's incredibly old and is looking quite good for it i think

25:54

um so just one other thing about the teddy bears so they were teddy bears were kind of um

26:03

kind of created i i was told to kind of fit a niche um and a gap in the toy

26:10

market where uh girls were encouraged to play with dolls um and to kind of nurture their um

26:18

their caring and empathetic side but there was nothing for boys to do that with and because they were too kind of

26:24

divided as the sexist to encourage boys to play with dolls they then

26:30

created teddy bears as a way to encourage boys to look after something and be empathetic

26:36

but without them um feeling emasculated by playing with a doll so um so it's quite interesting and as

26:43

as someone as a child i i deeply remember looking after and loving my teddy bears

26:49

so they've definitely um i think they've worked in in that sense

26:54

um so then we head down the staircase here and we head down and passed the european

27:02

folk toys so my great grandma was very keen on collecting and traveling around eastern

27:07

europe uh which has a very strong tradition of making lovely um wooden and kind of paper toys

27:15

and um she kind of collected a big collection of them especially these ones

27:20

in the middle which are called dutch peg dolls and she managed to quite similar to how

27:25

she was in the right place at the right time to buy mr pollock stock she actually went to visit this family who it was a family who made them in the

27:32

mountains and he and they would all make them by hand and each family member would do a different part of the body

27:38

and um they yeah produced quite a large number of these but then just as they were going out of business my

27:44

great-grandma um went there and she actually bought like all thousands of their stock and so she used

27:50

to sell them um in the museum and we became quite famous in the 70s and 80s for selling

27:56

these wonderful kind of peg dolls but now they've all run out but the ones remaining live in the museum

28:03

so this is one of my favorite things that we have which is a polish paper cut out piece of artwork

28:12

and it's just again such a simple beautiful thing but just cut out sugar

28:17

paper and yeah time and dedication and and a bit of artistic skill

28:23

but very simple materials um and just quite a funny face funny legs um

28:31

then we move down to room six and room five uh with our doll collection uh at this

28:37

point we have some visitors uh slightly kind of uh have freaked out a little bit there's

28:44

quite a few people that find all the staring eyes of the dolls a little bit creepy which i can

28:49

can empathize with but um i've never felt any malevolent presence from them but

28:54

this is the nursery where we do have quite a large number of them and um yeah they kind of

29:01

they they they are wonderful because they uh again show us what the clothes and the the the

29:08

hairstyles and the kind of um of the of the victorian period would have been like they all we have to do quite a lot of

29:15

moth um prevention here at the museum luckily because we don't have any heating uh in the winter the moths will die uh

29:23

which is a great way of keeping their numbers down i've heard a lot of stately homes who have heating on all the time have a terrible problem with

29:30

moths uh eating throughout the year but we only have a room in the summer but we um we then have to go in and undress a lot

29:36

of the dollies and make sure that they've all got lovely silk kind of undergarments on and lovely victorian kind of

29:41

pineapples and and pants and things on so we have to make sure we go and clean them all and make

29:46

sure that they're not being munched away by moths so it's quite a big job um so yeah

29:54

this is another this is uh wax uh doll here so um yeah wax dolls were incredibly

30:00

kind of expensive at the time and still are and um and often uh some of the older ones and um yeah

30:08

this is quite strange you can imagine the difficult playing with a wax doll and

30:14

being fragile and um yeah all the limitations and i think that also reflects on

30:19

what childhood would have been like for the children playing with these that would have been quite a different situation to how children play

30:27

now i think it would have been less free and they would have been very careful about how they were playing with these dolls and only at limited

30:33

times of day probably after they've been to church and been very well behaved the rest of the week so

30:40

and this is a panoramic view of our dolls room to give you a bit more

30:45

context of the space and um and then we have a large

30:52

connection with the pearly kings and queens so uh because we're such a london kind of um

30:59

institution and and when we have such a long london history and especially based in the east end and

31:05

we have a connection with the pearlies and so um i'm sure many of you are familiar with the pearly kings and

31:10

queens but it's but basically they um they are a kind of small

31:16

um it's just kind of sub culture of um i suppose cockney or working class

31:23

uh london um where uh community leaders in these in these deprived communities would

31:29

started to um get money for charity uh by dressing up in these wonderful

31:36

pearly um outfits and apparently pearls were quite common found in the markets in east london

31:41

uh from the seafood markets so again they were simple materials or kind of you know

31:48

readily available materials but beautifully woven into these coats and then um with kind of wonderful

31:55

artistic effect and then the the the pearly kings and queens wearing these would go out and

32:01

fundraise and people would be so happy and um kind of er

32:08

kind of how beautiful they were that they would give them money and it's still a tradition that's carried on today so um yeah we have a

32:15

nice collection of pearly king and queen things in the museum this is an altar on an autonomous

32:21

uh so this is a very popular um victorian um clockwork or wind-up

32:28

uh toys uh so this uh baby lives in this cabbage and when you uh turn the key she uh pops back down into

32:36

the cabbage and then pops up and blows you a kiss and um it's incredibly lovely and very fun toy

32:44

and she would have been made by a autonomous maker in france who is very kind of prolific

32:51

now we head down the stairs into the final room and that's our theater room so we kind

32:56

of come full circle and back to the toy theaters which are at our core

33:02

uh essentially so um yeah you can see here another kind of overwhelming array of

33:08

toy theaters um on display ranging in different sizes and um we're very much obviously part of

33:15

the english toy theater tradition but there's actually there was a toy theater tradition in france in germany

33:21

and in belgium and all with their different styles so it's quite easy to tell the difference

33:26

and as a slight stereotype the french ones seem to be much uh more kind of romantic and uh

33:32

and kind of a bit more grand and uh kind of better better drawn in a more classical

33:39

way uh the german ones are much bigger and darker in their um scenery and then the english ones are

33:45

incredibly gaudy and bright colors and a much simpler kind of drawing style so yeah you can kind of

33:52

tell the difference between the different countries this is a close-up of one of the english ones you can see very gaudy

33:58

here um and a pantomime scene going on so you

34:03

have harlequin here and um the clown and columbine which are recurring characters in the panel of

34:10

mine and they were kind of like the narrators or the kind of people that brought the story along constantly

34:17

um it's a nice little one and then this is the last section of the

34:24

museum which is just a quite a big collection of chinese toys from the 60s and 70s so my great grandma was um

34:32

quite uh fascinated by china and the rise of mount zitung and she was quite left-wing and so she

34:38

was quite excited by this prospect of this strong uh

34:43

communist country so she was very intrigued and she um she she went and to travel to china and

34:49

bought lots of chinese toys and was very interested in chinese culture um way before i think it was kind of um

34:57

in the mainstream in back in england so again showing her four thoughts she had a lot of she was quite a

35:03

forward thinker um in that sense so she and this is just a this is actually a

35:09

case from japan but just some lovely and traditional japanese toys that nod

35:14

their heads and um this is also just to show you just the cases on display so a bit like what

35:20

i was saying earlier but a big part of the museum is the different cases so in some ways you can go back around the

35:26

museum and just look at the cases because the cases themselves are often kind of beautiful things

35:33

um and then you end in the shop like any good museum and you end in a toy

35:38

shop so this is a lovely bill that we have which is about 110 years old which still works

35:44

so whenever the rare occasion where people use cash nowadays i get to use the till when someone

35:49

and pays to go around the museum so yeah so

35:56

that was a very quick um review and so i

36:03

apologized if it was very um felt very rushed but um if you ever come

36:10

want to come and visit

Lecture

Understanding film noir

Marking National Writing Day (which fell yesterday, 23 June), this lecture will explore Film Noir as stylish Hollywood crime dramas of the 1940s and 1950s, many based on hard-boiled detective novels written by Dashiell Hammett, Raymond Chandler et al. Taking in The Maltese Falcon (1941) and Double Indemnity (1944) to illustrate this rich, classic period of cinema.

We'll also look at origins and influences as well as the recognisable visual techniques, familiar genre tropes, characterisation and narrative.

Video transcript

Unfortunately, no transcript is available for this lecture, we apologise for any inconvenience caused.

Lecture

When Henry VIII went glamping

In June 1520, Henry VIII of England and Francois I of France met in a field in northern France for a spot of glamping. Joined by 12,000 of their countrymen and women, they took part in an 18-day festival of jousting, feasting and general merry-making, all based in a temporary encampment of spectacular, richly decorated tents.

Join us on the 501st anniversary of the event for a light-hearted visit around the camp where we will discover what they did there from extravagant feasts to jousting tournaments, and explore some of the lavishly decorated tents that gave this magnificent event its name!

Video transcript

0:00

uh i must say it's real thrilled to be here on the 501st anniversary of this event

0:07

um i expect quite a few of you have heard the name field of cloth gold but um

0:14

most of us don't know very much about it i certainly didn't until i looked into it

0:19

and so today we are going to look at more of the details of this event can i have the next slide please

0:28

it's not behaving hold on i think it's something is that it that's

0:33

it brilliant sometimes takes a minute to cook in yeah that's fine okay so this is a

0:39

painting that was actually commissioned by henry viii it's in the royal collection and he

0:45

commissioned it towards the end of his reign so what he was saying by that was this is one of the most important events

0:51

of that he looked back on during his life um that he wanted remembered it's wonderful

0:58

picture uh in the world collection and you can see a lot of the details there

1:04

the event took place from the 7th to the 23rd of june 1520 and it lasted

1:11

18 days which is quite a long time for an event like this

1:17

it happened because um they were celebrating the treaty of universal

1:22

peace or the treaty of london and this was a treaty that was signed in 1518 and it was an alliance between

1:32

a number of european powers and they got together to try and prevent the advance of the

1:38

ottoman empire so two of the parties to that treaty

1:45

england and france decided to hold this celebration and it was held in a field in northern

1:52

france which is what we're looking at in the painting uh 10 miles south of calais so that's

1:59

calais you can see to the left there and it was held on a small pocket of

2:04

english soil this was our last piece of france that england owned and it wasn't to be held

2:10

much longer because it was lost in 1558

2:16

it wasn't a summit like the g7 summit we've just seen there were no peace negotiations or

2:22

anything like that no political discussions it was purely a tournament a celebration

2:28

they had banquets music daily religious masses and generally

2:35

the idea was to form a better relationship between england and france next slide

2:42

please

2:47

so these are the people who took part some of them anyway top left is francois the first france is

2:55

the first and he was only 25 at this time he was the king of france

3:00

and below him just below him is his wife queen claude and she was eight months

3:07

pregnant at the time of this event but she still came along and participated

3:12

um next to francois is henry viii uh he doesn't look like we normally see

3:19

him because of course he was a lot younger then it's not the normal portraits he was about 29

3:25

at this time he looks quite different below him on the screen is his wife and

3:30

this was his first wife um catherine of aragon she doesn't look very happy in the painting i must say

3:38

next to henry is uh cardinal thomas woolsey now he was the instigator of this whole

3:44

treaty he had a foot in two different camps first of all he was a papal legate the

3:52

representative of the pope but also he was lord chancellor of england

3:57

and he did like to play these two different uh sides uh one against the other he was

4:03

obviously a manipulator next to uh woolsey is the pope

4:09

leo the ten he wasn't there but he was woolsey's boss and he was certainly

4:14

there in spirit he was a powerful force and the most powerful force in europe at that time is the chap

4:21

bottom right this is charles v now charles v had been elected holy

4:28

roman emperor only um the previous year and he was only 20 years old

4:35

uh you can see he's got the typical haps bunch in there

4:40

next slide please

4:46

why the cloth of gold well i think once you start looking at the images you start to realize you've got these amazing tents and these

4:54

are actually covered in gold cloth you can also see a lot of other tents so

5:00

the other tents were for accommodation and these very decorated fancy tents were generally for

5:06

different events and so on so that's one of the reasons it was called the field of the clock of

5:11

gold because of the spectacle of these gold tents

5:18

but it wasn't just that it was also the costume was worn

5:23

and these sort of material culture like this was very important because if you think

5:28

of king kinship they're not watching tv they're not seeing royalty on tv you only heard about it through

5:35

descriptions of amazingly splendid events like this or if you witness them so rituals

5:43

and magnificence were very important next slide please

5:50

so looking at cloth and gold in a little bit more detail if you look at this object on the right

5:57

this is what's called the fairy funeral pool it's a cover that goes on a coffin at a

6:04

funeral and this is actually on display in the victorian albert museum

6:09

this dates from around this period if you look at the top section with the

6:15

red that's actually cloth of gold so what cloth of gold technically is is a material a woven material

6:23

into which actual gold thread is um woven into the morgan weft now the way they make the

6:31

gold thread is they take real gold and beat it into sheets

6:36

so if you think of tin foil that sort of thing and then they would slice up the tin foil gold

6:44

into thin strips and wind those strips round silk thread so that would make the

6:51

the gold the threads with actual gold that would go into the woven cloth makes quite a heavy um cloth i must say

7:00

the if you look around the base of the pool you see the blue with some figures on it and they're embroidered so

7:06

it's gold thread embroidered so technically it's not gold but generally people

7:11

refer to all of this as gold cloth particularly if you look at the portrait

7:17

of henry wonderful portrait obviously later in life and you can see him covered in gold none

7:23

of it is cloth of gold his sleeves are woven are silk with gold

7:28

colors gold colored silk that's called cloth tissue and his costume is covered in this heavy

7:35

gold embroidery again so you can imagine him in candlelight

7:42

really he would glitter so that's what cloth of gold is

7:48

so when they had cloth gold this was one of the um fabrics that were controlled by

7:56

sumtury laws some tree laws are laws that specifically

8:01

dictate who can wear what sort of costume and things like that there are other country laws but a lot

8:07

of them are blank costume and henry had a number of these they were called

8:13

acts of apparel and one of the functions was to keep everybody in their place so separate the

8:20

social classes so henry for instance would be allowed to wear cloth

8:26

gold people lower down the social strata weren't allowed to and the same applied to things like um

8:33

irma in different furs wearing the color purple lace and things like that all of that

8:39

was restricted by sumtury laws next slide please

8:47

i just put this in to let you know about the accounts of this event we're very

8:52

lucky with an event like this because it's so um such a big major event there were lots of accounts

9:00

they're very detailed royal archives and royal royal wardrobe accounts also

9:07

everything that was in the wardrobe was um listed and it's very helpful for researching topics like this

9:14

there also a lot of the french wrote memoirs and also this was a time when pamphlets

9:20

were starting to become popular and apparently there were newsletters about

9:26

this event circulated in the streets of paris that very same summer so that's quite a swift sort of

9:33

transmission of news next slide please

9:41

this is a companion painting to the first one we saw and it's called crossing the narrow sea

9:47

which is what we now call the english channel and it shows henry's departure

9:53

from dover to go to this event

9:58

when they traveled down to dover the english party didn't wear old travelling clothes like

10:04

i would if i was going to the airport no they processed and this was part of this display of magnificence

10:10

to the to the um to the public so you imagine the scene of sort of

10:17

great trains of people on horseback wearing these magnificent clothes heading down to dover through these

10:23

little tiny villages they must have been quite a sight it was exactly the same to the french

10:29

francoise party travelled from quite further far south in france

10:34

and part of their journey they traveled on barges along the riversong and apparently the barges were covered

10:42

in penance and flags and tapestries and so on again that must have been a magnificent

10:47

site so this departure from dover which is

10:54

beautifully portrayed here probably exaggerated there were so many people who went to

11:00

this event now everything at this event was about equality between the english and french

11:05

so they had the exact same number of people attending and henry's party was 6 000 people

11:12

6 000 and francois had the same so all together 12 000 people had to be provisioned

11:19

and accommodated in these this field in france rating days you can imagine the logistics of that

11:27

the the little ship you can see in the painting that's got the gold sails that's henry's ship uh this was clotted

11:33

gold on the sails uh this was called the catherine pleasants

11:38

and it was a sort of new one the historians i read said oh it's basically a royal yacht it wasn't a very seaworthy

11:44

vessel it had stained glass windows and so on so um that was uh

11:53

especially dressed up i think with the gold sales of this event and if you look at the people at the

11:59

front who are getting ready to uh depart it's quite funny because when you read the accounts

12:06

they're all loaded onto these ships according to their precedence and we've got a list here of um one of

12:14

the departures because obviously there was more than one with the numbers and this list is two dukes

12:21

one marquis ten earls 4 bishops 27 knights 16 heralds

12:27

200 yeomen of the guard 266 officers of the household 205 stable

12:34

boys and armory men musicians and others amounting to 935

12:40

people i can always imagine somebody with a clipboard when i read that

12:45

but uh amazing uh how they took all these people to france

12:50

um luckily for henry uh this was a very fine day so he and his wife queen

12:56

had a very nice crossing by all kinds they crossed on the 31st of may they arrived a few

13:03

days before the event next slide please

13:10

this is the arrival um going to the actual field so they spent

13:17

a few days in calais and then they processed the field and that's what this is showing

13:23

this was the fourth of june you can see henry at the front uh with the gold cape it's quite an

13:31

older picture of him because this was painted years later so they just used this as he was when the painting

13:37

was done and you can see him surrounded by his infantry men wearing red

13:43

doublets and they've actually got tudor roses on their costume they weren't quite sure whether this

13:49

really was going to be a friendly event so both sides took precautions in case there was some sort of surprise

13:55

attack going to happen um i know you can spot a dragon in the

14:01

picture but don't worry we'll it's not game of thrones we will talk about the dragon a bit later

14:08

i hate to disappoint you now because although this is listed as glamping henry and francis were the two people

14:13

who didn't actually go glamping they cheated and they both stayed in parcels in the village's adjacent

14:20

field however everybody else went camping next slide please

14:29

so this is the first meeting between the two kings obviously it's a later illustration

14:35

um they'd never met before they're both young kings they wanted to meet they were quite competitive

14:42

henry apparently went around asking ambassadors before how tall this king was

14:47

was he better featured than him so you can imagine there was quite a lot of um discussion about all this the

14:54

the field where they met was a sort of side field which the meeting was carefully

15:01

choreographed because the field wasn't quite flat they had to bulldoze

15:07

or the equivalent in those days at one corner of the field to make it flat the two kings were either end a trumpet sounded

15:16

and when the trumpet blast sounded the two parties moved towards the middle of the field

15:22

the kings embraced on horseback got off and then embraced again they went then went into this little

15:29

tent that you can see and this tent was like a sort of uh mini

15:34

palace which was covered in cloth of gold lined with tapestries two thrones inside

15:42

all the trappings of state and there was wine there so the two kings spent half an hour

15:48

chatting and toasting each other good friends french and english

15:56

next slide please

16:03

thanks so the tense that at the heart of this event

16:09

there's a wonderful book in the british library of these illustrations that it's digitalised so you can actually view

16:15

them online and this is one of the tents uh red so this would

16:21

be one of henry's tents because the red tudor colours and you can see all these wonderful

16:26

heraldic beasts on top of the tents and pennants and so on

16:32

um chivalry was an important theme throughout this event and so a lot of

16:37

the visual imagery is to do with chivalry the very posh um colored tents like this um

16:45

were the ones that were used for meetings and so on rather than a lot of accommodation i think

16:53

next slide please some more of the tents francoise colours

17:01

were blue and uh gold were talk and you can see one of these tents here with these beautiful

17:07

blue and gold colors and the green and white

17:12

this was henry's personal livery it was green and white so you see these stripes so they're not

17:18

only on the costumes of the servants but um also on things like tents and so

17:24

on the french apparently had french sailors all come and uh erect the tents because they were

17:30

used to uh rigging the tents were filled with

17:36

trappings royal palaces so tapestries metal serving plates beautiful table linens all these sort of

17:43

trappings that you'd expect next slide please so

17:50

this is the spectacular most spectacular tent when i was saying about the competition

17:56

between the two kings this is henry's tent and i'm afraid he won the competition in terms of tents he didn't win

18:02

everything at this tournament but he certainly won in the the tent stakes this is the main

18:09

pavilion it was 328 feet long 100 meters and it was nicknamed the

18:16

crystal palace because it had a lot of glass in its uh composition just like

18:22

crystal palace in the for the great exhibition it's named after now the tudor court loved puzzles and

18:30

artifice fake things and this tent really embodies it because if you look at the base the the

18:37

base six foot is actually um real brick so it's a brick foundation

18:43

then everything above it was wooden frames and canvas and then they painted the canvas to look

18:50

like uh stone and brick and roof tiles it was a two-story tent there was a

18:58

large wooden staircase that went up to the upper floor um when you went into the tent there was

19:05

a sort of inner courtyard and then it was divided into four sections which had retiring rooms for

19:12

meetings bank footing hall and bedrooms because this is where wolsey stayed in this

19:18

particular building there was also a small chapel very ornate apparently

19:24

can you see the statues on top throwing down rocks i thought that was quite a nice touch

19:30

francois had a very beautiful tent as well it was blue and gold like one we saw previously

19:35

it's not a lot of detail about it but it had apparently a blue interior ceiling

19:40

with lots of gold styles on it to represent the heavens and the fleur-de-lis iconic

19:48

symbol is everywhere as well unfortunately francis's tent fell down in a storm but they did put it

19:55

back up again never mind um next slide please

20:03

so as i said this is mainly a tournament and you can see here the tilt yard

20:09

and it's a bit of a blurry picture because it's a small fragment of that big painting

20:14

so tilt jousting was just one of the events they had archery wrestling all sorts of

20:21

feats of arms uh mini battles on horseback and on foot

20:26

and displays of horsemanship the tree in the corner is a very

20:32

peculiar thing it was a fake tree it's it's not a real tree they built out

20:37

of various woods and they had silk flowers to represent blossom

20:43

and you can see things hanging from it that look a bit gruesome but they're actually coats of arms

20:48

so the idea was there were coats of arms of the different participants but also coats of arms well

20:54

not coats shields showing the different events and apparently you would sort of tip your lance towards which event you

21:01

were going to take part in that was that was the concept sort of like a scoreboard almost

21:09

next slide please so jousting this is obviously latest

21:15

victorian picture um jousting apparently the joystick

21:21

wasn't very good at this event not very high quality um it started on the 9th of june the

21:26

jousting they didn't use sharp lances the idea wasn't to kill each other

21:32

the idea was to unseat your opponent but despite this it was a very very

21:38

dangerous sport i expect a lot of you know henry had quite a serious jousting injury years

21:45

later and he apparently was unconscious for about 20 minutes which must have scared everybody to death

21:50

and that led to his leg injury which caused a lot of problems with ulcers and even worse um poor francoise

21:58

his son years later when he was king he was actually killed by wooden splinter when he was um taking part in the joust

22:06

and he lived long enough you know regained conju retained consciousness long enough that

22:12

he was able to forgive the person who killed him which was lucky for a count of mont

22:19

montgomery who was the chap so a very dangerous sport

22:25

next slide please thanks this is the armor that henry wore

22:31

so the both of the kings took part in these events they were young chaps very athletic um and this is the heart the armor that

22:39

henry actually wore it's in the royal armouries and this is from their website which has wonderful details about all of this

22:47

um you can henry got to choose where the event took place that's held

22:53

on this pocket of english soil and because of that francois got to choose uh

22:58

details about the events and apparently they'd built the uh the armory had built henry this

23:05

suit of armor and then they found out it's the wrong type because of the event that francois had chosen so they had to

23:11

add this skirt which is this is called tonlet armour so they added this skirt and apparently

23:16

because they did it at the last minute without proper proper materials

23:22

uh there's a mistake in it but i hadn't noticed uh you can see the wonderful details so

23:28

you can see henry on the horse etched into it and also tudor roses

23:36

next slide please thanks uh one event i have to mention

23:44

unfortunately is the wrestling not for a good reason um excuse me this is only one of the

23:52

events but it was a famous one now they they competed in teams in these

24:00

events but not a french versus english because it was a friendlier tournament they had mixed teams and

24:07

france so francois and henry were never supposed to compete directly however they were um hanging out together on one

24:15

occasion and i presume drink had been taken and henry suddenly took it upon himself to

24:21

challenge francois to a wrestling match um they were both tall chaps but i but

24:28

what henry didn't realize is that francois had been trained by the best french wrestlers

24:34

and because of it uh he managed to throw henry to the green

24:39

pretty quickly i think henry wanted best of three but francois wasn't having it

24:45

it was only reported in the french accounts which could mean one of two things either it was made up or

24:51

the english writers wanted to keep their heads as you can see by these later sort of

24:57

illustrations it became a sort of um symbol of french and english struggles

25:02

and was often repeated so unfortunately it lived long this sort of idea

25:09

next slide please okay we're looking here at some of the costume this is from the same book of

25:16

illustrations uh the livery costume so the blue and white stripe

25:22

is one of henry's people and then the rest are people who competed

25:28

in the in the tournaments and they wore it's a really complicated uh system they had but they were

25:34

different but different costumes every day for different events

25:40

they're all color covered with sort of weird allegorical symbols that you had to work

25:46

out apparently they were so complicated that even the um people wrote writing the uh

25:53

descriptions couldn't work out they also had uh very complicated

26:01

costumes for the masks which were the evening entertainments and they often went and disguised

26:07

these masks and the masks were sort of a combination of music poetry debates sort of theatrical

26:14

displays and dancing very popular at that period

26:19

next slide please so these are the horses comparison

26:25

horses they call them with this decoration very beautiful and the one on the right is henry he's

26:31

um you can see because he's got the big tudor roses on his horse very lovely

26:40

next slide please not really going to look into costume in any detail there's

26:46

very little costume remaining from that period mainly because it just was reused or

26:54

rotted away and so we tend to take costume from paintings and portraits period and also tapestries

27:02

the english started um copying the french styles after this event because um so something

27:08

different and novel so um the english court became much more cosmopolitan

27:14

after this event next slide please

27:21

i had to include these these are some beautiful venetian velvets uh from the bna uh which is the sort of

27:27

thing that would decorate their costume the middle one is from the 1400s in fact

27:33

and these are venetian velvets so there were wonderful trade routes very

27:39

um long-standing trade routes in europe at this period and the best textiles jewels

27:45

metals and everything from around the world were traveling to europe being sold by merchants in in paris

27:52

london and so on and so they all had the royal courts all had the best of everything

27:57

so you had venetian velvets um leon in france just started producing

28:03

silks as well the fine linens came from flanders and a lot of the armor came from germany

28:10

and of course a lot of the silks came along the silk road from china and the middle east but europe had now also started

28:17

producing silk next slide please

28:26

so i thought it was the 17th of june i thought i'd have a look through the archives and see what actually happened

28:31

on this day in history and uh if you read through it you can see it was a sunday

28:37

so there were no tournaments that day and they had a tradition at this event because the two kings were equal

28:43

precedence nobody could host each other so when they had the banquets the queen of one country would host the

28:50

king of the other and they'd swap over so this is what happened they had lots of these banquets

28:55

and everybody was seated according to presidents that the bigger banquet should even not possibly be in the same room say the

29:02

knights would be in a separate room and so on um and as you can see there's a funny

29:08

little event that went on as well here um francois turned up one morning while

29:14

henry was having breakfast and he it was a sort of very strange

29:19

ambush that he did and it was sort of in the spirit of friendship sort of say hey i could just turn up and

29:25

have breakfast with you and it sort of reassured people of the friendship of course because he'd done that a few days

29:32

later henry had to go and do the same thing to him but as you can see um on this day they

29:38

had banquets and then they had masks in the evening

29:43

and dancing so good time was had by all next slide

29:50

please i expect you're interested in the food and drink everybody is

29:56

what a what a um performance to feed all these people what they did is they set up kitchens

30:04

bakeries butcheries in houses in the nearby towns and villages

30:10

so they commandeered houses and they use them and then they transport and also

30:15

transport all the food that's been created to the site or and also you can see small tents that

30:22

would be feeding people every day because you didn't just have banquets you have to be fed in between

30:27

and you can see um in the middle this sort of round thing is called march

30:33

pain so i'm just going to tell you a little bit about the banquets they had to be magnificent because this

30:40

was part of the hospitality of kings they had to show largesse and it's part of the sort of

30:46

social order being preserved um there would be three or four courses

30:52

with up to 50 dishes for each course although they wouldn't eat it all it was more for display

30:59

and i've got a description of a similar sort of banquet and it said the first course consisted

31:04

of dishes of pork broad and mustard pottage beef mutton stewed pheasant swan

31:11

caper suckling pig venison pile pastry the course ended with a serving of a

31:17

subtlety or table decoration made from spun sugar or mask so this is

31:22

one of the table decorations in the middle that sort of thing but they also had castles and nights

31:30

all sorts of things like that the total cost of the food just for the english household for this event was eight

31:36

thousand eight hundred and thirty nine pounds two and four points which was equivalent to the year's

31:43

amount of um cost for food normally for the royal household

31:49

some of the food was brought with them so for instance the venison was caught in the royal

31:55

parks uh places like elton leeds castle and brought over but huge amounts of

32:04

animals were brought live to the event and killed apparently the english list has

32:10

three and a half thousand sheep 842 bill carl 373

32:17

oxen and and lots of pigs so it goes on and on and in terms of fish 29

32:24

000 fish were consumed including things like conga eels turbo

32:30

and crayfish there was also one dolphin which i can't imagine tasted very nice

32:37

but it was a sort of play on words i think because of the dough fan so there you go

32:45

next slide please the fountains of wine this is something

32:51

i have to tell you about you can see it's right in front of henry's pavilion

32:58

um there were two fountains and they were froze flowed freely with wine one was white wine

33:05

and the other was claret and apparently there were silver cups so that anybody could drink

33:12

there's also apparently a large quantity of ale brood because ale was described as the

33:19

natural drink of englishman nothing wrong with that of course you can imagine there was a problem with all

33:24

this free uh drink um it's a bit like people trying to get over the fence at

33:30

glastonbury and a lot of the locals got wind of this and tried to

33:36

enter the event and join in and henry's policeman for the event was a chapter called the

33:41

uh whose title is the knight marshall and the records say he was empowered to ensure the exclusion of boys and vile

33:50

persons and punishment of vagabonds and mighty beggars not permitting any of them to remain

33:56

lying or about or near into the court so basically they got their marching orders

34:05

um next slide please so we come to the end of the event our

34:10

propaganda feasting and so on and the final event was um

34:16

a large outdoor religious mass on the 23rd of june and it was uh um cardinal

34:23

woolsey delivered the mass and you can see the dragon so you had this outdoor site

34:30

where they'd cleared the jousting field and built the structure for this and they were all there the kings queens everybody

34:37

and suddenly right in the middle it's right in the middle of this event

34:43

this dragon appeared in the sky i imagine it was supposed to appear at the end but it didn't it

34:48

suddenly appeared right in the middle of the mass which put it on time well there's a wonderful description of it

34:54

which i'll just briefly read you low flying in great loops a splendid and

35:00

hollow monster stretched out in the sky over the earth

35:06

a dreadful monster of a moderate size constructed on the inside from hoops

35:11

and on the outside woven from cloth this shapeless monster is a dragon

35:17

fashioned by the great skill of the english its eyes blaze and with quivering tongue it licks its mouth which opens wide

35:24

the dragon hisses through its gaping jowls it advances over the earth with rustling wings so basically this was a

35:33

firework on a rope a kite with um i mean

35:40

a kite with fire inside which meant which enabled it to sort of

35:46

blow fire but uh yeah so it was a kite but they don't know if it was supposed to be a salamander

35:53

which was francis's uh emblem or the welsh tudor dragon could have been one or the other

36:01

uh next slide please i just wanted to point out the costume

36:08

worn by all the clergy during all of these events and this was called this is called opus and cocaine and this sort of

36:14

embroidery these are items from the bna again and the costume was this wonderful

36:21

english embroidery and this is one of our main contributions to textiles in this period

36:26

a lot of it was made in english workshops and some of these pieces they wore would be 100 a few hundred years

36:31

old because they've been making it in london particularly from the 12th century

36:38

and worn all over europe so all the um popes for instance would wear

36:44

um english opus anger canaan and these are just a couple of examples

36:51

next slide please i wanted to mention this so that when you go around cathedrals you can

36:57

like i do you can start looking for these coke chests so if you see the wooden chest sometimes they're this shape half moon

37:04

and sometimes they look like a giant slice of pizza that shape and this is where they put these wonderful coats

37:10

the cost of these things were amazing because they're just covered in exquisite embroidery and so

37:16

as i say they were kept and worn for centuries and they would be locked up in these coaches so i would just suggest going

37:23

starting to look for them when you're out and about because you will you will notice them in cathedrals

37:32

next slide please so gifts as you can imagine with an

37:37

event like this of all this largesse gifts were absolutely right right there were so many tales of

37:43

uh henry giving francis um something at the queen giving somebody something they were just endless uh examples of

37:51

valuable jewelry and so forth been given and money gifts all the people you know

37:56

who did the cooking and all the serving stuff and all the nights that they would get money gifts

38:02

and also if you want any events you would be awarded gifts as well so every night at the banquets the winners of

38:08

these sort of jousting events will get gifts as well not many gifts are still

38:13

known but this particular one they they definitely think it's one and it's a wonderful little enamel and

38:19

guilt jewel chest which is in the swiss museum i think at the moment and they think it was um

38:26

given by francois to woolsey as the thank you for the event and of course when woolsey fell it went

38:33

to henry and he gifted it to amberlynn so that's the provenance of it absolutely beautiful

38:40

looking then next one please

38:46

so this is the final slide um you can see the fields are still there

38:52

they think they're pretty sure it's a correct field although i think they're going to do some more um archaeological excavation of it at

38:58

some point uh and with a sign just saying you know it's a field of cloth gold and while i was researching i found this

39:05

thing on the left i'm not getting any commission but um you can go glamping today

39:11

and pretend you're part of the field of gothic gold it's a very fancy tents you know being set up for that purpose um

39:20

they did have a second event a sort of in 1532 henry and francois but it was a

39:27

much lower a much shorter less fancy event because they've been there hadn't been peace all the time so

39:34

but they did have a sort of second attempt and uh the idea of these sort of um

39:40

events where um leaders meet up has has gone on so you have things like

39:45

yalta and you have things like the g7 conferences so there is a sort of

39:51

legacy um in terms of that so that's the end of my talk i hope

39:57

you've enjoyed it and i'll hand over now to fiona who i think might have some questions

40:04

okay thank you very much um and i'm just going to stop sharing

40:09

now for a second give me a moment right we're back in the room okay

40:15

thanks very much for that and that was all very splendid wasn't it um so

Lecture

The science behind Frankenstein

In 1816, Mary Shelley was listening as husband Percy and their friend Byron discuss 'the nature of the principle of life'. That night she wondered 'perhaps a corpse could be reanimated: Galvanism had given token of such things' – and then she began to write Frankenstein.

But why were life and death such blurred categories at this time? What were Galvani, and a host of more ambitious scientists in the new field of electricity up to, and how did Mary Shelley at only 19 know so much about it? 

In this lecture, we'll explore the early nineteenth-century obsession with 'the spark of life' taking in frog's legs, executed criminals, body-snatching, steam intellect societies, the Reanimation Chair of Dr De Sanctis, a spontaneously generated mite and more!

Video transcript

0:02

so of course it all starts with my good friend mary shelley beautiful picture beautiful ringlets wish my hair

0:07

would do that um she is only 19 when she marries percy shelly um and she's only 21 when she publishes

0:15

frankenstein she's been writing it for most of the time in between that and she does actually explain in the um

0:21

preface to the second edition quite a bit about how she came to write it she says that she'd been sort of

0:28

uninspired until one night she was sitting as a devout but nearly silent listener

0:34

while percy shelley and lord byron discussed the experiments of galvani and

0:41

she comments the nature of the principle of life and whether there is any probability of its ever being discovered

0:47

or communicated and that got her uh got her mind going and that night she actually suffered

0:53

nightmares and she said that the story of frankenstein came from those

0:59

nightmares and that she had been wondering perhaps a corpse could be reanimated galvanism has given such

1:05

token with these things um we don't actually quite ever get told

1:11

how frankenstein does it within the book dr frankenstein says you will perceive why i'm reserved on this

1:16

subject it's a cautionary tale he doesn't want to tell you how to raise people from the dead himself or create these monsters himself but we

1:23

can clearly see it's all about a an idea which was very common at the

1:28

time of that electricity and this new electrical power that was being

1:34

increasingly controlled was the force of life it was the spark of life

1:40

and so that's the context we we have to look at

1:48

and this starts very early back in elizabethan times they were doing experiments like this

1:55

electricity comes from the latin word for amber and of course amber rods are very good

2:00

for generating static electricity and that's where the word comes from and of course you can then

2:06

start to harness static electricity through things like this where obviously this as it turns and you

2:12

you rub that surface it starts to create the electricity into there

2:17

not 100 sure to be honest the other thing i'm not good at is physics history yes physics not so much um

2:26

in 1745 the laden jar is invented now this can store that electric energy

2:33

for longer and even at that point there is some thought that there is a connection

2:38

between electricity and health the idea that maybe you can use this to

2:45

uh to help bring things back not whole people but the idea that you could use it as an

2:50

experimental therapy for say paralyzed limbs if you could make that limb start to twitch then maybe you could

2:56

make it start to work properly now pretty soon after that they work out that you can increase the strength of

3:02

these these leiden jars or increase the usability of them by lining them up in

3:08

rows like this which is to say lining them up in a battery formation

3:14

at this point battery means the military term military set of lines of soldiers would

3:20

be called a battery and so when somebody looked at this they said oh it looks just like a battery

3:26

and that's where the word battery comes from so this is the world's first battery in

3:31

the in the physical sense

3:36

but the trap who really kicks it all off as uh as mary shelley mentions herself

3:44

is this man this is louis galvani sorry luigi galvani um and

3:52

he was apparently a marvelous wig you gotta admire that for a start but he was apparently experimenting

4:00

with frogs during a thunderstorm as you do and he was surprised to notice that

4:07

whenever his scissors touched a nerve the frog's legs would twitch and

4:14

this was obviously something very interesting and very unusual he jumped to completely the wrong conclusions we might say now

4:19

but it was definitely something worth further investigation um he

4:27

started out with with just these frog's legs and a single set of scissors

4:34

he worked out that he could get the legs to twitch by all sorts of methods involving

4:39

different metals by connecting an arc of two different metals

4:44

to the muscles he could get this twitch effect now there is and they knew that that

4:51

twitch was as if it was created by electricity because they had laden batteries

4:57

but there was no electricity in this picture there was just some metal and a frog therefore he would think

5:05

the electricity must be coming from the frog animal electricity he said was running

5:12

from the brains through the nerves to activate the muscles and that you could therefore

5:19

replicate that effect artificially

5:24

now this is a very male uh dominated field and it's a very male dominated talk

5:29

apart from mary shelley herself i suppose who over overlooks the whole thing so

5:35

it's important to know there is at least one other woman involved in all of this arguably too but uh this is lucia

5:43

galvani and she is the daughter of luigi and she his she became his

5:50

assistant in the experiment and would often you know put on displays on his behalf and help

5:57

him with those displays and also later edited all of his notes which were apparently almost incomprehensible to anyone but

6:03

her so but behind the man doing the experiments there's the woman making sense of the

6:09

notes now this was all fascinating to them

6:16

and it spurs a large number of other scientists into action huge numbers of frogs are

6:22

butchered in the name of science on the back of this and then of course you have to work out is it just frogs or

6:27

is it anything so people start messing around with dogs cats sheep cows horses

6:35

and to a limited extent at this point human body parts but in most places it's not very easy to

6:42

get hold of bodies and look more at that later

6:48

he's uh galvani's strongest critic is this man and this is alessandro volta

6:56

and volta is the one that says actually that electricity that's nothing to do with the frog it's not

7:03

animal electricity from the frog it's an electric charge that's caused by the two contrasting metals

7:10

touching in the acid of the frog nothing to do with the properties of the flesh so he's

7:17

he's mostly right although of course galvani is not completely wrong given that we now know that electricity

7:23

does have a role in the body and what you end up with is a great debate

7:30

and argument between these two schools of thought in about 1800 volta

7:37

oh i've got a picture of one of those volta um invents something called the voltaic

7:43

pile which is an early frog free battery which works without the inclusion of a frog

7:50

just using uh the metals and the acid ironically this is very useful to future

7:58

researchers both the ones who agree with him and the ones that don't actually this is a

8:03

voltaic pile behind him with the different metals in the different layers

8:08

um in theory he's demonstrating that you know the animal isn't necessary in the

8:14

process but a whole load of other people think ah now we have access to um to this much easier form of stored

8:22

electricity in voltaic piles let's use it to do more experiments on animals that's how science works um and the

8:30

range of possible therapies is also extending people start thinking

8:36

that things like seizures paralysis toothache psychiatric conditions eye injuries

8:43

all of these things the doctors at the time thought would perhaps respond to electrotherapy

8:50

and experiments continue experiments on humans become a lot easier as well if

8:56

you happen to be french because of course with the french revolution there are a large number of corpses

9:02

around of what had been very healthy people who were in absolutely perfect nick apart from not having a head

9:08

anymore um the corpses of the french revolution were used for instance by marie francois

9:14

bishop to do a pretty good job actually of mapping the whole network of the body's

9:20

nerves what nerve endings go where the academy of turin in italy appointed a special

9:26

commission which was designed to investigate the effect of electricity

9:32

on each organ in turn systematically now all of the interest was very much

9:38

kept alive by this chap this is giovanni aldini and he's

9:44

galvani's nephew so obviously he's on on galvani's side of the argument

9:49

he's a scientist but he's also very much a showman he does do proper research on things

9:54

like fireproofing materials um he's one of the first to try

9:59

electroshock therapy for the mentally ill and reports having some success on that

10:05

although i think a pinch of salt should probably be involved there but the other thing he did was travel

10:11

around europe um publicly electrifying

10:16

dead thankfully human and animal subjects before sizable crowds in uh in 1804 he

10:23

actually performed in front of the prince and princess of wales

10:28

and and we we know in detail quite what he's doing how he's doing it here are some of his experiments in action so uh

10:36

he takes them from the place of execution and he uses these these voltaic piles made from 100

10:43

pieces of silver and zinc and then moistens the ears with salt water and makes an arc with metallic wires

10:50

which go from the ears to the um the top and the bottom of the pile and then weirdly that causes what he

10:57

calls strong contractions in the muscles of the face which were contorted in so irregular manner that they exhibited the

11:03

appearance of the most horrid grimaces the action of the eyelids was exceedingly striking but less sensible

11:10

in the human head than in that of an ox now what he's doing there by putting it

11:17

into the ears is that's actually moved on a step in that he's um

11:22

using the brain he's electronic brain in order to move the muscles rather than putting the electricity directly in the

11:28

muscles but he also worked out ways to make an arm lift a weight

11:33

he said he had worked out a way to make a person effectively take a breath and

11:39

blow out a candle now satirists loved him because he's a showman

11:45

um he's widely reported about there's a poem that comes out at the time

11:50

which is uh fajit is told in public papers can make dead people cut droll capers

11:56

and shuffling off dead deaths iron trammels to kick and hop like dancing camels

12:02

which i think is left there is an argument that mary shelley

12:08

actually saw um aldini perform she was certainly around at the right time and mixing in the

12:14

right circles there are others as well doing similar things in 1817 which would be

12:21

while mary shelley was at her writing desk um german scientist carl august weinhold

12:28

published experiments on life and its primary forces through the use of experimental physiology bit of a

12:34

mouthful and what he did involved um electrification of dead kittens in a way

12:40

that i find actually rather more disturbing than one what happened to people but he claimed he could get the kittens to jump around

12:47

gain a heartbeat and even respond to sound i think that's unlikely but that's what he was claiming what everyone believed

12:54

he said he thought it might be possible to create a complete physical life he thought that this would

13:00

probably also work on humans but in germany at the time it was illegal to try that unfortunately so he

13:06

was very sad about that now getting hold of bodies is very

13:12

difficult even in the places where it is semi-legal unless as i say you're in france only a

13:19

small number of criminals in the uk could be officially dissected and used by the scientists and

13:27

most of them of course are used by lots more of aldine in them

13:32

are used by anatomists in private uh or um hospital

13:40

lectures in order to teach the next generation of surgeons this is john hunter

13:47

and his um training room which as you can see there's an awful lot going on

13:53

there so that's where most bodies are going who it is allowed to legally dissect

14:00

therefore people are going to start looking elsewhere and this is of course the era of the

14:05

resurrection men this is the time when um many scientists

14:11

must have agreed with frankenstein dr frankenstein who says that a churchyard was to me

14:16

merely the receptacle of bodies deprived of life and must have also thought that science

14:23

was a valid reason to take these bodies body snatching is very common in some areas in the

14:32

era that frank that mary shelley is writing where uh it's estimated that at that

14:38

point there are about 1 000 per year across england and scotland that's concentrated a lot in certain

14:45

areas of course concentrated in london concentrated in edinburgh and largely concentrated along the route between the

14:51

two because you can always stick a corpse in the mail coach and they did um

14:58

this is a little bit before the book and hair type measures of

15:05

cutting out the middle man um or at least the first edition was but there were people tried for grave

15:13

robbing there were doctors whose assistants were tried students were sometimes expected

15:18

to go and dig up their own corpses if they wanted something to learn on and also there were increasingly

15:25

professional gangs who did this for a living um as i say birkin hair is a little bit

15:31

later that's in 1828 although the second edition of frankenstein

15:37

is in 1832 and it's been suggested that that's not entirely

15:42

coincidental um and these thieves of course are known as the resurrection men

15:48

among other things or the suck them up then because you put them in bags but resurrection then has more resonance for

15:54

us here and yes london is full of these gangs

16:00

um sometimes they're fighting with each other taking the sides of particular surgeons

16:06

they have arguments about the price of bodies and the supply and they even end up leaving corpses in enemies doorways

16:12

things like that and that's the world that mary shelley lives in

16:18

particularly when she's in london which is most of her life and she is known to have spent a lot of

16:24

time sitting at this particular grave this is the grave of her mother she never knew her mother her mother died in

16:31

childbirth but this is mary wollstonecraft who um

16:37

we know that she would go and sit there and and think and start reading and

16:42

writing while she was there now this grave is actually within pancras cemetery

16:48

and some pancras is one of the cemeteries which was notorious for body snatching at the time

16:53

so it's inevitable that that thought would have come into her head at some point that

16:58

these bodies were being taken from here at least one was tried for body snatching from

17:05

pancras in 1813 um his name is joseph naples and when they

17:12

moved some of the bodies in recent years they found lots of examples of dissected human

17:18

remains in the proper graves along with for no obvious reason

17:23

a dissected walrus as you do

17:30

she also sat at this spot reading her father's essay on sepulchers now that didn't

17:37

specifically mention grave robbing but it is concerned throughout with the decent treatment of the dead

17:44

while she's writing the first coffins are patented to thwart body snatching uh the first calls are made for an act

17:51

to allow pauper bodies to be uh to be used instead so that the uh the dead who weren't

17:57

paupers could rest peacefully and one of the first people to ask for that

18:02

is a chap called john abernathy who had previously tutored percy shelley

18:10

so what else mice might have fed into her mind well let's start with her father her father

18:16

is william godwin and he is a great thinker in his own right

18:21

and also had a great circle of other um deep minds around him

18:27

and the the important people of the day and one of them and one who had actually taught him in

18:33

his youth was this man and that's benjamin franklin who is known for a lot of different very random

18:39

things but one of the things that he did was publish pioneering work on the power of

18:44

lightning at that time a static electricity

18:50

could be known as a franklin current so mary shelley would have met him

18:57

and he was a chap who had literally had had static electricity current named

19:03

after him um people would even talk about franklinization which is a medical

19:08

treatment using strong static electric charges and that's the gizmo that he came up

19:14

with a franklin machine to generate it and that's him supposedly doing this um

19:24

that he tried to catch the lightning or see what would happen if he flew a kite in a lightning storm

19:29

um and he he was very famous for having done this experiment

19:37

but this is if you read the book that particular experiment is attributed

19:42

to dr frankenstein's father

19:47

the other thing about franklin is when they recently um did some archaeology

19:53

in the basement of his house that he had lived in when he was a uh in the medical faculty in

20:00

london they found all of those bones underneath the basement floor and they they come

20:06

from about the right date so the thinking is he might have been digging him up himself he would almost certainly have known that

20:12

he was working with bodies that had been dug up so the two fields here of digging up of

20:20

bodies and using electricity are already starting to come together it's been

20:25

suggested that the name frankenstein might actually draw upon the name frankly perhaps in combination with the

20:32

dr kratzenstein who promoted electricity as a therapy for paralysis um

20:39

there is a version of this talk in a book uh from that i put out

20:45

i did a section in many years ago and somebody did a review on it on it in amazon on amazon reviews and

20:52

they said that uh you know how dare i insult to their founding father in that way

20:57

but there are other theories as to where the name frankenstein might have come from but it's as good a theory as any of

21:03

the others i would say other friends of william godwin include

21:09

humphrey davey who's involved with the the davey lamp and erasmus darwin both of those are

21:15

interested in electricity and there would be discussions amongst these men in the house

21:20

as mary shelley was growing up in the preface to frankenstein mary

21:26

shelley says that that byron and percy shelley had told her

21:31

about something that erasmus darwin had done so she knew that erasmus darwin had

21:36

quote preserved a piece of vermicelli in a glass case till by some extraordinary means it

21:42

began to move now vermicelli is pasta it really doesn't seem very likely that she'd

21:48

preserve that it preserved pasta until it starts to move there are a couple of possible explanations there either

21:56

by vermicelli she's actually referring to a sort of flower and water mix that you could use to make pasta and

22:03

darwin thought that this sort of mix would spontaneously generate little tiny creatures

22:09

or it might relate to her um experiments darwin also did with vorticelli which little

22:16

tiny creatures that live inside rainwater vermicelli borticelli that's quite believable i think

22:22

and we know that mary shelley had a great appetite for these sorts of stories when she was only 16 years old in 1814

22:31

she went to a public lecture lecture on galvanism and on electricity

22:36

um and then of course she marries percy and we think of percy as being a poet but he

22:43

was very interested in electricity as well um he writes the preface to the first edition of frankenstein

22:49

and he says that the event on which this fiction is founded has been supposed by dr darwin and some of the

22:56

physiological writers of germany that's not of impossible occurrence that's the thing about frankenstein it

23:02

looks um fantastical to us but in the context of all of these developments

23:08

over her lifetime it must have seemed quite possible that this was the end result it's the

23:15

equivalent of an episode of black mirror it might be now that it's only just around the corner these things

23:22

shelley's own room contained an electric machine an air pump a galvanic trough a solar

23:27

microscope and a small glass retort above an argand lamp and that is very similar to the

23:35

space that uh frankenstein is envisaged having

23:41

his mentor at eaton is this chap and he he actually said shelley said i

23:46

owe this man far more than i owe my father and this is james lind he's cousin of

23:52

the more famous lind who develops a treatment for scurvy but he

23:58

is also one of the people who plays around with galvanic ideas and he himself

24:05

this this man here had demonstrated the frog leg phenomena to the king

24:11

and he's teaching percy shelley and percy shelley feels he owes him more than he owes his own father

24:18

so there's a clear connection through there lind's study again is described as containing telescopes

24:24

galvanic batteries daggers electrical machines and all the diverse apparatus which a philosopher is

24:31

supposed to possess because at this point of course science can still be described as natural philosophy and it's the kind of

24:38

thing you would find in the bakken museum which has attempted to it's a museum

24:45

dedicated to electrical experimentation it's in america and they've tried to recreate

24:51

what they think frankenstein's room might have looked like

24:56

um percy shelley tried to give his own cat electro

25:01

therapy when he was young and accidentally killed it um so it's not all positive but you can

25:07

see he's very interested in the subject he's also interested in the idea of reviving the newly dead

25:14

as early as 1740s physicians try to revive the dead by blowing air into their lungs

25:20

this is uh dr john father gill a yorkshire man who gives a lecture to the royal society

25:27

and he says that he can successfully um basically give the kiss of life he

25:33

can hold the nose and force air into the mouth to distend the lungs raise the

25:38

chest to produce motion he would also recommend using irritation

25:43

to cause wretching and sneezing for instance uh sticking a feather up their nose uh not sure that's now part of standard

25:50

first aid practice and his ideas and these these ideas in general gradually do spread

25:57

um you start getting societies for the recovery of drowned persons

26:03

later in the case of the english one it became the humane society in 1769 hamburg put out notices to be

26:11

read in all churches describing the steps to take to assist anyone drowned strangled

26:16

frozen or gassed and this is the first known mass medical training they're literally

26:22

trying to make sure that everybody in the entire country knows what to do if they find someone who's been drowned and to teach them

26:28

cpr as well as it was known at the time the royal humane society follows soon

26:34

after and again they're keen to promote these ideas they produce a booklet address for

26:40

extending the benefits of a practice for recovery from accidental death and then that again becomes a model for

26:46

other ones all around the world new york um philadelphia and boston the american ones

26:53

dr hillston puts it into a rhyme to help you remember in 1774 tobacco glister

26:59

breathe and bleed keep warm and rub till you succeed and spare no pains for what you do may

27:05

one day be repaid to you there you go that's that's all you need in order to be able to do

27:10

life-saving apparently um oh i've got those two in the wrong order

27:16

i think um yeah speaking of uh the tobacco glister that's another word for a tobacco enema

27:23

it is widely believed that if you blow smoke up somebody's bottom then that will bring them back from

27:29

unconsciousness um the first person who tried this allegedly did it with his own pipe on

27:34

his own wife um i think that might have been hot cinders involved and no wonder she came to but there were kits that

27:42

uh contained the equipment for doing this stationed along the thames at one point

27:48

allowing people to give it a go if they came across a drowned body which is

27:54

a little strange another person involved in all of this

28:02

is joseph priestley now priestley is a pastor he's very inspired

28:09

by benjamin franklin uh he also invents soda water laughing gas and

28:15

pencil erasers it was great back in those days you could be you know involved in all different aspects of science instead of

28:21

having to just focus on one um and he was also involved in this trend

28:26

to bring people back by blowing them blowing into their lungs but he

28:32

electrocutes various animals as part of his um process he's trying to learn how to bring back things that have just died

28:39

then he's got to kill some things so he does this whole thing of electrocuting an animal trying to bring it back again

28:45

and at the end of all of this practice he concludes it is paying dear for philosophical

28:51

discoveries to purchase them at the expense of humanity and that really could be something straight out

28:57

of um that's the moral of frankenstein in the end um priestly also wrote a history of

29:04

electricity and did some work of his own um he's the one that discovered charcoal is conductive which

29:09

is very very useful um i'll stick with that one for now

29:17

um percy had been taught by lind

29:22

lind in turn had learned from william cullen who had been also very involved in how to revive the drowned and percy

29:29

had read his books so clearly he'd deliberately ordered a book on the subject of how to revive the

29:35

drown this is of great interest to him and it's also of great interest to mary

29:41

separately we can see it within the text of frankenstein there are two attempted resuscitations in it

29:47

of um one drowned girl and one of dr frankenstein himself in in the cold um

29:54

but yes thankfully they did not in either of those cases mention the tobacco enema

30:00

um we don't know for sure how much mary shelley knew about that

30:07

sort of thing but she definitely would have known about the humane society at that time there was an annual

30:13

procession in london every year of all of those who had been quote raised from the dead by the

30:20

society's methods so they're all supposed to be terribly grateful and also to say how good the system is now one person who could

30:28

have joined that particular procession although i imagine probably didn't was mary wollstonecraft

30:35

the person who's the lady whose tomb we've seen mary jellies mother and she had

30:43

leapt into put from putney bridge into the thames when she was very depressed she had

30:49

tried to kill herself and she had been been fished out

30:55

and brought back using the early cpr [Music] mouth air blowing of the time and she

31:03

said afterwards i have only to meant to lament that when the bitterness of death was passed i was

31:09

inhumanly brought back to life and misery um

31:14

and that use of the word inhumanly might well be a pun on you know it's an inhumane treatment

31:19

by the humane society and of course although mary shelley never had a conversation with her she

31:26

might well have known that story that her mother knew that she wouldn't exist if it hadn't been for this method

31:32

of raising people from what had been almost indistinguishable from death previously

31:39

meanwhile electricity is touted as a great source of health and life um these are known as tractors

31:47

they are little bronze and iron rods which you could place in two places on the body and were supposed to be able to cure

31:54

illness by bringing electrical fluid into the body that is a

32:00

early machine for doing it so you turn the handle and that generates the the electricity

32:07

and then you attach it to the two tractors and then you can put a current between two bits of your body i've actually got one over there which i

32:14

should go and fetch for you in a moment um which is a later date than this this is an early one

32:20

but yes brings the electricity electrical fluid to your system

32:26

um so we connect all these threads and we

32:34

end up at the idea that you can revive those on the borders of death

32:39

by using electricity and to be fair you know we have defibrillators to reboot the heart

32:45

um and it's not that different as early as 1775 a man claimed to have

32:51

been a successfully brought a drowned man back to life through electric shock treatment

32:56

uh this was of a three-year-old girl called catholic catherine it's sophie greenhill um

33:02

oh actually you know this the second one is then i don't get my tongue twisted on that one catherine sophie green

33:08

she fell from a window and seemed to be dead so a member of the humane society

33:15

uh applied electricity to various bits of her because he had a portable electrostatic generator like the one in the picture um

33:23

and he started to feel a slight pulse and he said yeah with the consent of the

33:28

parents very humanely tried the effects of electricity 20 minutes elapsed before he could apply the shock

33:34

which he then gave to various parts of the body in vain but upon transmitting a few shocks through the thorax

33:40

he perceived a small pulsation and in a few minutes the child began to breathe

33:45

now some people think that this particular child probably was just unconscious from a knock on the head and

33:51

severely concussed rather than anything which needed any of this and yes the electric shock just woke her

33:58

up because it would but um we don't know

34:03

in 1788 the human humane society member charles kite is granted a medal for creating an electro electric

34:11

revivifying machine with a whole battery of laden jars which basically did function as a

34:17

cardiac defibrillator and the similar thing by the time of the

34:22

writing of frankenstein is this uh this is called the re-animation chair

34:27

of dr desanctus and the full version contains some bellows for lung inflation

34:34

uh a voltaic pile for um cardiac electro stimulation they put a tube

34:40

metal tube right down your throat to get it close to your heart and then kind of pump the and then use the electricity from

34:45

there outward and also some inherent vapours that were supposed to help

34:51

revive you and you know basically it's not that different and it was very easy for them to put together

34:58

and places along particularly along rivers where people often drowned might

35:05

well get one of these for use in those circumstances and again mary shelley must have known

35:10

about this there's an attempt made to use electricity to revive harriet shelley now when mary and percy

35:18

meet percy's married to harriet but harriet drowns herself

35:24

and they try to revive her with electricity and it fails and mary marries percy just

35:31

three weeks later so she must have known all about this stuff she was in the process of writing

35:37

frankenstein at that time as well by then people are thinking maybe we can

35:43

just literally bring back the dead well how far can we go this was

35:49

a a glaswegian scientist called andre yer who publicly uh got hold of the body of a

35:55

recently handed murderer called matthew clydesdale um and put various electrified rods into

36:01

various bits of his body and it is he describes it as this event

36:06

however little desirable with a murderer and perhaps contrary to the law would yet have been pardonable in one

36:12

instance as it would have been highly honorable and useful to science it's worth it if it works basically and

36:18

what he can get this body to do is violent leg movements the appearance of

36:23

labored breathing and apparently a lot of expressions it said that rage horror despair anguish and ghastly

36:30

smiles could be found on this uh poor matthew clydesdale's face

36:35

he then managed to get it the story goes to point at members of the audience and raise its

36:41

arm to point several audience members flee and one man faints which you can kind of see why

36:50

and it was said at the time we're almost willing to imagine that if without cutting into and wounding the

36:57

spinal marrow and blood vessels at the neck the pulmonary organs have been set playing at first

37:03

then life might have been restored it's an era of a lot of popular interest

37:10

in all of this sort of thing you get the first steam intellect societies which is

37:16

a lovely term um and this is groups who provide lectures and who publish

37:22

texts with the theory that everybody is interested in learning more about cutting-edge science and that should not

37:28

be just limited to the elite and and it's a great era for self-learning

37:34

people and people that are interested in these subjects have ways of finding out about them it's a bit patronizing it's a bit top

37:40

down but it's a very big trend by the 1840s there are over 700 of them

37:49

and again mary was involved in at least one as a final little coder to this story

37:56

then having seen all the different places that she must have known about electricity about raising the

38:03

almost dead and so on we can turn to the novel in turn

38:10

impacting on science just as science had impacted on the novel in 1836 we can look at the gentleman

38:19

called andrew cross now his father had been part of the same circles you know he's um he's a peer of mary

38:26

shelley his father had also been in those circles with franklin and with priestley

38:32

and with the erasmus darwin and andrew cross made the startling announcement he had used literally miles of wire to

38:39

charge his laden jars to make a very very strong electrical current through various chemicals and what he

38:46

was trying to do was affect uh crystal formation using this uh high high charge instead he said what he saw

38:53

through his microscope was a perfect insect standing erect on a

38:58

few bristles which formed his tail and it was soon joined by others and they tried it again and they also

39:05

got these andrew cross also got these uh strange little insects this is was at the time thought of as a

39:11

new species this was acuras galvanicus the electric mite now of course lab conditions at the

39:20

time make it virtually impossible to rule out contamination by flower mites and cheese mites and things

39:25

like that cross didn't really try to yeah we can see he made a lot of effort and

39:31

he said that they were different from any other species he had seen before but the assumption would be that you

39:38

know he's picked up some sort of might from somewhere rather than it being generated by electricity

39:44

but people who heard this story who had probably read frankenstein if they'd

39:49

read the second edition that was only a couple of years previously and

39:55

those two thoughts must have resonated with them the idea that you could use electricity to to create this

40:01

piece together monster from from bits of people and that you could use electricity to

40:06

create creatures out of nothing must have resonated

40:12

people were very worried about this he didn't make any theoretical inferences he just said this is what

40:18

i've seen but he is seen by a lot of people as mocking god or as aping the powers of

40:26

god by creating life from electricity rather than it being a creature that god had

40:32

already put on the earth as it were there were rumors that his insects were getting out and blighting crops in the

40:38

fields nearby even his son changed his name in order to disassociate himself

40:45

from this particular experiment and that fruitful relationship between

40:51

electricity and science science fiction now that continues to grow there are stories of

40:57

electrically charged insects that grow into giant vampiric spiders that's what's going on

41:03

there that's the electric vampire short story 1910 um and there's other stories about um

41:10

matthew clydesdale the executed criminal actually coming back and needing to be killed a second

41:16

time and so on um and of course the science progresses at

41:22

the same time so frankenstein is written when this

41:27

there is this massive perceived potential of electricity that was at its most potent nobody knew quite

41:34

what the limits were of what could be achieved in terms of life and electricity there were theories

41:40

but nobody knew and everyone had different ideas about it and that was both very powerful and very dangerous

41:46

people you know looked into the future and saw that there could be

41:52

people raised from the dead for instance and that knowledge of the boundary between what is alive and what is dead somebody

41:59

might look dead but are they really dead or can they be brought back was contested in a way it never had been

42:05

before um and much as the modern era of things like genetic experimentation

42:13

provide rich pickings for the current generation of science fiction writers

42:18

mary shelley was able to do exactly the same thing and i would say capture the scientific hopes

42:25

and fears of her age

English (auto-generated)

Lecture

Managing woods for people and wildlife

As politicians vie with each other with ever bigger promises for planting trees to offset carbon emissions the question arises, ‘what sort of woodlands do we want to create and how should we best manage and preserve the woods we already have?’ For thousands of years, British woodlands have been managed sustainably by humans, producing fuel, wood materials and food and sustaining the way of life for craft professions.

In this lecture, green woodworker David Knight argues that we should return to traditional ways of managing woods, taking advantage of the natural propensity of hardwood species to regrow when cut. Coppicing and pollarding of trees to produce raw material for the ancient art of bodging, hurdle-making, wheelwrighting and basket-making can both sustain woodlands for wildlife, whilst at the same time create wildlife habitats for a wide range of birds, mammals and plants.

Video transcript

0:00

than i would like oh there we go okay so um so working

0:06

words managing woodlands for wildlife and people so as fiona says i'm really interested in

0:12

the way that woodlands are becoming a very hot topic in in the uk at the moment and what i'd like to do is present

0:18

effectively an argument as to why we should make the most of our words and actually see them as

0:24

working spaces again as they have been in the past and and that in doing so we can actually

0:31

benefit people and wildlife and indeed the planet so um that's the basis of my talk you can

0:37

um tell me in the comments at the end if i've succeeded in convincing you um but um if we start um

0:44

the sorts of things i want to cover um uh in my tool car around the stewardship of the planet and the

0:50

tradition of woodland how woodland can help us with fuel with um craft shelter the myth

0:58

and storytelling around woodland and also most importantly the way that we are developing a new

1:04

wood culture in britain and indeed across the world and how we can all help to support that

1:10

so if i start with an image this is i guess at the myth and storytelling end

1:16

of woodland um and um i i won't say where this is for a moment but um it's um an image of a dark

1:24

dangerous place where where people um don't dare to dwell for too long and um

1:31

if you're a fan of jrr tolkien you'll recognize this as one of his um uh images of

1:38

merkwood where legolas lived where the giant spiders attacked um

1:43

attacked uh bilbo baggins and co and uh tolkien was very much tapping into

1:50

that mythos of um the wildwood as a as a dangerous place with wolves

1:55

and and dark and dangerous creatures and indeed perhaps supernatural creatures of the night as well

2:02

and um one of the things i like to get across in my talk today is just how many different sort of versions of woodland

2:08

and forests there are so you may notice the little spider down here i hope everyone can see

2:14

my um my mouse cursor um um in the screen and um i love the the imagery of tolkien

2:21

as well as being an amazing storyteller he was also a great artist as well but um taking that that sort of

2:27

mythological image of woodland and a scary and dangerous place and two other images of trees woods and

2:35

forests so at the top of the screen is a image of a conifer plantation

2:43

and one of the points i'll be trying to make today is that we may be looking to re a forest

2:50

the united kingdom but if we simply focus on planting conifer plantations we'll have both

2:56

missed a trick and possibly not done as well for the environment as we could have done and at the bottom is a forest um

3:04

this is actually um uh a forest without that many trees um and it's a

3:10

reminder that the term forest um meant royal hunting grounds and so

3:15

when we use the term forest we need to be aware that that included woodlands and trees but it also included

3:22

grassland areas boggs and mires and heath land as well so um we need to be careful when we use

3:29

terms associated with woodlands that we get the um that we're using the right um description on this image

3:35

um i'd like you to um see the yellow sorry the white bark here of the tree so that's telling me

3:41

that on this woodland edge there's a lot of birch growing you can see the um the um the white coloration of the

3:47

embark showing nicely and a real nice indicator of some of the expansion of the woodland

3:53

um in the new forest and that birch is one of the early colonizer trees and

3:58

we'll see how that ties into my story a little bit later so um but also um the new forest is a really

4:05

good example of some of the challenges that woodlands have in britain as well

4:10

so here's another image and here's a place that's going to feature um a little bit in my i'm talk because i've been there a couple of times and it

4:17

is an absolutely amazing part of the world uh beavisha primeval forest in eastern poland it's

4:23

on the uh poland belarus boundary so it had um in soviet times it

4:28

had uh the frontier of the soviet union and on the belarus side nuclear silos embedded in the uh in the

4:36

woodland and it's one of the last untouched parts of europe where the the

4:43

woodland and the forest is entirely natural and the processes that drive it

4:49

are unaffected by humans and um uh one of the exciting things if you go

4:55

there is the potential to bump into wolves and links and you'll see some of the other

5:00

creatures that live in biavisha forest as i go through the talk but what's really interesting about the

5:06

oficial forest is it's a really good example of natural woodland processes so

5:11

primeval forest or natural forest or natural woodland are woodlands where

5:17

effectively humans are not impacted and that there is a complete ecosystem

5:22

function operating and we'll see why that isn't the case in the united kingdom as we go through the talk

5:28

um i hope you've the particular images i've chosen here show the absolute importance of deadwood

5:35

in um in primeval or natural woodland as well so um enormous great trunks of trees

5:41

that can slowly decompose and provide and food and shelter for for animals and also

5:47

trees such as this one where there is dead wood and living wood in in close proximity really important

5:53

habitat for particular sorts of beetles and so on so two several very different types of

6:00

woodland or forest um but um you may have picked up on the

6:05

news that um trees and planting trees is a very hot topic and um coming into the 2019

6:12

general election there was a plethora of pledges from uh the different political parties

6:18

on how many trees they were prepared to plant and if you were following the us elections both the democrats and

6:24

republicans were also giving very very high numbers of trees that they were prepared to plant

6:31

and some of these numbers are difficult to um to believe and difficult to turn

6:36

into reality um but what's really important about um the creation of new woodland

6:43

which is very much to be welcomed is um is the saying the right tree in the

6:49

right place at the right time and um that's a very very important element

6:55

as is also the fact that it's all very well to plant trees but unless the um the tree planting

7:02

program has funding that allows it to continue the maintenance and so on there's a very good likelihood that it

7:08

will be a failure so the right trees in the right place at the right time and you could argue actually um the best

7:14

way to get new woodland is not to plant trees but to simply put a fence around

7:20

an area of land and let it naturally regenerate and let the local trees spread their seeds into that area and

7:26

for that to be a natural generating woodland and that's taking us into some of the concepts of rewilding

7:32

that i'll touch on a little bit in this talk so tree planting is a hot topic

7:38

and part of that is because trees capture carbon and capturing carbon um is um one of the

7:45

key aspects of planting trees to capture carbon is one of the key aspects of the uk's plans to get to net zero carbon

7:53

emissions by 2050. so trees have a very important part to play both in the uk

7:59

and globally but as we'll see it's a complicated picture when we look at trees and carbon capture so

8:07

um to um sort of highlight the importance of trees and woods and the woodland

8:13

trust in april this year published a really comprehensive and fascinating report on the state of the

8:20

uk's woods and trees you can download this for free from the woodland trust's website and it really is a fascinating

8:27

insight into the state of our woodlands um it also

8:32

has some just absolutely stunning uh images in it including this beautiful um pollarded beech tree here on the on

8:39

the cover um but one of the things that uh it concludes is although

8:45

actually we've doubled our woodland cover in 100 years and we've increased it by one percent in

8:50

the last 10 years actually um there's less woodland wildlife and um and woodlands are in trouble so

8:58

it's a really mixed picture for uh four woods and part of the story is in this graph

9:04

here that's telling us that about 13 of the of the united kingdom is now

9:10

um covered by trees and woods you can see that quite a chunk about 20

9:15

are actually trees that don't live in woodlands including very important trees such as urban trees and if you've been

9:21

following some of the debates in sheffield about their trees um you'll know that it's a very hot

9:26

topic but of of all the other woodland um about 50 percent are conifer and about

9:34

50 abroad league and it's the uh increase in tree cover by conifer plantations

9:40

that is driving a lot of um a new um woodland cover rather than the increase in broadleaf

9:46

woodland which um as you'll see the um the woodland trust are arguing is actually where we should be focusing

9:53

so um what this also tells us is a small proportion is so-called ancient woodland

9:58

ancient woodland is woodland that was on maps and some of the first maps of um that we have records of going

10:04

back to the 1600s and the argument is is if woodland was on a map in the 1600s the likelihood is

10:12

that woodland has been extant since the last ice age so in other words an ancient woodland is

10:17

also a a native woodland that has um survived all that period of time

10:23

um whereas other woodland is plantation woodland or so-called secondary woodland where the trees have been grabbed out

10:28

perhaps it's turned back to farmland and then it's also been replanted so a lot of the woodland that

10:33

we're creating through tree planting schemes is secondary woodland but the key point about this is that we

10:39

are planting a lot of conifers not so many broad leaves um and conifer plantations

10:44

are just not as good for wildlife as our broad leaf plantations and what

10:50

would be absolutely best will be to maintain and extend the area of our ancient woodland that would be

10:56

absolutely the the key thing so trees have a very very important role in capturing carbon

11:04

um if you if you have even a cursory look at this you'll find you are entering

11:09

desperately contested territory um there are some reports in fact there was a big headline a couple of months ago

11:16

that trees can save the planet that all we've got to do is just plant trillions of trees the united nations is

11:22

supporting the trillian tree project which um took over from the tree project um but

11:29

others argue that planting trees isn't is not the one fixed solution that it can be

11:35

um but from the wildlife um from the woodland trust's point of view one of the most important um

11:42

conclusions they came to is that in in britain um our ancient woodland and our native

11:49

woodlands are actually much better at capturing carbon than our than our conifer plantations

11:57

and so that's an important element and you can see that there is a large amount

12:02

of carbon that's captured in in britain's trees 213 million tons

12:08

and that compares to uh uk carbon emissions around 220 million tons that's per annum to

12:14

give you some idea of the figures um but you've got to be very careful when you look at this sort of

12:19

information you've got to make sure you're looking at tons of carbon or tons of carbon dioxide that you don't mix up those two figures

12:26

and also when you're looking at uk carbon emissions i've taken the wwf approach

12:31

and included our imports um so that we don't effectively export our

12:38

carbon emissions to other countries to make our goods which we then import so but the

12:43

important point about this slide is trees do capture um carbon uh when they're young they don't capture very

12:49

much as they mature they really start to accelerate in terms of their carbon capture and when they become a mature woodland

12:55

but that may take 50 to 100 years then they're in equilibrium so

13:02

um and it's really important to now consider that we have you know 30 years to save the planet in

13:08

order to get down to net zero so in terms of the lifetime of trees and woods that's a very short

13:13

period of time indeed um and indeed you know many of the trees that are now being planted to

13:19

help us get to um net zero will still be you know very junior trees by the time we

13:24

get to 2050. so woodlands are under threat though as

13:29

i as i mentioned at the beginning um we may be increasing our woodland cover

13:34

but the challenges to woodlands are growing all of the time and i'll just mention a couple um some of you may recognize the dark

13:43

um buds here the black buds of an ash tree this is a young ash tree that was

13:48

planted about 10 years ago in a new community woodland in oxfordshire outside whitney um for a charity that i

13:55

i volunteer for and you can see um the the dead leaves here and the fishering bark that tells us

14:03

that this this uh ash tree has um ash dieback and will um almost certainly die um the

14:10

the um the likelihood is that about 90 plus percent of all the ash trees

14:16

in um in the uk will will eventually succumb to ash dieback and um it's

14:23

pretty virulent amongst um uh young ash trees it's um caused by fungus it blows

14:29

on the wind and it's very easily spread older trees can survive for five

14:35

ten years perhaps but they ultimately will succumb as well and so just as with elm we're going to

14:40

lose an entire generation of one of our key native woodland trees so that's a real shame and ash wood is

14:46

very very important in the wood culture in greenwood working and so on

14:52

as we'll see a little bit later and the other part of our story is we have too

14:58

many deer um it's great to see um roe deer or muntjac deer even though

15:04

they're non-natives from from china or fallow deer or indeed red deer

15:10

you know in our woods and countryside but the reality is that there are far too many deer and

15:16

their browsing um and grazing is um damaging um woodland regeneration to a great

15:23

extent and the reason we have too many deer is because um we don't have um top predators

15:31

which is um a real problem and so we'll see a little bit later um um what we what we can do about that

15:40

so um but let's let's go on a little journey then back in time so a bit of storytelling now is one of my themes

15:46

um about the history of british woodlands to see where we got to and i want to go back 20 000 years ago

15:54

and if you look at the dark red color here that was the furthest extent of the um of the glaciers in the in the

16:01

last glacial period and so all but a small part of the united kingdom was covered

16:07

in glaciers and what wasn't covered in glaciers would have been a barren arctic tundra perhaps a few

16:14

arctic willow which are about five centimeters tall but that would have been about the biggest tree

16:19

growing across england and so all of the woodlands that we have in um in this country and can

16:27

be dated back to the retreat of the glaciers and um we know that as the glaciers

16:34

retreat so this is a a glacier on the retreat because of climate change

16:40

in switzerland as as it retreats so um we can see the um

16:47

the beginnings of shrubby trees and plants beginning to arrive and the colonization

16:54

of the newly exposed soils that the glacier has retreated

16:59

has left behind very good habitat actually because lots of lots of minerals in the ground

17:04

up soil and lichens and mosses will start to develop a nice organic matter and primary succession

17:12

will begin on fresh bare ground and we we can then see um and study the extent

17:19

in which british woodlands have developed from that period of 20 000 years ago to the present day as the

17:26

glaciers have retreated and trees have effectively moved northwards from from europe i had these two slides and

17:34

then i also found a new slide um and you can see these ones are dated 1970 and if

17:39

we just needed any more reminder on the eve of world environment day why we have such an important job to do you can see

17:46

that the glacier is retreated even further into the into the the swiss alps

17:53

so how do we know about our previous woodland um how do we recreate those mesolithic

18:00

and paleolithic bronze age woods and one of the ways we can do that is because we can study tree pollen so

18:08

um and hazel is a very important element of the story of the um the creation of

18:13

british woodland and um by being able to recognize um pollen um and study it in things like lake

18:20

sediments and samples we know um what sort of trees were around at

18:26

particular times of year so tree pollen is one very good way that we can understand our

18:32

woodlands better and similarly um particularly in finland in east anglia

18:38

um trees such as bog oak so as the um sea level rose very rapidly as the

18:43

glaciers retreated um land was flooded and entire woodlands were

18:49

um swamped the trees died fell over fell into the boggy uh water

18:56

um very low oxygen levels which meant that the wood was preserved and we can count the tree rings um we

19:02

can study these to get a really good idea of what was happening in that sort of period and not only that but the bog oak

19:09

also um produces um the most amazing timber if it's treated well you have to make sure that it doesn't

19:15

dry out and crack but um and by excavating the bog oak you can actually produce um really

19:23

beautiful timber products as well so it is really fascinating to see these

19:29

these um semi-fossilized oak trees um um turned into into beautiful furniture

19:37

so um a good use of um of the trees but but more importantly a very

19:42

important historical record of what our woodlands were um um

19:47

in those early periods after the last ice age and when we put all that sort of

19:53

information together what we see is that um there was effectively a succession of different

19:59

species that came into um into the united kingdom across the land boundary that would have been the

20:05

english channel and it starts with bushy shrubs and wind pollinated

20:11

so-called pioneer species such as juniper two types of birch

20:17

which we've seen earlier aspen rowan scott's pine which is now native in

20:23

scotland and then you can see hazel was one of the early invaders as well and then um our oaks

20:30

and our smoothie lime that at one point dominated um the the native uh natural woodland of

20:37

the united kingdom older we'll see that alder comes into the story a little bit later as well

20:43

um and as we get down to the bottom of the list the very last tree to make it across

20:48

the boundary of the english channel before the um before the sea level rose

20:53

and created the island that is um great britain was hornbeam so that makes hornbeam with beach a

21:01

native species in with a southern england distribution

21:06

but obviously that also means that some species such as sycamore did not make it across and is therefore a non-native species although there's a

21:13

lot of controversy around what counts as native and non-native and their and their role within english woodlands

21:22

so juniper now is a very um rare um shrub in very specialized habitats

21:29

here you can see it on grassland in southern england where it forms a little shrubs

21:37

so but before this would have been one of the first colonisers of those newly created

21:42

landscapes as the glaciers retreated and birch woodland as well we saw earlier how birch woodland

21:50

is a good indicator of woodland spread because it's a pioneer

21:55

species it's not very long-lived 50 years perhaps many of you i'm sure have been walking

22:01

in the woods and seen a birch tree that's fallen over and the bark remains but you poke it and the timber has actually completely

22:08

rotted away so it rots very quickly um but it is actually a beautiful wood for um

22:14

making wood products and particularly the scandinavian so-called sloyd or craft tradition uses

22:20

birch very much as as you can imagine i'm given its distribution in scandinavia

22:25

but here it's an example of a pioneer species that moves in first that grows first and

22:30

allows other trees to grow up around it and here is

22:36

another important woodland and the caledonian pine forest so those scots pines continued moving

22:42

northwards as the glaciers retreated and created some of our most um

22:48

natural and um and at risk and habitats and many of you i'm aware i'm sure of

22:54

some of the rewilding and replanting schemes to try and bring back um caledonian pine forest in scotland

23:00

and and actually the absolute best thing we can do for caledonian pine forest is to reduce red deer numbers because

23:08

it's the um [Music] browsing of deer and the very high red

23:13

deer numbers which are actually stopping regeneration and you can see in this slide there is some natural regeneration here

23:19

but in many woodlands it's very difficult to see young tree species that are growing

23:25

so um so caledonian pine forest is very much an element of scottish woodland

23:33

we have a little touch of our wildwood or prime evil woodland um in westminster if um if you've been

23:41

there i'm sure you'll um you'll have strong memories of whisman's wood on dartmoor

23:46

it's a tiny little bit of woodland i think that picture is another little touch of a whistling wood it's a little bit

23:52

bigger than that and it is dominated by

23:57

um uh small stunted oak trees that have been blasted by the southwesterly winds that crash into

24:04

dartmoor and you can see the sort of rocky terrain that um that the trees have survived on and i

24:11

guess this rocky terrain is one of the reasons why the woodland has survived but one of the things that defines it is

24:18

very rich so-called epiphytes that's um mosses and ferns and um lichens

24:23

things like um great beard lichens that are growing on the branches of the trees um but what you may notice in this image

24:30

is the lack of understory in this particular part piece of woodland so um

24:37

so although although it's a lovely piece of ancient oak woodland it is

24:45

not looking very happy and if i show you this slide where you can see a fence that is actually keeping out um

24:51

grazing animals you can see the difference in terms of the understory on the left compared to the bare rocks

24:58

on the right and so um over grazing is very much one of the challenges of

25:04

our woodlands and um um in the absence of grazing we get things like brambles and

25:10

so on and it's within those areas that new trees can germinate and be protected from

25:16

grazing and browsing and grow through to new trees so um so our too many deer

25:24

and not just deer is one of the key issues and indeed on um uh in whistman's wood

25:31

and indeed i'd argue that frankly the whole of dartmoor and indeed the whole of cumbria um overgrazing it may create

25:39

amazing cultural landscapes but i would argue that it creates effectively ecological deserts

25:45

and one of the best things we could do in some of our national parks is reduce the grazing pressure to allow for natural regeneration so

25:54

um what is is is um happening here so um if we go

26:00

back into um prehistory if we go back to um eastern poland and to be avisha forest

26:06

um we'll see that there is a um very important involvement if large animals so large

26:13

mammals browsing and grazing animals are very much part of woodland ecology

26:18

and here you can see the most amazing european bison they survived

26:24

down to a handful less than 100 of these individuals survived mainly in private collections and zoos

26:30

but from the from most private collections the the european herd is built up to

26:36

several thousands of creatures and lots of projects on studying their genetics and so on to make sure there's

26:43

not in breeding and so on and the european bison are back and they are amazing we have captive herds in the

26:48

uk i would love to see wild bison somewhere in the united kingdom

26:53

um that would be an amazing sight um and i had the privilege of um uh bumping into a real life um bison in

27:00

the in the winter um um i didn't want to get any closer than this my colleague had a bigger zoom

27:06

lens than i did in taking photos but this was a male bison um in the snow and you can see

27:12

why their big bulk is so important to be able to shift the snow um and they create big open areas in

27:19

woodlands they knock down branches of trees and so on and they create a diverse mosaic of habitats within a

27:26

wood so that you don't have a completely enclosed canopy and that you create little eco tones or

27:33

habitats with different ecological conditions such as temperature and light

27:38

and so on um throughout the woods so um the most amazing creatures and if you ever get a

27:45

chance to go to big avisha forest when we're allowed to travel again i would absolutely

27:51

recommend it and um seeing these guys just wandering around the woods

27:56

is just it's just such a stunning stunning experience and really does make you feel that

28:03

you're in in a primeval forest so um so bison very much part of

28:11

the natural makeup of the original european primeval forest

28:18

and a range of other species as well so wild boar which of course we do have now escaped

28:23

from from bull farms in in the uk particularly in the forest of dean and they do an amazing job of grubbing

28:29

up the soil stirring up the soil again allowing space for plants and so on to germinate

28:35

in bare patches and they are very much an important element of the biodiversity of mammals in uh

28:45

in native woodland and of course the beaver now getting lots of attention as um

28:50

planned and unplanned introductions in england and scotland are starting to see the return of beaver in the united

28:58

kingdom and um as a woodworker i am very very very jealous of the teeth of beaver and they are the

29:06

most amazing woodworking tool and indeed um i've seen bits of willow that beaver have chewed that frankly i

29:12

would have thought a master woodworker had been working in terms of the patterns and the precision of the

29:19

um the cuts so good on you beavers for your amazing ability to

29:25

to create new habitat by chewing through trees creating open areas and of course most

29:31

importantly by creating um dams such as this one again this is in biavisia forest

29:37

and um the the person in the image is rafael cavalvich

29:42

who is the uh director of the polish mammal research institute i'm showing us um this amazing flooded

29:49

forest in the um in uh um also other animals that you can

29:55

find in uh in primeval forests around europe are such such as tarpan the wild horse which

30:01

again has been reintroduced in some areas and um we won't find elephants in

30:08

um uh european forests but i think this is a useful image because it just shows us the the power of large

30:16

mammals to um disrupt um trees and particularly to break off branches

30:21

knock down whole trees in order to get to the leaves and although

30:26

we don't have um african elephants in our part of the world if we go back in time we can proudly

30:34

boast our own sadly extinct elephant species the straight-tusked elephant

30:40

which would have been around in some of the interglacial periods as the glaciers retreated and advanced

30:46

and retreated and these guys would have been resident uh in in the northerly extremes of the

30:52

united kingdom and the important point i'd like to make is that these um um these uh uh large animals

31:00

have um co-evolved with our trees and therefore our trees have been able

31:05

to respond particularly our native broad leaf trees to the impact of animals such as this

31:10

and that gives them the most amazing ability to effectively re-sprout um if um if they're knocked down or cut

31:17

down and so you can completely fell a um broadleaf woodland and it will

31:24

regenerate and that is a very very important um uh element in the um the history of british woodland

31:31

so um if we go to the new forest um one of the big um issues there is around

31:37

natural regeneration as well very large numbers of ponies and donkeys

31:42

and sheep and pigs are put out for pannage um and in this image you can see the

31:48

impact of um ponies if i draw a line with my cursor across the screen

31:53

i hope you see a so-called browse line you can see this pony here munching its way through some

31:59

um holly which would have been one of the um a few um food stuffs available to it

32:07

during the winter but creating this browns line and when we look at this image very little regeneration of the woodland

32:14

and what are we missing well we're missing top predators such as the wolf so in in places like

32:21

poland there are still wolf packs spreading across europe from sweden into norway into germany

32:28

from poland into france into the low countries as well and of course a huge debate about um

32:35

rewilding and reintroducing a wolf into the united kingdom what wolf

32:40

do is not necessarily kill large numbers of deer but by having

32:45

top predators such as wolf and lynx in your habitats you create different movements of your

32:52

grazing and browsing animals so they don't stay in one place for too long for fear of being attacked by

32:59

wolves and so they move around within the landscape and the habitat to a greater degree no one area is sort of browsed or grazed

33:08

to death and it's that sort of behavioral change that allows natural regeneration so rewilding you

33:15

can see in here i hope that i'm a fan of rewording it's a controversial topic and means different things to different

33:21

people but in terms of um uh uk woodlands i would love to see us recreate that

33:28

biovicia primeval forest with top predators and completely natural processes in a large landscape scale

33:35

um woodland regeneration that would be just so amazing and of course we mustn't forget humans

33:41

so as we develop the tools and technology from um stone age axes through to

33:47

bronze age and iron ajaxes we both cleared the land so that by perhaps the bronze age the

33:53

uk's um woodland cover was was was very low so a lot of that woodland cover was

34:00

caused by either chopping down trees or sending in grazing animals that would have browsed out all of the trees and

34:06

then they died and weren't regenerated or ring barking trees by pulling off the bark and so on by

34:12

clearing areas of land that were suitable for agriculture but what what humans also found out was

34:20

because trees had co-evolved with elephants and bison and so on that knocked them down

34:25

that um trees can uh re-sprout and that we can take advantage of that re-sprouting

34:30

through a process called coppicing and indeed um you may be familiar with pollarding as

34:35

well for trees that are taller exactly the same process just one the trees are cut down at the ground level and another they're cut

34:42

down at um above grazing level browsing level for animals such as deer

34:48

and horses so the ability of trees to sprout again effectively trees are immortal in that

34:56

sense in the the if they're cut down and regrow and cut down and regrow

35:01

the stool may grow may grow to several meters wide but um will effectively continually

35:07

regenerate and by doing this and allowing it to grow over different periods of time

35:13

so in a coppiced woodland we'd have different so-called corpus coops in each coppice coop maybe um kept for

35:20

three years five years seven years depending on whether we wanted uh pea sticks and bean sticks or wood

35:26

for charcoal or wood for um timber so when when um pit props were a big

35:33

big thing then that would have been leaving them for longer and so on and so coppicing was very much part of

35:40

our woodland culture and although it's beginning to come back again i would love to see

35:45

um a real policy shift that allowed coppicing and woodland management to really reappear

35:51

so one of the real problems we have if we accomplish now in lowland britain is deer uh

35:58

damage and so this is my wife actually and we're volunteering um and we've um we've coppiced some

36:04

hazel and um uh because we've got lots of time we've been able to build a effectively a

36:11

protective layer a little bird's nest of um twigs and so on around that the hazel uh in the hope that it

36:18

will be able to regenerate and not be um grazed by animals but if if

36:23

you didn't have volunteer power to do that you may have to put up an anti-deer fencing around your woodland and you can

36:29

see that that is a very expensive um process to put up very high deer fencing

36:37

around an area of woodland but um you can see here that um the fencing technique does work this is a

36:44

couple of years old put up by the i think the cotswold volunteers on a woodland just outside um

36:50

outside whitney in oxfordshire and just beautiful regeneration and i love to see those lovely straight

36:57

stems from that from that protective um

37:03

coppiced hazel so um what can we what can we do with our coppiced woodland well

37:09

obviously once we start to coppice woodland we can generate a whole load of woodland products and perhaps

37:15

the most um effective way of coppicing is to create so-called coppice with standards

37:22

so that um you coppice your hazel you can see the hazel stools here that have all been cut back

37:27

but you allow some trees to remain and to grow as so-called standard trees and hopefully they'll grow long and

37:33

straight if they're not um if they're not damaged by squirrel which

37:39

is another problem in our woodlands um and um and this produces um very

37:44

large amounts of um woodland material and has some huge advantages as well perhaps the most

37:50

important is that this is the equivalent of our pleistocene elephant or our um uh or our primeval woodland

37:58

bison smashing through an area opening it up allowing light in to the ground and you can see here um

38:05

dogs mercury appearing an ancient woodland indicator species that tells us that this woodland has been around

38:10

since at least the 1600s and that light and gets into the ground floor of the woodland allows a

38:17

blossoming of woodland flowers and then as the shade begins to increase we get a great increasing diversity

38:24

and then a different coppice coop is cut and we get more diversity so coppicing is just such an amazing way

38:30

of managing woodland to produce a woodland product and actually benefit wildlife as well

38:35

and to create a really sort of open structure to woodlands that makes it very pleasant to um to visit and to walk in as well

38:43

and of course in the united kingdom we are the um the world um leader for um for bluebells so this is one of its

38:50

um uh outposts and a real there couldn't be a more classic image i don't think of a british

38:57

woodland than a duster in woodland and i hope that some of you have had a chance to visit some

39:02

bluebell woods um this spring and really enjoy um the um

39:07

the sight and sound of bluebells and the smell so woodland products so this is all then

39:15

about creating a wood culture where we make the most of our woodland products and this is a colleague from the witchwood project

39:21

which is a charity based in west oxfordshire managing nature reserves in our part of

39:26

the world and we've been um coppicing hazel here for hedgerows and so what we have are

39:34

the larger thicker pieces of hazel are steaks and the thinner more pliable hazel that

39:42

uh bound up in the pink string um are um so-called binders and these are going to be used by

39:48

my colleague toby in a um in a hedge laying um course that he was

39:54

running and um here you can see then the stakes that are used in hedge laying

39:59

and then the binders and then the the hedgerow that's been cut back and bent over and the so-called

40:05

bleachers so just one small example of the way in which woodland products then can be used

40:11

in a productive and constructive way and of course i'm sure you'll be aware that um

40:17

that this is such a rich way of creating a new hedgerow and i have to say

40:23

whenever i see um a big tractor flailing a hedgerow um particularly the wrong time of year

40:29

my heart absolutely sinks so heads up to everyone who's involved in traditional hedge laying and creating

40:36

just the most amazing habitat and indeed locking up carbon in those um in those mature branches as

40:42

well so another another function for woodland was for fuel and this is a recreation of

40:50

a charcoal maker's um woodland camp in the singleton wildern singleton

40:56

museum down in sussex a big water barrel very important if you're making charcoal

41:03

and um hazel would have been very much part of the um the raw material so here is hazel

41:10

traditionally stacked to dry out in uh piles ready for um

41:16

fulfilling um a hazel burn and and indeed i was privileged to be able to

41:21

watch a um traditional um charcoal burn so um this is how it

41:26

used to be done um with the wood piled up um and around the edge of the wood

41:32

effectively damped down with earth so that it stops air from getting into the um to the fire

41:39

and charcoal creation is all about controlled burning of um of wood in order to drive

41:46

off the moisture to start with and then also to drive off the volatile oils and to leave something that's 90 plus

41:53

carbon so this is a i think this was a 48 hour plus process that had to be constantly

41:59

watched because at any point the earth barrier broke down a little bit and allowed air in

42:05

you could lose your entire charcoal and burn so a very a very time intensive way but

42:12

this would have been the oldie timey way in which charcoal was made and very important as you break into the charcoal

42:19

you have your buckets um of water ready to um cool it down in order not to um to restart fires

42:26

um but these days of course um there are much more efficient ways of um

42:32

of making charcoal and indeed there are even flashier more remote controlled and uh

42:38

and automatic um systems than this steel drum but i like the steel drum for me it captures the spirit of um

42:45

that old world way of making charcoal and you can see and the wood going in here um the air being cut off and uh very

42:52

important to look at the color of the steam so as the charcoal burns it comes off with a lot of um gas

42:59

um sorry water moisture steam so it's some white color and then as it as it reaches

43:05

um the temperature in which it begins to form charcoal the gas changes color so this one is

43:12

well on the way to producing large amounts of charcoal so we've got fuel from our woodlands

43:19

we've got um beautiful charcoal and we can use this for um obviously for barbecues but also we can use um

43:27

biochar a very important product for um improving soil and locking up carbon in soils as well

43:33

so lots of important products from from charcoal and of course we use charcoal into the

43:38

building i have um i have axe envy when i look at that and beautiful acts on the left there

43:44

and the traditional hewing of um of timbers to make buildings barns and houses and so on

43:50

timber framed buildings very important amazing amount of carbon locked up in

43:56

these tree in these um trees and then used into the woodland into the um

44:01

into the buildings and it did if you get a chance go to cressing mill

44:07

this barn you're looking at is originally built in 1280

44:12

vast amounts of timber has been used in its own production and all of that timber is carbon that's

44:18

been locked up locked away sequestered since the um since the um 13th century

44:24

so that's pretty amazing i think to see waddle and dorb of course also

44:29

very important building material locks up carbon um but increasingly um um

44:37

oh sorry um so yes shipbuilding as well so if i'm uh using timber to build ships the

44:43

mary rose is on the left um the merry rose took at least 600 trees to be built

44:49

and about 17 hectares of woodland so that's a lot of carbon a lot of wood

44:56

locked up in a timber a timber framed boat or a timber-built boat

45:03

but um we also know that a lot of traditional materials were made from wood as well

45:08

so everyday implements such as bowls and spoons and indeed the mary rose we found sailors wooden

45:15

spoons and sailors bowls and here is one of my colleagues eddie marsh who is um in elizabethan gear

45:21

using a very traditional elizabethan um pole lathe to turn a piece of um this is a piece of

45:29

so-called spalted birch you can see the black marks of fungus growing in the birch which gives it that lovely turn

45:36

and we know that um that this was a very traditional way because this little bit that my um marcus pointing to is um

45:44

is the waste from the um uh the spandrel here that turns the bowl and we found those in places like jarvik

45:51

so the the vikings were turning bowls um and a very traditional way of um uh

45:57

working and using the pole lathe is a very very meditative process good for you

46:03

good for your heart lung function as well and of course takes us all the way back to the bodges of um the chilton heels

46:11

who would be churning out um chair legs for the um for the um the the the industries in um high

46:17

wycombe the the furniture industry and high wickham and um they lived in the woods during the

46:23

summer they had to churn out up on piecework hundreds of them chair legs a day in order to make

46:28

her um even a paltry living um and it's the revival of the sorts of techniques such

46:33

as this shave horse and the pole lathe that's used to turn the and the legs that i'm very interested in and would

46:40

like to see more of so here's some of the um the way that wood was used in the factories in high wickham to produce the

46:46

high wick and windsor chair and bodging is back um

46:52

and here is a modern bodger with a young assistant using again a pole lathe this is a so-called spindle

46:58

pole rather than a um a bowl lathe so this would be used for turning legs and um and indeed there is very much now

47:05

the revival of the um of the woodland craft so the association of pole leaf turners and

47:11

greenwood workers is very much behind the revival of woodland and

47:16

coppis and greenwood crafts in the uk we have our bodges ball every year beautiful woodland products such as this

47:23

um lovely um cooksa or or cup um is entered in competitions and um

47:29

we have the so-called log to leg race where colleagues rush to build um wooden legs from um

47:36

from a branch of a piece of ash tree and you can see the beautiful woodland um uh wooden products here

47:44

and um um and we are seeing a true revival of woodland craft so this is my colleague who makes

47:49

um ash chairs of course that then tells us the the challenges of ash as a woodland product um but um yeah

47:57

it's really exciting to see um this this whole area beginning to really expand

48:02

clog making i'm using older and a stock knife pretty much died out but there are still

48:09

one or two makers and a slow revival in clog making dancing and so on uh folk dance i'm

48:15

using clogs and also oaks will baskets and owen jones here

48:20

was a national craft treasure according to bbc radio 4 and he produces the most amazing oaks

48:27

wheel baskets and hazel is used here to make hazel hurdles very

48:35

exciting to see that and chestnut paling as well um the high tanning content to chestnut very

48:40

important so it's very exciting to see people getting back into the woods

48:46

and using woods to make woodland products and i'm so excited to be part of effectively a new wood culture and a

48:53

craft revival in woodlands and this is one of my colleagues is a member of our local

48:58

branch of the association of polite turners on her bowl lathe this all fits in the back of her mini would you believe when

49:04

she travels so very very exciting my own particular interest is in spoons

49:10

i carve wooden spoons and you can see some here that have been turned on a pole lathe

49:15

you've got um ash and plum and cherry and sported birch so a whole

49:22

range of species that i love to carve so i'm very pleased that the new wood

49:28

culture is beginning to develop and i really hope that it can continue and that we can manage our woods for um

49:34

people's livelihoods and for people and for wildlife and for carbon sequestration secret

49:40

station as well so thanks so much for your attention and a reminder that wheel writing was

49:45

another use of woodland products as well so thank you very much and i'll hand back over to you

49:51

fiona thanks very much for that

English (auto-generated)


 

Lecture

Mrs Beeton: the original Superwoman?

Hailed as a domestic goddess of the 19th century and a woman who turned household management into something akin to a military operation, some have since questioned whether she was all she appeared to be. Certainly her Book of Household Management was a 19th century success story and a 'must have' in many homes for generations and she was arguably one of the first women to compete very successfully in the male world of publishing.

In this lecture, we will explore the life & work of Mrs Beeton, and her husband Samuel Beeton whom together, might be described as a 'power couple' of the 19th century. A fitting way to mark National Biscuit Day on 29th May!

Video transcript

0:01

right i hope we're all able to see this um

0:07

these slides just a quote here this is a picture of isabella beaton herself or isabella mary

0:15

bate to give her her full married name if i had known beforehand

0:21

that this book would have cost me the labor which it has

0:27

i should never have been courageous enough to attempt it and this is what

0:33

she actually put in the preface to her um book of household management published

0:40

for the first time in book form in 1861

0:47

now this lady i wonder how many of you recognize or think you might recognize

0:55

this lady she's actually she was actually

1:01

the great niece of isabella beaton

1:08

and it's nazi spain who if you remember the 1950s and the 1960s

1:17

they all say if you remember the 60s you weren't there but um there we go she um

1:23

was a very well-known celebrity broadcaster presenter and is a descendant

1:31

or was a descendant of mrs baden

1:37

i supposed um when we think of isabella beaton and the

1:44

book that she wrote and i hope to show that she did

1:49

much more than just write a book um i suppose this sort of illustration

1:56

is what comes to mind a very grand

2:01

typical beaten inspired dinner plot dinner party from the 19th

2:08

century beautifully decorated table and beautifully dressed

2:14

guests of course and everything looking just perfect including the presentation

2:22

of the food and to begin at the very beginning

2:29

here is the lady herself isabella mary beaton

2:35

isabella mary mason and you'll notice an unusual spelling of mason m-a-y-s-o-n

2:45

and this side is a photograph of her taken round about 1856

2:52

at the time of her marriage and um question on this slide from me

2:59

was she really a dragon in a black bomber zine dress

3:04

well she's been called a lot of things over time a control freak an organizer

3:12

an army commander and a dragon in a black bombers in dress this

3:17

fiercely well-organized super efficient woman who was very good at telling

3:25

everyone else how to run their home and black bombers seem very common material in the 19th century

3:33

for women's dresses she doesn't really look like a dragon

3:38

does she i i hope you agree with me on that she certainly doesn't look like somebody

3:46

you might be afraid of so what is her story well she was born

3:52

in 1836 her father was a

3:59

linen draper in cheapside in london benjamin mason and a mother elizabeth

4:07

um helped him in the shop and isabella was the first

4:14

of their four children when she was four years old

4:22

isabella already had two younger sisters and her mother was expecting

4:29

her full child when her father suddenly died now

4:35

obviously this would be a catastrophe at any time but certainly in the 19th

4:42

century around about 1840 we're talking for a woman to be left

4:48

on her own with very young children was pretty much a disaster um

4:56

normally you had no alternative except to throw yourself

5:01

on the mercy of friends relations to support you and help to look after

5:08

your children but elizabeth was slightly different

5:14

from many women in that she was determined to carry on benjamin's business the

5:20

linen drapers and she did so heavily pregnant with her

5:25

fourth child three little girls aged four and under already um this was quite

5:34

something to take on and i like to think that isabella absorbed

5:40

her powers of organization and her undoubted administrative ability by

5:48

watching her mother at a very early age um her mother remarried shortly

5:57

afterwards and um she remarried

6:04

to a gentleman with a very interesting job this is her mother painted

6:10

a very shortly before her husband isabella's father benjamin mason's death

6:22

and this gentleman henry dawling would become isabella's stepfather

6:30

and his interesting job was clarke of the coast at epsom race course and

6:38

his family he was a widower when he married elizabeth mason

6:46

he had four children by his first wife she had her four children because she'd

6:53

obviously given birth to her full child by now and um

6:59

after they married they would have 13 yes you did hear that right

7:08

13 children of their own so between them

7:15

with his four children by his first marriage and elizabeth's four children a family

7:23

of 21 children and um quite a

7:30

considerable number to organize

7:35

and isabella's mother was always glad that her eldest daughter

7:43

herself took after her in being well organized and helping her

7:48

to bring up this huge tribe of children in fact that's exactly what isabella

7:55

called them a tribe of children there were so many of them but obviously although

8:03

um henry's job was a good one as clark of the course he was well paid

8:10

um and they were rich enough to afford servants there was still a lot of

8:17

hands-on work that her mother needed to do with the family

8:23

nevertheless education was important and um henry dawling there is

8:30

no evidence that he and his step children didn't get on very well

8:37

together and isabella certainly seems to have been very fond of her stepfather education was

8:45

important for the girls as well as the boys and isabella was sent away

8:52

to school in germany she we believe did a few times at a

8:59

school in islington in london and then was sent off to germany to heidelberg

9:07

to um a school for young ladies where she would be

9:14

taught the skills that every young victorian woman should know

9:21

mainly domestic things like sewing um

9:27

music dancing um she learnt the piano she learned french

9:33

she learned german she discovered a great gift for languages and that would come in

9:40

useful later on in her life and she seems to have quite enjoyed

9:45

her education in heidelberg one thing that wasn't taught was

9:52

standard cookery um but what was taught was what was known

9:58

as fancy cookery confectionary how to make fancy cakes and

10:06

very elaborate desserts things that were a speciality and that

10:14

when you had your own home your own husband your own house um

10:21

you could show if you like how clever you were by being able to produce this wonderful

10:30

array of confectionary pastries and very elaborate desserts to show off

10:37

really your creative and your artistic skills more than anything else

10:45

but standard cookery was thought to be unnecessary for these

10:50

girls because after their education they would marry and they would marry wealthy men so

11:00

they would have no need to ever do their own cooking unless they wanted to

11:09

but isabella absorbed everything the school had to teach them about fancy pastry making

11:18

confectionery making and dessert making she loved learning

11:23

this so much that when her education was over when she'd finished her

11:30

finishing school years if you like and she came back to england

11:36

she actually went to a local confectioner and asked him

11:43

if she could sign up for lessons with him now her mother was quite

11:49

affronted by this because she felt that her daughter

11:54

really had no need to study anymore um she had big ambitions for all

12:01

of her children and certainly hope that her daughters would marry

12:06

rich men but nevertheless isabella was very determined

12:12

and this is another facet of her character that we see as well as her skills in

12:19

helping her mother to cope with this brood or tribe of children

12:25

she was also quite single-minded and determined when she set her mind to

12:31

something and um she definitely decided that she was going to study

12:38

um confectionary and fancy pastry making and nothing her

12:44

mother said would talk her out of it this was where the doling family lived at some race calls yeah

12:53

they actually lived in the grandstand and when race days won the family would need

13:00

to move out of the grandstand so it was a splendid place to live but a

13:06

bit of an awkward place to live as well

13:12

when isabella was 20 she married this young man samuel ultra

13:20

beaton um what's the story of sam beaton well the beaten family were known

13:29

to the mason family we know that the masons and the beatons were friends they lived

13:37

um roughly in the same area of london cheapside in london and

13:44

we also know that um sam and isabella have been friends

13:52

from childhood um sam was some six years yeah older than

14:00

isabella but nevertheless the the beatens and the orchards um uh

14:08

the beatons and the masons mixed with each other um socially and there was nothing really

14:16

other than approval of this young man courting isabella

14:22

he was quite a dynamic character again you might say well they were a

14:29

pair well matched isabella i've already mentioned was very determined

14:35

young woman and also um possessed of good organizational skills she'd had to

14:42

be and um sam was of a similar ilk

14:47

his family were actually publicans by trade his father ran the pub

14:55

we don't know whether his father actually owned the pub he ran but he certainly

15:01

he ran a pub and he may have had other business interests as well

15:06

but sam didn't follow in his father's footsteps instead he entered the world of

15:14

publishing and the world of publishing in the 19th century

15:20

wasn't an easy occupation it was a pretty cutthroat world

15:27

many publishers um were a family business over many

15:34

generations john murray for for example

15:39

it was one of the john murrays who had published jane austen's

15:46

work or some of her later work and the murrays were a publishing family

15:53

george smith who published charlotte bronte he his father had been a publisher

16:01

before him um so it tended to be a father

16:06

to son occupation so sam was really striking out for

16:12

himself and it was a not an easy world to enter

16:18

there was an enormous amount of competition between publishers at this point in the

16:25

19th century there was a publishing boom going on more and more people becoming

16:32

literate and consequently a great demand for literature of all kinds so

16:41

it wasn't an easy world that samuel had entered

16:46

um nevertheless it appears to have been a love match between the two of them and

16:52

as i've said with family approval now interestingly when they married the

16:59

young couple moved to pillar they had a house at pinner in

17:04

middlesex and one interesting fact after their marriage when they went off

17:10

on honeymoon his mother went with them

17:18

you might find a wee bit odd but there we are so they're living in pinna and sam

17:25

is commuting to the city of london every day where his company s.o.b

17:33

he started up his own company um were operating but interestingly

17:41

sam didn't assume that isabella would be content to just sit at home

17:47

and be the lady of the house and enjoy tea parties and going out shopping with her friends

17:55

sam actually involves isabella in the business and it's interesting to speculate did he

18:03

involve her in the business or did she insist on becoming involved in the business

18:10

um we don't know but interestingly um sam wanted her

18:17

input sam wanted a woman's slant on

18:24

publishing on what sells to the public because he wasn't only a book publisher

18:31

he was a magazine publisher as well this is a photograph

18:37

rather than a sketch of sam taken in about 1859 1860

18:44

roughly three or four years after their marriage

18:51

now sam was ambitious and the hint is there of him involving his

18:58

wife in 1861 he would found a magazine called the queen and it's a

19:06

facsimile copy on the screen at the moment now this magazine was tremendously

19:13

successful and he later sold it at a profit so this was an affluent young couple

19:22

they were rising up the greasy pole

19:27

and these were the two publications that actually made sam beaton's name

19:35

and remember he's still young at this point one is the publication of the boy's own

19:42

magazine one of the first magazines aimed at young boys full of gung-ho

19:50

and daring do stories um that appealed to young boys tremendously successful

19:57

magazine um that was one of the highlights of his career

20:04

the other highlight is on the right hand side of this slide he managed to

20:11

get the english publishing rights to the hugely successful

20:19

uncle tom's cabin written by harriet beecher stowe one of the runaway

20:26

success books of the 1850s and to do that he actually

20:34

took himself off to america which would be quite an interesting

20:41

thing for a young publisher to do under his own steam today but in the 1850s this

20:49

was quite amazing he with with no prior notification

20:57

he goes to america he locates harriet beecher stowe who wrote the book

21:04

and he comes back to england with the english publishing rights and

21:10

with the contract in his pocket the book as i've said and you probably know

21:18

was tremendously successful it's quite harrowing in parts because it deals with the very

21:25

emotive subject of course of um slavery in the south

21:32

and subtitled life among the lowly and people were clamoring for a copy of

21:38

this book however the book that would really make

21:45

the name of s.o beaton and company was not sam's brainchild it was the

21:52

brainchild of isabella isabella by now is very much

21:59

an equal partner in the marriage and sam to his credit as we know from the

22:06

correspondence he left behind was um very strongly in favour

22:12

of women's rights women's rights beginning to be talked about of course

22:18

at this period in time and sam was a strong supporter

22:24

um i've said he was a strong supporter i would say in private he was a strong

22:30

supporter he tended not to make too much of it in his business life but he always

22:38

encouraged isabella in working he didn't see anything odd in having a working wife

22:46

many men in the 19th century did it wasn't quite the dumb thing because

22:53

it implied that husband wasn't rich enough to keep his wife at home in idleness

23:01

basically um it was the mark of success

23:06

if a man was able to do that because in the 19th century usually only

23:14

very poor women of necessity went to work but isabella we find on the station

23:22

at pillar with sam in the early morning catching the commuter special

23:29

to london and getting a few disapproving looks

23:35

from the other gentleman on the station platform so we're told um but that didn't worry

23:43

the beatens they very much went their own way and by now a few years after their

23:51

marriage brand beaten is beginning to emerge now today we talk about brand beckham

24:00

victoria and david and how they've created this empire for themselves

24:07

lending their name to all sorts of ventures um some of which tend to make us smile

24:14

perhaps um but nevertheless building themselves

24:19

an empire and becoming very very rich well forget brand beckham

24:27

it's bran beaton in the 19th century very much branby

24:34

um the publishing world was very admiring of this young couple

24:41

because by now sam had taken over the english woman's domestic

24:48

magazine another enormously popular magazine amongst the middle

24:54

classes in the 19th century and the english woman's domestic magazine gave

25:01

women um something of everything it gave you reviews of the latest literature it gave

25:09

you discussion about the latest fashions from paris

25:14

it gave you theater reviews um it also gave you

25:22

cookery hints and tips you probably wouldn't follow them yourself

25:28

but you might pass them on to your cook because the english woman's domestic

25:33

magazine was very much aimed at the middle and upper class

25:38

woman not working-class women middle and upper-class women so

25:46

isabella comes in with the english woman's domestic magazine

25:52

and she begins to reorganize it because she thinks this magazine

25:57

has grown style what was some of her innovations well

26:02

recipes she asks her family and friends for recipes isabella

26:10

never whispered it softly particularly enjoyed cooking

26:18

but certainly her family her friends had a fun recipes that they were willing

26:25

to let her have and she also invited the public

26:30

to send him recipes now this wasn't uncommon in the 19th century and perhaps

26:38

you would earn a few shillings for if your recipe was published in the magazine so isabella begins

26:47

looking at these recipes getting the recipes tested

26:53

and then putting them in the english woman's domestic magazine with her own innovations

27:01

her innovation was to list at the beginning of the recipe all the

27:08

ingredients that you would need and also the cost per person

27:13

per person so per portion you would be able to cost out how much

27:22

this particular dish was going to cost now that doesn't sound very

27:29

groundbreaking to you and i but it was in the 19th century

27:34

normally you had to go through and pick out the ingredients from the actual recipe isabella did away

27:43

with all that she listed them at the beginning so you immediately knew what you would have to

27:49

order in order to make or for your cook to make that particular dish

27:59

other innovations that she brought in were giving away dress patterns in the magazine

28:06

now again today going to your news agent pick off the shelf a magazine

28:13

there may well be in women's magazines a dress pattern or a pattern for something for children

28:21

or whatever and you wouldn't today regard that as groundbreaking but in the 19th century it was

28:28

and the sales of the english woman's domestic magazine go up 25 30 40

28:39

so brian beaton brand beaten now these recipes were published

28:47

month by month with the english women's domestic magazine

28:53

after two years she had 24 months worth of recipes

29:01

and the idea by now was to put them into book form and then

29:07

publish them as a book however isabella's ambition didn't stop

29:15

there she's already also contributing

29:20

french and german translations of short stories from the original

29:27

french and german and putting them into the english woman's domestic magazine

29:34

so she's already busy doing this and she's busy helping sam in the

29:40

publishing world in many other ways she's giving him advice

29:45

on what will sell and what will not sell but she's also beginning to produce

29:52

her own book yes she uses the recipes that have been published

29:58

in the english woman's domestic magazine that have come from all sorts of sources

30:07

none of which i might say were credited

30:13

today we might think well that's a bit dishonest what did copyright

30:19

have to say about that well copyright law in the 19th century extremely weak

30:26

extremely difficult to prove you had a case an isabella we now know today

30:33

was borrowing recipes from other well-known cooks of the 19th

30:41

century people like hannah glass eliza acton

30:46

charles francatelli now charles francotelli had a great reputation in

30:54

the 19th century for a time he worked as the cook to the royal family at buckingham palace

31:01

we're told he left the job when he quickly realized that victoria and albert

31:06

preferred plain food and he was a french trained chef

31:13

he wasn't about to produce steak and chips no so he left the job

31:21

many of the recipes we now know that eventually appeared in her book

31:27

were francitalis hannah glass and elisa actor well-known cooks of

31:35

their day um so we might say these were borrowed but isabella's vision was for something

31:43

more the clue is in the title household management

31:49

she wanted a self-help book for women women who were running their

31:56

own home and maybe needed advice not only on a dinner party

32:04

how to create the perfect dinner party how to make your table look perfect

32:10

how to present food so that it looks like a work of art

32:16

um but also what do you need to be aware of

32:22

when you're employing servants what are the qualities that you should look for

32:28

in a footman a ladies maid a nurse for your children

32:35

how much should you pay them and i'll give you a piece of advice never

32:40

pay your kitchen mate more than 10 pounds a year she also incorporates into the book

32:49

legal advice and another piece of advice here

32:54

when you move house get your drains checked so you've got advice on

33:02

houses what to look for how to select the right area

33:07

for you legal advice is in the book

33:12

and did she write this herself no of course she didn't she employs an

33:19

eminent legal man to write the legal section

33:24

and she also employs somebody with knowledge of houses and

33:30

house building to write the advice on houses

33:36

and room sizes and drains and what area you should look for

33:43

which are the best areas to live in and how many uh rooms you need

33:50

do you need a basement kitchen or is that not advisable

33:55

there is so much more in this book also medical advice

34:02

medical advice in the 19th century was something that everyone needed we

34:08

know um that mortality rates were high

34:13

in the 19th century so again a very eminem medical man comes in and

34:20

writes the medical section as far as the recipes were concerned

34:28

isabella beaton produced recipes in the book for everything from a family

34:35

dinner party to dinners for four

34:40

six very modest sized dinners but also to dinners of 18 or

34:48

25 for grand occasions like weddings and christenings

34:55

how to make a christening cake so everything from small family dinners

35:03

right the way up to huge grand occasions is there and not just the

35:10

recipes but table decoration the flowers everything so the book of household

35:18

management really is a self-help book

35:24

why was it needed at this point in time well we've just come through

35:29

an industrial revolution in the industrial revolution

35:34

there was fortune there were fortunes to be made if you had a sound business idea

35:42

if you were an entrepreneur somebody with an idea that made

35:48

money then you could become rich in a very short space of time

35:55

and if you became rich your standard of living would go up and suddenly you were in a position

36:02

to afford a big house and a lot of servants

36:07

so you might be somebody from a relatively modest background

36:13

you needed a self-help book to tell you the right way to do things

36:20

so isabella beaton's book of household management becomes a sort of inquire within for

36:27

everything book and it helps people who've risen from the servant class

36:34

to the middle class in one generation

36:40

as ever when there are big changes in the world there are winners and there

36:46

are losers and if you were a winner at the time of the industrial revolution

36:52

you could become very rich very quickly so these are some of the illustrations

37:00

from isabella's book beautifully produced in color

37:08

and we can see by looking at them that she's almost producing works of art

37:14

here yes it's food and yes it's a raid on a plate

37:20

but it pleases the eye as well as the palette

37:25

so people are looking at something that shows you don't just plonk your food on plate

37:33

you're creating you're creating a background so again brown beckham

37:41

out of the way bran beaton yes brown beaton is all about creating

37:48

this image and invalid cookery nothing

37:55

was forgotten in the book of household management even invalid conquering was taken care

38:03

of and how to produce a really appetizing looking meal for an invalid

38:11

including of course the obligatory versus the flowers

38:18

and over on the right hand side um an early copy of mrs benton's book of

38:25

household management so you get the idea this was a big book it was a thick book

38:33

by 1868 the book had been reissued several times and

38:41

it was over 2 000 pages long some 74

38:48

chapters over the years the book would be reissued it would be brought

38:55

up to date it would have things added some something's taken away

39:01

but certainly it would never be out of print and even today

39:08

we can buy facsimile editions of mrs b people still love this book

39:16

because it is an integral part of our social history it tells us about the victorians

39:24

what they at what they wore where they lived what their legal

39:31

system was like medical treatments in the 19th century

39:39

and what life was like for servants because mrs beaton didn't just give you advice

39:45

on employing servants she told you what work your servants were expected to be able

39:52

to get through and each was broken down into the duties

39:58

of that particular servant so you have the duties of the footman the duties of the coachman the gardener

40:06

the kitchen made the scullery made the ladies made and so on nothing was left to chance

40:16

everything was in the book and this is a 1912

40:24

copy and we've now come on to produce a copy of the book with

40:31

pull-outs these wonderful pull-outs almost like maps

40:36

that you could pull out in concertina fashion follow the illustration for your dinner

40:44

party table and then fold them back into your copy of household management

40:52

the book was first published in 1861

40:58

and it was a huge runaway success

41:06

however i'm dwelling on the positive sides here

41:13

over the years the book of household management and mrs beaton have been criticized

41:21

and the first play that we know of lampooning mrs beaton

41:29

was produced for radio in the 1930s

41:35

but certainly over the years people have poke fun at mrs beaton

41:41

this woman who turned organizing a house into little less than a military

41:49

operation and we've all collected things that mrs beaton is supposed to

41:57

have said i have to say no evidence exists for any of this not that i've ever seen it may be out

42:04

there somewhere but these are some of the things that people have alleged she said

42:11

and of course they're they're certainly controversial if you

42:19

have nothing in the house and companies should come take one turkey well

42:26

there you are first catch your hair um

42:32

yes that may have been much easier in the 19th century than it would be today and extravagance

42:42

she was accused of being an extravagant cook

42:48

now i don't personally subscribe to this

42:53

because i've never seen a copy of mrs beaton's household management without there being

42:59

economical recipes in there yes there are certainly

43:05

very extravagant recipes for dinner parties but there are also economical recipes

43:12

using family leftovers however take 12 eggs

43:19

12 dozen eggs is what she's supposed to have said

43:25

who knows so what were the reviews of her book like in october 1861

43:34

well the morning chronicle says mrs beaton has admitted nothing which tends to the

43:40

comfort of housekeepers or which facilitates the many little troubles and cares

43:47

that fall to the lot of every wife and mother the saturday review said for a really

43:55

valuable repository of hints of all sorts on household matters

44:02

we recommend mrs beaton with few misgivings and the london evening slander chimed in

44:10

with a volume which will be for years to come a treasure to be made much of

44:17

in every english household by 1906 reviewers

44:25

were still very positive that's 45 years later and the illustrated london

44:33

news says the book is almost of the first magnitude

44:40

so criticisms well it came to light in more recent

44:48

years after much research and um carefully

44:55

looking through beaten's um letters certainly amongst her family and

45:03

friends that actually only one of the recipes in the original

45:11

1861 edition actually came from isabella herself

45:19

the rest came from recipes that have been sent in by contributors

45:26

to the english woman's domestic magazine or from friends and family

45:34

and what was that one recipe well that one recipe was a charitable soup for

45:42

distribution to the poor of course that was important to go in the book because

45:49

every middle and upper class lady who was able to do so

45:54

regarded it regarded it as her duty to um produce vast

46:02

quantities of soap for the local poor at times of hardship that might be

46:09

particularly bad winters when people were prevented from working

46:14

on the land or it could be for some other reason

46:19

epidemics in the area or mass unemployment for some other reason

46:26

you were expected to be charitable so isabella contributes this soup which was apparently from

46:34

those who have made it and tasted it and i can't include myself

46:39

in in that um group of people is it is quite a nice soup actually

46:47

but the other recipes it seems likely came from elsewhere

46:57

so did she borrow well i think we have to say a resounding

47:03

yes to borrowing and and these are the main

47:08

ones she borrowed from hannah glass on the left hand side eliza acton

47:15

who who wrote many recipes for the poor certainly um cheap

47:23

nutritious nourishing food and francotelli over on the right hand

47:30

side these are all facsimile editions that you can see here um

47:36

yes she borrowed no question

47:42

now personally on uh switching to a personal level

47:49

the beaten marriage as far as we know was a very happy one sam as i've said encouraged isabella

47:57

um to become involved in the business and to be active no she wasn't just a figurehead

48:04

she was active the sadness in their life was that we

48:11

know isabella became pregnant at least four times only two of her children

48:18

both sons um would survive to become adults

48:26

we believe she had at least two miscarriages there is a theory by her biographer

48:34

catherine hughes that sam actually was suffering from syphilis and

48:41

unfortunately this was passed to isabella which was one reason why some of her

48:47

babies didn't survive we know certainly that at least two little boys died of

48:55

birth or very soon after um but ultra a mason

49:02

two of her sons did survive and um become adults

49:09

sadly isabella herself was destined to die at the age of 28.

49:16

terribly young and we're left wondering what more she could have done had she

49:22

lived she was actually working on a book at the time of her death and this is the

49:29

book she was working on mrs beaton's dictionary of everyday cookery

49:37

um this is again a facsimile copy you see here

49:43

and there's a logo on the front w l and t and that refers to the company

49:50

wall lock and tyler walt locke are still publishers to this day so why

49:58

does this not say published by s o beaton well

50:05

isabella having given birth um seemed to be recovering well

50:14

she just given birth to the youngest of her two surviving sons mason and

50:20

suddenly a few days after the birth she became ill with what was commonly

50:26

known as child bed fever and she died now

50:33

sam was destroyed he's left with a two-year-old son

50:39

and a newborn baby those children had to be um

50:45

passed on to family members to bring up because sam of course had to work

50:52

and sam's business acumen was nowhere near as good as

50:59

isabella's and he begins to deteriorate deteriorate rapidly after her death

51:07

he really takes his eye off the ball business-wise he begins to get embroiled

51:13

in a number of fruitless legal cases against other publishers who he

51:21

believes have defrauded him in some way or trespassed on his ground

51:28

and he's losing money in legal fees gradually he's becoming poorer and

51:34

poorer this um wonderful bank balance that

51:40

brand beaten had accumulated begins to dissipate

51:45

and eventually sam becomes ill and he's forced to sell out

51:52

at great disadvantage to him to waldlock and tyler waldlock and tyler

51:59

could sense that sam was not on top of his game and they forced him to accept a rock

52:07

bottom price when they made an offer for s.o beaton and company but sam had little choice

52:14

but to accept he contracted tuberculosis and died

52:21

in 1877 and this is sadly a quite neglected looking grave

52:29

where sam and isabella and two of their infant sons who died as babies

52:37

are buried and it's in west norwood cemetery i have no idea what the gravestone looks

52:44

like today um it's not the original gravestone this gravestone that you see

52:51

here was actually put up by their surviving sons orchard and mason in the 1930s

53:01

the beaten brand name goes on today it's used to denote

53:08

anything that is wholesome anything that is old

53:16

english cookery the best of british cuisine

53:23

and today of course we can buy all sorts of books with the words mrs beaton in the title

53:31

so you can buy her guide to baking mrs beaton's cakes and baking

53:36

mrs beaton's tea time specialities it goes on and on and on

53:46

now if you're interested in a book about mrs beaton the biography by

53:54

katherine hughes is a very interesting read the short

53:59

life and long times of mrs beaton of course if you haven't already got

54:07

a copy of the book of household management well you can buy a facsimile copy

54:15

don't try and buy an original 1861 first edition you'll be paying about

54:24

three and a half thousand pounds for one however there we are so

Lecture

COVID-19: the role of ethics in decision-making

During the COVID-19 pandemic, we’ve all heard politicians talk about 'following the science'. But, translating scientific evidence into policy involves value judgements and consideration of competing interests.

In this lecture, Katharine and Arzoo will explore how ethical concerns have (or haven't) influenced policy-making during the pandemic. Looking at a number of ethically contentious areas of policy, including the impact on already-disadvantaged communities, the prioritisation of vaccines within the UK, and the possible role of 'vaccine certificates', we will then consider two case studies in more detail around equitable access across the world to treatments and vaccines (and the implications for the UK), and the particular impact of COVID-19 policy on older people in care homes.

Video transcript

0:00

in response um what i'm going to do is give a quick introduction to the nuffield council on bioethics because i

0:05

know we may not be familiar to um to many of you and make a few reflections on how various kinds of expertise and

0:12

evidence including ethics feed into the decisions or sometimes don't feed into the decisions

0:18

made by national or local decision makers i'm then going to highlight a number of i think ethically

0:23

difficult situations thrown up by covid i'm going to do that quite briefly because i want to cover a

0:28

range and i think hopefully that will prompt some discussion in the in the chat at the end and then i'd like to finish by looking

0:35

in more detail at two particular case studies um one i want to talk about um the what

0:40

we've learned i think about some of the challenges of of the way we think about people in care homes that's been illustrated by um by the covid m19

0:48

outbreak and and and the restrictions that they've experienced and then i'm going to hand over to my colleague arson

0:54

to talk about i think the very current question of equitable access um to vaccines and vaccines and

1:00

treatments but particularly vaccines on a global level which i think is a real issue now for the world in terms of how

1:05

we think about this this pandemic and i'll try not to overrun but um it's quite a big brief um so

1:13

nether council on on bioethics um as it says there were a small independent body i think there

1:18

are 13 of us in total now um and our remit is to inform policy and public debate about the ethical questions raised by

1:25

biological and medical research and were established 30 years ago now

1:30

back in 1991 by the nuffield foundation and we're co-funded by the foundation by welcome

1:37

and by the medical research council we take an inclusive approach to the way we

1:42

interpret our remits to advise and ethical issues in bioscience and health and when we identify an issue

1:49

we think is worth exploring and we bring together an expert group bringing in i think quite a wide range

1:55

of academics and practitioners and policy makers and we also it's an important part for us in any project to think about how we

2:01

get wider public input too and the aim of all that is to ensure that

2:06

your weather are scientific and medical developments that could affect our lives in some way these are brought into practice in ways

2:13

that are consistent with public interests and values a sense of it's going below the technical to think about how things actually

2:18

impact our lives our values and our interests we do that in a

2:23

variety of ways we have really in-depth inquiries that last a couple of years i've been at the council 14 years now

2:29

and i'm on my seventh seventh inquiry we also do much shorter scale policy briefings you know because of turn

2:35

around um some concerns in two to three months and we use both these different ways of working

2:40

and to seek to influence policy both through the recommendations from our long long term projects and also just by

2:47

drawing attention to some of the ethical challenges that arise in the shorter briefings we also

2:52

do a variety of other things to sort of be aware of what's coming up on the horizon and to collaborate internationally

2:59

and to give you a quick flavor of the kind of issues that we that we cover some of those are are very

3:04

much about novel interventions so going back to gm crops or 20 years ago in the particular

3:09

youth both in the uk um and and in in developing countries thinking about novel technologies

3:14

thinking about alternatives to meat um we're doing a current series of projects looking at genome editing

3:20

so partly it's human reproduction and then now as fiona mentioned ourselves working on a

3:25

project on genome editing and farmed animals so quite a wide range of novel new things and but we also try

3:31

and tackle some of the sort of long-standing ethical questions that arise in medical research so i had a lovely couple of years

3:37

thinking about how you involve children ethically in clinical research and involving children in that process

3:43

and then in the right-hand corner of the slide i hope it's not hidden by by the pictures um thinking about um the

3:49

ethical aspects of public health now that was a report we published in 2007

3:54

um and actually that's formed a lot of the basis for a lot of our thinking about covid that's one that's really sort of stayed

4:00

stayed the term in terms of remaining valuable so how does all that activity on our

4:07

part actually feed into um policy making along of course with um

4:12

oh dear i've just done some funny click there sorry where do we go why can't there we are and along of

4:19

course with other people with an interest um in in in ethics i think we need to

4:24

think about the role of ethics alongside other kinds of expertise in policymaking

4:30

and there's been a mantra for the last i think several decades of this idea of evidence-based policy making

4:35

so the idea that when policymakers at national or local level are planning to do things that affect

4:41

effect public interest spend public money but actually there should be a decent research base for that that if we do a

4:46

then b is likely to to arise not cd or e and there are parallels there with

4:52

evidence-based medicine in the very well-established role of medical research underpinning medical

4:58

care and i think you're on this core we'll all be aware of um forms of treatment that were common and were normal in our childhood that

5:04

have since changed because of the increasing um knowledge gained by medical research and sometimes it

5:09

actually undermines what we thought and was good practice in the past but i think there's a real tension when

5:16

one starts then thinking about evidence-based policy-making because social policy questions are also inherently political questions

5:22

if we think of today's news there is not a consensus um on what the national rail system should look like or what transport policy should

5:29

look like these are political questions as are what our education system should look like what our exams for children

5:35

should be seeking to test so all these kind of social policy questions they are capable of being influenced by

5:41

evidence and evidence is an important part of of of thinking through what they should be but they are also these political

5:47

questions that also brings us therefore to ethics

5:52

brexit i think was a really interesting example of some of these tensions between research evidence between

5:57

expertise and politics and many of you may remember michael gove back in 2017

6:03

saying i think the people of this country have had enough of experts and i have to say at the time i found

6:09

that a very dispiriting um comment and that i rather have spent my working life thinking that evidence

6:15

and logical argument actually actually matter but i think actually what this captured

6:20

was that for many people making decisions about about brexit whichever way they voted in the referendum

6:25

it wasn't actually about the evidence on um exports or imports around delays at the

6:31

border or whether you could take your your your your pet's dog to uh to to holiday in france

6:37

it was a much more visceral thing about the kind of country we wanted to be and how we wanted others to perceive us

6:43

so actually in this case evidence about financial implications about practical implications about um implications of

6:49

particular parts of the economy weren't actually a relevant factor for many people and i think this is what michael gove was trying to capture

6:55

um in that quite provocative statement if we fast forward three years to to

7:01

spring last year to the um when the covered 19 pandemic first took hold i think we'll all remember the phrase or

7:07

very familiar with the phrase we are following the science your experts seemed very much back in

7:13

favor um and yet this hasn't been uncontroversial either

7:18

so this is a headline from the guardian um in april last year where ministers were accused of

7:24

abdicating political duty to a narrow field of opaque expertise on covert 19.

7:30

i think if we unpack a little that little bit it really starts bringing in this these wider questions of how

7:36

evidence and how particular ethics fit into policymaking so this idea of

7:41

narrow field of opaque expertise i think it's it's certainly the case that there's a vast range of relevant

7:46

expertise um in terms of responding to the pandemic and that range i think has expanded

7:51

during the last 12 to 14 months so there's the technical expertise the modeling the virology the understanding

7:58

epidemiology and how diseases are spreading what public health interventions can work there are also the social and

8:05

behavioral sciences think about how we feel how we behave because the public health model

8:10

may identify certain kinds of changes if we all follow it but if in fact only 60

8:15

of us follow it or only 40 of us follow it that has real life consequences for it and then ethical expertise also plays

8:22

into this mix thinking about what values are at play whose interests are affected how we balance those and while there's a

8:30

lot of criticism early on about the nature of the the expertise that was that was going into to

8:35

government advice and particularly lack of transparency about that was in the early days i think it's important to recognize that

8:41

a very large number of scientists from a very wide range of disciplines including i know at least two ephesus

8:47

have been involved in sage the scientific advisory group on emergencies and its subcommittees spy m and spy b but of

8:54

course there's still scope for disagreement both within those those involved and perhaps even more importantly those who feel themselves

9:00

outside outside that advisory machinery and therefore you'll comment from from outside and of course this has been

9:07

a completely new disease and a completely new situation so knowledge is evolving constantly if we think in terms of the advice on masks

9:14

for example i think that's a very clear example of how how things have changed very very much in our understanding over the

9:20

last year but that second criticism that following the science is an abdication of

9:26

political duty i think brings us back to this main focus of ethics and the role of values and

9:32

decision-making because decisions about public policy are not merely technical

9:37

you can you can do different models for what might happen under different scenarios and what pressure they might put on the nhs but then it's a question

9:44

it's a decision based on values as to how you act on that what policy decisions um come in

9:49

response and in this case public policy decisions are based on values but often this is

9:55

implicit it's very rare that that is spelt out they also often require trade-offs

10:00

between different kinds of interests and this is very much i would suggest where ethics comes in

10:10

so what can ethics and ephesus actually do i think it's really important without

10:16

doing myself and my my colleagues down too much that ethics and emphasis can't provide ready-made answers

10:22

precisely because we're talking about i think a political consensus often or a political mandate as to what um is is the

10:29

a chosen course of action however what we can do is offer a framework of values and where

10:35

others may not always agree with those values the fact that they've been set out explicitly rather than implicitly allows

10:41

for that kind of discussion to take place it helps unpack where tensions

10:47

arise we emphasize the importance of a fair and transparent process and in the blog i've i've copied into

10:54

the um the slides there below my director um hugh whittle made a very strong argument

11:00

um for much greater transparency early on in the first lockdown when we had no idea how we're going to come out it to

11:06

come out of it in order to to to create a greater trust in the system

11:12

and then really importantly we identify where responsibilities may lie so it's not for ethics and ethicists to

11:18

make ethical decisions what they can do is provide the tools to help those whose responsibility it is to make the decisions

11:24

to make to make those decisions and that may be at the level of national or local government it may be the national health service it

11:30

may be thinking about what our responsibilities our citizens are and i think this pandemic has really brought out all those different

11:36

levels of decision making by i think a a a rather fortuitous um um

11:44

situation as fiona mentioned i spent 2018 and 2019 working on a project that asked the question

11:50

how can research be conducted ethically in global health emergencies now we saw that project is coming very

11:55

much out of the challenges of ebola in west africa of zika in latin america

12:00

um you know the last thing we were expecting when we when we launched it or just before we launched it was that it would be coming into the midst of a

12:05

global pandemic that would turn all our lives upside down and in fact we published it just two

12:10

days before coverage was declared to be a public health emergency of international concern by the code by

12:16

by the who and the findings and the approach in that report have been used extensively

12:21

during covet um including forming the basis of the ethical advice issued by the world health organization

12:27

to researchers working on curvid related research the reason in this talk i'll put this

12:32

slide up is to give an example of the kind of ethical framework that i'm talking about so as part of

12:38

this project we developed what we called an ethical compass to guide decision making both to researchers on the ground and to

12:44

policy makers particularly to research funders but also governments and others and that identified three core values

12:51

about helping reduce suffering being the reason why you're doing research in the first place about demonstrating respect for others as

12:58

moral equals and thinking about what that meant in terms of how research was conducted and then thinking in terms of fairness

13:04

both in terms of how people are treated who's included who's excluded who benefits who doesn't benefit

13:09

and thinking about fair process as well and i think a really important element of this is recognizing that these values

13:16

will often be in tension they'll pull in different directions but none can simply be overridden

13:21

so in thinking about a policy aim you'll be argued you have to think about how you would use suffering in ways that are fair and in ways that

13:28

are respectful and that each of these act as a kind of constraint on the other

13:34

so that was one example of a particular piece of work that we did that was rather fortuitously very timely in terms

13:40

of the kovid 19 research response it was the council done in in in the

13:45

broader sort of um covid 19 responses in our commentary on that

13:51

we've produced a number of rapid policy briefings on immunity certification vaccine uptake and equitable access to

13:57

treatments and vaccines we've brought together experts and policy makers in meetings and webinars

14:03

and to try and explore some of these issues and we've used them the findings to brief ministers scientific advisers chris whitty and

14:09

patrick balance um talk to parliamentary committees so the they both the house of lords and house

14:14

of common science and technology committees and the health and social care committee we published um 30 blogs which enables

14:22

us to i think bring out particular issues that we might not have worked on in particular but where we have have things to say um and i found when i

14:28

wrote one on the ethics of challenge trials that was um taken up sufficiently for me to appear on some sky tv and channel four

14:34

which is very interesting and alarming um and through the uh the international

14:40

and connections we had through the research um in global health emergency work we've contributed to wha

14:45

advice and to the work of the kovid 19 clinical research coalition

14:50

that's of course all our side of it you know the other side of that is you know has it made a difference um has the government listened i think

14:58

that's a rather harder um question to answer particularly in the context context of a pandemic

15:03

um where things move fast where i think governments instinctively focus knuckle down and focus on on a few

15:08

decision makers i think there are areas um where we have been able to make a contribution

15:14

and in fact most recently just earlier in the week and we had a closed meeting with a number of experts and and

15:19

and officials thinking about the suggestion or the current public consultation on on mandatory vaccination

15:27

for care workers and the the ethics of that and that will then lead into a a formal

15:32

response to the consultation but by bringing people together we're able to expose um officials and others to

15:37

the wider questions around from very different perspectives we've made contributions as i've said on

15:43

on immunity certification um and we've keep we've kept and pushing questions of equitable access to

15:49

treatments and vaccines worldwide which our zoo will will come back to and in fact we had a webinar about that today

15:56

and so i think in a sense the jury is out as to how much influence we've had there but i think we've had been part of a wider

16:01

um i think wider set of voices encouraging greater transparency encouraging the government to be more

16:07

explicit about about values and interests so if we turn now to some specific

16:14

examples of ethical dilemmas in covid as i said in my introduction i'd like to start by making some brief

16:20

reflections on a number of quite high profile ethical scenarios that i hope will then prompt discussion um in the um in the in in the

16:28

discussion in the questions and answers at the end and then move on to the the more detailed case

16:35

and studies common theme across the three dilemmas i want to talk about um is the critical importance of context

16:41

at the start of the pandemic i think the phrase was used quite a lot that we're all in this together we're all affected by this

16:47

i think 14 months on we realized that that isn't really true we're not all in this together we have been affected

16:52

very differentially i've been very aware that myself i'm able to do my job from home here in my kitchen i can have groceries

16:59

delivered i can keep myself safe very easily that is not the case for many people

17:04

so the backdrop of health inequalities we've known for years have been some important reports making a very clear

17:10

correlation between deprivation and reduced life expectancy and healthy life expectancy

17:16

we know the social care sector was particularly badly or it continues to be particularly badly um affected um by

17:23

um by covered by covert deaths and we know also there's been a really disproportionate impact

17:28

on minority ethnic groups that we understand less well why why that is and something some shocking

17:34

figures there about the impact on black men and women more than four times as likely to die as their white counterpoints

17:40

counterparts and bangladeshi pakistani men and women more than three times as

17:45

likely to die those are really quite quite shocking figures so bearing that in mind as we think about the particular

17:51

scenarios i want to bring up if we start by this question of how we balance the harms of covid itself

17:58

the threat to life um indeed the threat to health through long coverage that it represents versus the harms of lockdown more

18:04

broadly and one way of unpacking this question is asking how we should balance the interests of very

18:10

different parts of society if we think of school children and young adults the people who are least likely

18:16

to be affected um in terms of their health by covid they are some of those who have borne the greatest burden children through

18:22

their um the interruption to schooling um with both interrupting to education but also

18:28

mental and physical health harms and again very differential depending on what kind of experience of online schooling they had particularly in the

18:34

first lockdown if we think of younger adults particularly those in insecure work and what that has meant

18:41

to them for the last last year or 14 months and contrast with those who mainly older not exclusively

18:47

who are more likely to suffer serious illness and even die from covid

18:52

and you may be aware that last october a number of academics very high profile ones from harvard from stanford

18:57

from oxford came together in something called the great barrington declaration where they said as infectious disease

19:03

epidemiologists and public health scientists we have grave concerns about the damaging physical and mental health

19:09

impacts of the prevailing kovid 19 policies and recommend an approach instead that we

19:14

call focused protection and that was basically as an extension of the government's early shielding programme so the idea that

19:21

those who are most vulnerable should effectively stay inside keep out of harm's way

19:26

get the kind of services they would need to to continue life like that and the rest of us could go out and live our lives as normal

19:33

and business could could continue now i think the great barrington

19:38

declaration did raise some really important questions about the consequential harms of the pandemic and some of the differential

19:44

impacts but i think there's some really important and difficult ethical questions that are sort of hidden underneath that and in

19:51

particular about the extent to which we see ourselves as a connected society or as atomized

19:57

individuals and first and foremost i think it assumes that those who are more

20:02

vulnerable to covid actually live quite separate lives from those who are not and to make this personal for a moment i

20:09

have a number of health conditions that makes me more vulnerable to covid i also have a 16 year old son if i were

20:14

to be the subject of focused protection i didn't quite know what that would mean would i live in one room in the house

20:20

and not see him would i move somewhere else how feasible is that and i'm going to talk about this a bit more when i talk

20:25

about older people living in care homes because i think this segregation this idea that one can compartmentalize

20:31

ourselves into those who are vulnerable and those who are not and live different lives is actually quite an alarming and

20:37

frightening um um thought i think the sort of the the

20:42

the remedy suggested by the great barrington declaration also assumes that it's okay to ask those

20:47

who are vulnerable to bear the burden of lockdown alone that by staying inside keeping themselves out of harm's way

20:53

out of risk of burdening the nhs and all the other language that was used that can allow others just to just to

20:59

deliver as they wish but i think asking all of us to accept some degree of inconvenience

21:05

in order to be able to support others is a fair thing to do so expecting us to wear masks to go

21:11

one-way systems around supermarkets if necessary to queue in shops or whatever those all seem to be fair things to ask

21:18

all of us to do so that people who are more vulnerable do feel it's safe to step outside their front door

21:24

i think once you start thinking of you know the implication of the lockdown and what that meant for people's economic livelihoods the fact the number

21:31

of jobs have been lost number of businesses have been lost that does get a much more difficult balance you can't just balance that by

21:37

by somebody's convenience and then that brings in questions of responsibility for government for mitigation

21:42

and obviously the furlough scheme i think was a very important and i think perhaps quite surprising um aspect um of of of the government

21:49

last year in in in march or april and that was introduced as a way of of trying to mitigate those those impacts there's been a lot said about

21:56

actually the need for much better sick pay for example to help mitigate the impact of asking people to um

22:01

to isolate when they might matter come into contact with cobit and by that way make it feasible and likely

22:07

that more people actually can help cut down contacts so that's the first first of my my three

22:14

scenarios the second one which i think was a very very um hot topic um last december since it's worked its

22:21

way out now is the question of who should have priority access to the vaccine in the uk and ethicists

22:27

would unpack this in a number of different ways so what do you think of it in terms of need those who are most likely to die or

22:33

become seriously ill from covid would we talk and talk about it in terms of dessert who deserves it

22:40

would we think about it in terms of reciprocity should we prioritize those who put themselves at risk for others

22:46

and obviously if we think of health care workers they potentially fit into all three of those categories

22:52

if we think about needs and just think about that for a moment that in itself is also quite complex so would we think

22:58

about age alone and which has been the main focus within the government approach um there's a very broad correlation to risk

23:04

is easy to organize should we think about age plus other factors other health conditions

23:10

that has been a factor gender we know men are much more likely to get very seriously ill

23:15

obesity another major risk factor and i've already touched on ethnicity and deprivation as being key

23:21

um key key factors in in in risk of death then should we think of

23:27

occupational exposure so we think of health and care workers who are clearly potentially exposed but

23:32

also have access on the whole to ppe but how about all these other people who've enabled people like me to

23:37

sit at home and have their grocery deliveries you know how about people who are working shop assistance how about those who are working in public transport

23:44

how about any of those whose jobs cannot be done at home they also have an occupational risk

23:49

in that sense so in making this decision going back to this idea of how the

23:54

government makes his decisions it took a decision based on advice by an expert committee called the joint committee on

24:01

vaccination and immunization that committee does not usually i think involve ethics input but in this

24:06

particular case it had input from at least one academic ethicist and here we all know what the well the

24:12

outcome was it was broadly based on age there's a category of people with other age conditions um

24:17

and then health and care workers were also prioritized and i find it very interesting that

24:23

i've heard chris whitty present this as purely a clinical decision this is simply about need but it doesn't actually pick out

24:30

some of those other aspects of need so it shows age it shows other um conditions so there's been controversial which have been in and

24:36

which have been out but it didn't think about these factors of occupational exposure other than um for for healthcare workers they

24:43

didn't think about deprivation and ethnicity and there may be very good reasons why that's the case in terms of the

24:48

practicality of the rollout i think it's interesting just to see it's a lot more complex than being as the simple clinical decision

24:54

which it was presented as and then the third of my three scenarios

25:00

how about covered status certification um otherwise known as vaccine passports um or immunity passports

25:07

and this has been debated now for well over a year but i think lots of very different stairs and hints as to what might happen from

25:14

different government ministers at different times and you're clearly being able to demonstrate that you've had

25:21

your immune from from cobra that you've had your two vaccinations and and so forth offers very clear benefits from some in

25:27

some simply inconvenience um but some really importantly in terms of being able to reopen parts of the the economy and actually

25:34

enable people to to to earn earn a living i think there are also some really important factors to

25:40

consider you know and these are the kind of issues that i hope are being considered at the moment by the government in its public consultation

25:46

so by definition it risks creating a two-tier system where those who haven't yet been able to

25:51

access vaccines or are willing to be vaccinated or exceptionally um may not be able to for health reasons

25:57

effectively may become second-class citizens and i think if it were introduced now i think it's quite interesting that most under 50s

26:04

would still not have access particularly if you're required to um to um um the the the two jobs the

26:10

full course of the vaccine um there are further risks of exclusion if for example it was only available by

26:16

a particular device i was very struck last year when the kovit 19 app came into interforce and you could

26:22

zap your way into pubs when they were when they were open and that actually a number of people

26:27

i know who don't have particularly old mobile phones found they couldn't download it because because it was the software needed a

26:34

more recent mobile phone there's been quite a lot of talk recently about people either being selfish or it serves them right if they

26:40

refuse to have vaccines and i think that really does underplay some of the very complex reasons why

26:46

people are hesitant about vaccine i think they're very good evidence that actually we need to build trust

26:52

and support people in dealing with the the fears and concerns they have about the vaccine before being penal in some way and for

26:58

not having one then there are really important questions about what the threshold will be for use

27:03

yeah are we talking about a passport to go abroad so the eu is now going to allow those of us with two vaccines

27:08

um to go to other european countries um might be used for other things how about for particular kinds of job

27:15

how about for particular kinds of of um either nightlife going to pubs even particularly kinds of shops

27:21

all these things raise different questions of proportionality and then i think there's a fear of

27:26

future mission creep um i think in the uk looking at some of the press coverage of this we've always

27:31

had an instinctive anxiety or concern about the idea of carrying papers and i think the some of the public

27:37

concerns about this plays into that kind of nervousness and if we unpack what that means i think it's a sense of do do

27:42

we trust how it be used might this might our medical data be used in other ways in future what kinds of protections and

27:49

assurances might we want to have before we went down this route and then just the other factors i put on

27:55

the slides thinking about the importance of a wide consultation which the government is currently doing but the importance of that actually

28:01

reaching out to those who are most likely to be disadvantaged you'll be the wrong side of this two-tier system and then really

28:07

importantly think about mitigating factors so are there alternatives to for example demonstrating that you've had

28:13

um both courses of the vaccine and obviously the the question of being able to show a a recent test result

28:20

is an important element of that in making this less discriminatory more open to to to everyone

28:28

so finally moving on to the two case studies i promised you and i'll hand over in a couple of minutes to asu

28:33

um and i'd like to talk about what we've learned about how we care for people in care homes you may remember that in

28:40

march last year the health secretary matt hancock talks about creating a protective ring around care homes who were back to

28:46

shielding back to protective factors again but the idea that people in care homes would be protected from a disease that

28:52

even then it was known would be likely most to affect them because of what we know about flu and other kinds of

28:57

and viral infections and so the front door as it were and to care

29:03

homes was closed to families and to those close to to to to care home residents on the basis that it was

29:08

really important to stop infection coming in and yet we know that didn't work because the back door as it were was

29:14

left open people were discharged from hospital whether or not it was known whether they were infected by covid

29:20

in some cases it was alleged that even known covert patients were sent to care homes because of the perceived need to clear hospitals

29:27

for other apparently more urgent um cases we know that care home staff inevitably

29:34

brought risks in we know that ppe was not readily available early on and that infection control practices

29:40

were maybe um were not necessarily as part of the care home practice at that point with the expertise required as as in

29:46

hospitals and then perhaps understandable reaction to that

29:51

really this is very disastrous first few months of the outbreak last year there has been quite

29:58

extraordinary restrictive guidance on care homes ever since so

30:03

visits were banned for many months when they restarted over the summer it was often only outside in very restricted

30:08

circumstances and then this picture on the slide was tweeted by someone who went to see a family member

30:14

um in in a care home and described it as being like prison visiting with the with the screen and i can really imagine

30:20

that with hearing issues or with someone with dementia quite how difficult any kind of meaningful visit

30:26

would be um in that kind of scenario while the guidance of the department of health is guidance i think care home

30:33

managers have felt they've had very very few choices um about whether or not they implemented it and in particular because of

30:39

some fear of their insurers not actually supporting them um if if they were not to follow it in

30:44

any way and they were subsequently to be an outbreak one of the issues that i've struggled with most i think is that until the

30:51

first of may so just three weeks ago residents were not allowed to leave the care home at all without having a 14-day

30:57

isolation in their rooms on return that would include for a dental appointment or even for a walk to see

31:02

the blue bells at the time in april when we were all actually rediscovering be able to go outside in the good weather and see people again

31:11

that was that was lessened on the first of may but there's still requirements for supervision by an approved family member or by a

31:16

staff member and i think that raises interesting questions over how we control people how we trust them to make

31:22

decisions for themselves and it also raises really practical questions of limits of staff time

31:28

because actually the amount we know the social care sector is not a well-resourced sector we know it's an ongoing challenge over how to provide

31:34

proper care vital to people who need um long-term care whether in their own homes or in or

31:39

or in care homes and the inevitable limits of staff time to achieve that you have led to people saying

31:45

it's all well and good the department of health saying you can have five visitors now but the care home where my husband is um

31:51

only allows a half hour a week or a half hour a fortnight um i think if some of us just think

31:56

about what that would mean for the last 12 14 months to ourselves i i find this really very very

32:01

challenging now i apologize i presented that in quite an emotional way because it's

32:07

something i do feel very strongly about i think one of the points of ethics is to unpack what's at stake in perhaps a

32:12

calm away and public health decisions do always require trade-offs between individuals

32:18

choices and wider public good you know we saw that in italy and spain for example early on the lockdown did literally

32:23

prevent anyone from leaving their homes including young children we didn't go that far we were enabled always to go out to have

32:29

exercise and i think that was a good judgment but in making those decisions we have to

32:34

ask what is proportionate you know the sledgehammer and that question are there other ways we could have achieved the same good aim

32:41

what is fair are we valuing people are we treating people the same regardless of their age their health or

32:46

disability and really importantly whose voices are being heard so we start with the

32:53

proportionality question you know was this kind of closure of homes to visits and the only way of keeping people safe

33:00

and in fact infection control specialists in the in the form of this um nursing times article that i've i've put

33:06

up there have really challenged it this is a complete inappropriate use of infection control

33:11

measures actually infectious control measures ppe appropriate cleaning and so on should be ways of actually facilitating

33:17

access to family members and friends and it's a crucial part of our lives to have that kind of contact when we're not just people who

33:24

need to be physically kept safe we also need our emotional well-being and very alarmingly in the third bullet

33:29

point there on the slide um the writers in the nursing times talk about discussion from some care homes

33:35

about how effectively to move all visits outside or online um for infection control reasons even

33:41

beyond the pandemic and i find that a very frightening way of normalizing what should not or should not be normal

33:50

but then quite beyond the proportionality question i think there's some really fundamental questions here

33:56

of fairness and thinking about how we respect and value older people i think we need to ask

34:02

ourselves do these policies really treat them as people of equal moral worth what weight has been given to their own views on

34:08

keeping themselves safe and really importantly how have others been treated i'd like to finish by

34:14

drawing comparison um with the experience of students last autumn i don't know if you'll recall

34:19

in october or so september october when students first went back to university and i

34:25

think it was matt hancock floated the idea that maybe they would not be able to come home for christmas

34:30

because of the risks of the kind of movement around the country that that would involve would be unacceptable

34:36

there was a complete furore and within i said 24 hours there i think it was the same day i think it was within 12 hours

34:42

it was announced that a way of bringing students home for christmas would be found this is something that's important to do

34:48

and we will find a way of doing it safely my feeling throughout the whole pandemic has been that's the way we should have

34:53

approached thinking about um people in care homes having proper contact with their family members how to

34:59

identify something that's a moral value and then how do you find a way of doing it rather than turning into

35:05

everything's about safety we can't do that

35:10

i'm now i think only five minutes too late i'm sorry i'm now going to hand over to my colleague azu ahmed to talk about

35:16

our second case study about equitable access globally to covet 19 treatments and vaccines

35:22

thank you all very much thanks catherine um hi everyone thanks again fiona for

35:27

the invitation today and catherine for telling us a very rich story of how ethics has interacted

35:34

with the pandemic throughout from the beginning up until now i'm going to finish off our presentation

35:40

today by briefly exploring this case study around equitable access

35:45

to vaccines and that that's mostly in the global context

35:51

and it's something that you will most likely have heard of if you're tuning into the news so next

35:57

slide please catherine thanks so we published this policy

36:04

briefing a year ago i think it was very nearly today or maybe a week later at the start of the

36:11

pandemic and it looked at an overview of barriers to equitable access to copy 19 treatments

36:18

and vaccines across the research to product pipeline and this briefing actually came out of a piece of work

36:24

that i was doing before the pandemic started on looking at equity in the development

36:30

and of an access to drugs and therapies so when the pandemic started we just

36:36

thought how can we make this piece of work relevant to what's happening now and that's where this question of

36:42

looking specifically at covert 19 vaccines came up but not just covered 19 vaccines

36:48

we also need to think more broadly about other covid19 technologies such as tests

36:54

and medical equipment that help in the response to covid and

36:59

it's very pertinent that we're talking about this today because we marked the one year on

37:04

um since the publication of the policy brief and hosted a webinar as catherine has already mentioned where we

37:11

brought back the experts that joined us this time last year um to talk about looking ahead you know

37:17

when we didn't have any vaccines um what might access look like

37:23

um and now that we're in we're in a context where we have vaccines and vaccination programs are

37:28

underway and what progress has been made and it was a very sobering occasion um and we'll talk a bit more

37:36

about that later so in my presentation today i'm going to take you through a few

37:41

different stages we'll start off with a snapshot of vaccines vaccinations and also

37:47

looking at covered 19 cases and deaths just to give you a background of what context we're working with

37:55

and then i'll move on to talk about why equitable access so why should we care about equitable

38:00

access and share some of the different cases for that i'll then look at some

38:05

challenges and barriers for ensuring equitable access and highlight where these might occur in

38:11

the research product pipeline and then end with some ethical considerations and

38:17

questions that are surfacing around this topic and if we have time at

38:23

the end i'll share some of the solutions that have been proposed throughout the past

38:28

year on how we can ensure greater access and also look at how these have fared

38:33

and whether or not they've been successful in doing what they set out to do next slide please catherine

38:41

so this is a snapshot which shows us the leading vaccine candidates and we can see at the top we've got the

38:47

fisa vaccine the moderna vaccine the oxford astrozenica one and the johnson former one and these

38:53

have all been authorized um and then we can see some of the others that are currently in phase three

38:58

trials and are likely to be authorized in the near future and it's important at this stage to bear

39:05

in mind that to bear in mind the geographies and locations of where these where the development of these vaccines

39:12

has taken place you know we're looking at the us the uk china

39:17

russia netherlands and and belgium and and this is it's important to keep

39:24

us at the back of our minds when we then consider who has access and who doesn't in that global context

39:30

next slide please so here's a map that i downloaded um a couple of days

39:36

ago and it shows the covet it shows covered 19 vaccines administered per 100

39:43

people in different countries so the dark blue regions are areas where up to 120 to 140

39:52

vaccines have been administered per 100 people um and that basically is because

39:58

people need two doses of most vaccines so you know the number will exceed 100. and

40:04

if you look at the map the uk and the us are dark blue

40:09

so that means they've had the most number of vaccines administered whilst most of africa has barely

40:16

administered between 0 to 10 vaccines per 100 people so you can already see the disparity

40:23

the geographic disparity between high and low income countries and how many vaccines they've been able to

40:29

administer africa's covert 19 vaccination coverage is the lowest at the moment for any

40:35

region in the world i think it accounts maybe for one percent of the vaccines administered worldwide

40:43

next slide please um i thought i would also extract a graph

40:49

which shows the difference in the rates so we obviously saw the difference in color

40:54

but here you can even see in the lines across the graph that the uk and the us in green are

41:01

you know they're doing really well with their vaccination programs but if you look at the bottom south

41:06

africa ethiopia egypt indonesia india these are all almost flatlining so there's very little

41:13

progress in how many vaccines they've received and have been able to give to their populations

41:20

um next slide

41:25

right sorry i hope i'm not boring you with all the data but i thought it's quite important to give you the facts and figures

41:31

um because it really should that's the best way to see the disparity in inequitable access and this is a table

41:38

which shows us the percentage of the population in different countries that has been

41:45

vaccinated for covet and if you look at the uk um

41:50

30 of the uk population has been fully vaccinated and if you were to so that means they've

41:56

had two doses but in fact if you were to look at single dose over 70 percent of the uk

42:02

population has been vaccinated um similarly with the u.s over 37

42:07

percent of the vac of the population has been fully vaccinated and if we compare this with places like

42:14

india where the pandemic is absolutely raging at the moment they're having 4 500 deaths a day

42:22

only 3 percent of the indian population has been vaccinated and in south africa only 0.8 percent

42:31

it's just shocking like you know we're looking at these figures and it really is quite shocking um and it's useful to compare the case

42:39

numbers and deaths to get a sense of covered 19's imp covert 19's impact um in those countries

42:46

india has had over 280 000 deaths with over 25 million cases

42:53

um and that's over five times the case numbers in the uk and over double the number of deaths

43:00

in brazil we've seen over 435 000 deaths and another thing it's useful to

43:06

remember is that often the the numbers we're seeing are under reported so you can easily

43:12

extract a percentage above these numbers that i'm giving you because that's the reality of the countries and

43:18

the public health systems and their ability to record um what's really happening

43:24

and the extent of it so in conclusion we can see that vaccination rates in

43:29

countries do not necessarily reflect the number of cases or deaths which countries have been faced with um

43:36

and so you know that should lead us to question well what is driving vaccination programs um in terms of the number of vaccines

43:43

being given in different countries and are there ways that this can be dealt with more equitably

43:49

so next slide please okay so the case for equitable

43:56

access there are we've heard lots of arguments throughout um throughout the pandemic on

44:04

why equitable access is important and when we're thinking about this question of access it's basically about who will get access

44:11

to the vaccines and when and if we have fair and equitable access

44:17

strategies it would ensure that vaccines are distributed fairly and speedily to those in greatest need

44:25

first if we start off with the interests argument we've heard that a threat to the virus

44:32

anywhere is a threat to the virus everywhere and the un secretary general um

44:38

quoted i'm going to quote him he says none of us are safe until all of us are safe um the ceo of seppi dr richard

44:46

hatchet is quoted to have said kovit-19 cannot be beaten one country at a time

44:52

we must be able to share life-saving vaccines globally and so in this case for in the interests

44:59

argument we're agreeing that countries are driven by self-interest and that they recognize that securing

45:06

timely vaccine access in other countries serves their own interest and so they would work for equitable access

45:13

the second argument is the economic argument we've seen the impact that the pandemic has had not only in lives but

45:20

also on livelihoods and given the interdependent nature of global trade travel

45:25

tourism again it's in all of our interests to wipe out this virus beyond our national borders

45:32

and a vaccine promises one of the best ways to open up the global economy and control the economic

45:38

impact of covert 19. under the scenario where advanced

45:44

economies are vaccinating universally within four months in 2021

45:49

but only 50 percent of the population is vaccinated in emerging markets and developing economies by early 2022

45:56

it finds that the global economic costs might be as high as 3.8 trillion dollars and up to 49

46:05

of these costs would be worn by advanced economies so again it's within our economic

46:12

interests as developed or high-income countries to vaccinate the rest of the world in a

46:18

timely fashion the third argument is that vaccinating in a fair inequal way would ensure the

46:24

quickest exit globally from the pandemic and if we took a nation-first approach where

46:30

you know we're driven by we're driven by vaccine hoarding export bans bilateral agreements where

46:38

we are purchasing our own vaccines separate to the kovacs facility or other access initiatives

46:46

what we can see is that what we can predict is that vaccine nationalism might prolong the pandemic and not

46:51

shorten it not shorten it according to to what we have heard from um leading figures across the world and

46:59

again dr ted ross the director general of who has has called for countries to work

47:04

collaboratively to end the pandemic by sharing vaccine supplies in a strategic

47:10

way where we are considering the global context if we look at the moral case um

47:17

[Music] catherine has already touched upon some of this where we know that the disproportionate impact

47:24

of covid has been on particular countries and particular communities but also the impact of covid 19 policies

47:33

and meant both of these things have not only shown a light on existing inequalities

47:40

but they've exacerbated inequalities so people who started off worse off are far worse off at the end

47:47

of the pandemic or as we're still going through the pandemic at this point in time

47:53

and if vaccines are not made available fairly to those in greatest need the consequences will be disproportionately

47:59

severe for those groups extreme poverty has risen for the first

48:04

time in more than two decades the kovind 19 pandemic has pushed over 120 million people

48:11

into extreme poverty over the last year mostly in low and middle-income countries

48:16

and this is according to the world bank that sends us back in terms of our

48:22

sustainable development goals and all the progress that has been made in the last decade on helping economies

48:29

move forward and if we look at non-coveted vaccination programs for children these have acquired a

48:35

deficit of vaccinations for around 80 million children so this has nothing to do with

48:42

covered vaccines these are other programs that would be running so you could just see

48:47

how many dimensions there are in which things are getting worse um so the moral case might be that an

48:53

approach driven by solidarity would place equity at the heart

48:58

of any solutions and that those of us who are able and privileged

49:05

have a moral responsibility which dictates that we would prioritize those in greatest need because

49:11

that would be the right thing to do but of course there are so many other arguments here you know we don't need to

49:17

necessarily rely on the moral argument there are so many arguments in our self-interest which means we would ideally support

49:24

equitable access for very practical reasons so finally what happens if there's no

49:30

equitable access you know what would what would the world look like in this scenario and a study that was carried out last

49:37

year at um the northeastern university funded by the gates foundation compared

49:42

the equitable and non-equitable scenarios and it said that when countries cooperate the number of deaths is cut

49:49

in half and the model found that 61 of deaths could be averted if the vaccine

49:54

was distributed to all countries proportional to population while only

49:59

33 of deaths would be averted if high-income countries got the vaccines first

50:05

and this is precisely the situation we have seen unfold unicef has calculated that all rich

50:12

countries could share at this point in time 20 of their available vaccines

50:17

and it would not hamper the speed of their vaccination programs and that's that's a very significant

50:22

number um and just there's like a another bit of context we know that 30

50:28

of the world's population lacks access to essential medicines um

50:33

and we saw what happened in the hiv aids pandemic many preventable

50:38

deaths occurred because there was a delay of almost a decade in treatments reaching low and middle-income countries

50:46

so next slide catherine

50:52

in the briefing and i'm actually not going to go through any of this now because we don't have

50:58

time but um when we looked at factors affecting fair and equitable access

51:03

we saw that these take shape across the entire pipeline beginning with research and development and how that's carried

51:09

out through to regulation production procurement and pricing

51:14

distribution and eventually the uptake and access of products so access is not just about

51:20

who is the who is the product given to at the end of the day or at what time it's about all of these

51:26

different stages and how it is that access um is designed into the very

51:31

um research process the regulatory process and how it is that the whole system is

51:37

set up next slide please okay again no time to go through this um but i

51:44

would have gone into a bit more detail around regulation um the production side

51:49

of it um you know just read the briefing i guess the next slide

51:58

um so on this very quickly procurement um

52:05

is is about how it how how different countries have been able to block supplies and

52:12

production for the next year or two not just for vaccines but also for other kobit 19 technologies

52:19

um so we've seen we've heard lots of stories of um countries in africa and other parts of the world who were not able to even

52:26

order the testing you know reagents required for covert tests because wealthier

52:32

countries had just blockbooked supply and so even if they had the funds they couldn't get into the queue

52:38

and they'd have to wait a year or two years for you know to have access

52:43

and we've seen that wealthy nations that represent 13 of the world's population have already

52:49

secured this was last year they had already secured more than 50 of covert vaccines that were to be

52:57

coming so this was through advanced market purchases um when it comes to pricing there's a

53:05

lack of transparency in how pricing agreements are are set and it often transpires that

53:11

countries who have better negotiating power end up with a better price

53:17

um and this you know we've now seen just in the last few weeks that uganda will be paying

53:22

seven dollars seven us dollars per dose for its 18 million doses of the

53:27

astrazeneca vaccine which is 20 percent more than what south africa will be paying

53:32

at 5.25 and it's roughly triple the price which the eu is paying for the

53:39

astrazeneca doses which is 2.16 so there's already this differential

53:45

access occurring through how it is that um pricing mechanisms work out um

53:52

next slide please catherine i thought i'd make this a little bit

53:58

more interesting um just by sharing some of the headlines that have been

54:04

captured over the past year just following the story of equitable access and we've seen

54:12

headlines around how nationalism could prolong the covet 19 pandemic

54:19

how it is that western country western countries have prevented african nations from having their own

54:24

vaccine by not sharing technology transfer and allowing the continent to manufacture its own

54:30

vaccines there's this stuff on patents and power and i didn't get to cover that

54:35

in the regulation but patents and intellectual property are a huge issue at the moment if you've been following the the trips

54:42

waiver discussion at the world trade organization where the sentiment is that vaccine doses are

54:50

charity but knowledge is justice so if we're empowering countries to be able to produce vaccines um that's far

54:57

better than just relying on donations and we've seen also how it is that countries brought up auto

55:05

supplies of drugs that would be required to treat covid um rem de severe was completely bought

55:12

out by by the us um

55:18

and we've just before i move on to the next slide the us and the uk have led the push

55:24

against the global patent poll uh pool for carbon 19 drugs which would have been an opportunity for

55:30

companies and countries to voluntarily share knowledge about covert 19 vaccines and

55:36

and and the technology transfer but instead um we've seen countries completely block

55:42

those proposals um next slide please catherine

55:47

um i think we'll probably have to end here now because it's nearly six o'clock but um ethical considerations some of the

55:54

things that come up are this balance between

55:59

profit and monopolies versus prioritizing livelihoods and lives um charitable

56:06

donations at what point do we donate um doses do we wait until

56:12

our entire populations are vaccinated before we um before we share doses with other

56:18

countries so professor andrew pollard who was involved in the development of the astrazeneca

56:24

vaccine um said this week that offering children in some richer countries a covered vaccine before some high-risk

56:32

people in poorer countries is a morally wrong is a morally wrong action and he said

56:39

that the inequity of vaccine distribution must change urgently um there's this issue around

56:45

pandemic phase and end of pandemic phase we're already seeing headlines in the uk that you know we've almost we're almost

56:52

done we're going out of the pandemic we'll be going on our summer holidays soon but pandemic phase for who and where and

56:58

how do we define what the pandemic is um i'm seeing fiona and i can't carry on

57:04

talking so i'm gonna just leave it there but um if anyone's interested you know we're happy to share our slides

57:11

and you can take a look at those there's lots more i could have shared but i think i'll end on one final quote

57:19

from one of our speakers from today who said saying something is a global public good

57:25

doesn't make it a global public good you actually have to do something about it and you need to have a legal

57:32

framework in place to make that happen so i think that's what we need more of thank you so much for listening

57:39

thank you very much to both of you that was a huge amount that we got through there and it's such a massive

57:44

topic that there's absolutely no way i don't think that you can get through the detail of everything so thanks very much

57:50

to both of you we've got questions coming in now we are going to run on a little bit everybody but let's

57:55

let's give ourselves 10 minutes and we'll go through some of the questions if that's okay with everybody okay so i shall start from the top

58:04

and i'll try and piece my way through this um okay there was there's a question from

58:09

guy richards and this was um when you were talking about um the take-up of vaccines and the the

58:16

sort of issue of vaccines within certain countries he's asking if you have any reflections on

58:22

the three percent figures for japan in terms of vaccination take up

58:29

so i don't know if either of you have any kind of thoughts or reflections around that

58:37

i would i would have to look at the um

58:43

i'm just seeing if japan's on my list it is i think would i'd have to i have not

58:49

looked uh at japan as a case study so i'd have to go back and look at um you know is that three percent

58:56

because they have limited supply or is it that out of all the vaccines they've been offered only three percent of them have

59:01

been taken up i'm i can't comment on that because i don't right okay okay that's fine

59:06

um we also had um a question from diana christian she was asking does

59:13

does india not have its own vaccine this is a really good question um and it

59:20

was in fact covered today because um the india situation is is quite different because india the

59:27

this the si the serum institute india is the main partner for the astrazeneca

59:33

vaccine and so what what has been happening so far is that

59:38

india has been producing this vaccine on behalf of astrazeneca and

59:44

distributing it back out into the world and keeping very few doses for itself

59:50

um and what has happened this week is that india has had to um

59:57

given the situation that's that's transpiring in india with the amount of covert cases they've had to stop that

1:00:04

export to try and focus on its own population but even once it stops that and it can

1:00:10

get things under control it will then still prioritize countries that

1:00:15

are in direct deals with astrazeneca so um again india is the main partner

1:00:22

for the kovacs scheme which is there to ensure access for the 91 plus countries

1:00:27

that are relying low and middle income countries that are relying on kovacs for

1:00:32

for their vaccines but they've now been told they won't be getting those vaccines until the end of the year

1:00:38

perhaps december 2021 maybe even january 2022 so it's not great news for

1:00:46

access and this is the argument for why we need to diversify supply chains and not just rely on

1:00:51

one or two key manufacturers um where the whole supply chain would be

1:00:56

disrupted if there's um a situation like we're seeing now okay thank you very much um we've got

1:01:03

another question here from kevin doyle i don't know if he will be best placed to answer this one um but i shall read it out um he's

1:01:11

asking why should we treat the ethics of access to covert 19 vaccines

1:01:16

as a special case if we were to follow a global fair distribution approach to health

1:01:22

care then we should dismantle the nhs and use the money to build healthcare services in poorer countries

1:01:28

i don't know where either of you have any thoughts around that and i'm very happy to have a go and i

1:01:36

mean interestingly we we were invited up on the back of our zoo's briefing notes to discuss with

1:01:42

treasury officials with foreign office with cabinet office and and other people within government about

1:01:47

some of these questions and recognizing this tension between a government's duties to to look after his own citizens the sense of

1:01:54

not only that people who are nearest seem more immediate to us but actually there are responsibilities to your own citizens you perhaps don't have

1:02:00

citizens of the world and then this wider question of what it is to be a good a good global citizen

1:02:05

um i mean i think i would turn that around and talk about perhaps not cutting the aid budget as opposed to

1:02:10

dismantling the nhs i think one of the striking issues or some of the current retrenchments has been actually cutting back on on

1:02:17

projects that will make make healthcare more problematic in in many countries and you know clearly it's not

1:02:22

the uk government's sole responsibility to provide health care across the world i think one of the interesting things

1:02:27

about vaccines is that what we do has a direct impact on what other people have so it's not just about donating

1:02:33

generously to some of these international initiatives and the uk has been a generous funder to what's called covax which is funding the purchase of of

1:02:41

vaccines for for other countries um but it's actually access to the vaccines themselves there are only so many of them

1:02:47

so as we now give them to 30 year olds 20 year olds potentially to children that is literally taking up the limited

1:02:54

stocks while in other countries healthcare workers those who are particularly vulnerable and are not having access um i think one

1:03:02

can get two um emergency specialists about this i think a lot of the challenges that appear very acutely in emergencies

1:03:08

actually you know we should be thinking about outside the emergency context too and thinking about what it is to have

1:03:14

access to basic health healthcare and what all countries could do to contribute and i would certainly agree

1:03:19

that you dismantling our own nhs is not a constructive way forward i think there are other ways of of thinking about how one might contribute

1:03:25

in that way okay thank you catherine um okay another question

1:03:31

from um sally half acre um surely it's not just a question of

1:03:38

supplying vaccines to other countries but also an issue of how effective their infrastructures are to facilitate coordinated

1:03:45

vaccination programs and if they do not have a good national healthcare system this must be a barrier

1:03:51

to that rollout and i don't know if there's any kind of thoughts around that that you would want

1:03:56

to share um yeah yeah no go for it catherine go

1:04:02

for it i cannot answer them yeah i mean that clearly is the case and i mean i've been picking things up from um from from twitter on

1:04:08

on some of the challenges in more rural parts of india um for example but also actually in

1:04:13

quite a few if we talk about african countries um actually sometimes the most effective part of the system is actually sort of

1:04:19

community health workers and so actually if you can actually get vaccines to particular communities and actually it

1:04:25

can be rolled out quite efficiently and a great deal was learned for example during the west africa ebola outbreak of how to actually get to

1:04:32

really quite remote places um and roll out vaccine programs and work with communities dealing

1:04:37

with some of the concerns about what is this vaccine and will will it be harmful and for me one of the

1:04:43

really interesting things over the last of 18 months really has been you know i spent two years doing work that was very much based

1:04:48

around ebola around zika and it was very much about them rather than being about us it was about

1:04:54

challenges of doing research and and expecting people to accept the the products of research in in countries

1:05:01

where perhaps the people were not very research literally not very science literate and actually everything that we heard in that report

1:05:07

is actually played out in the uk and the us in in um in developed countries in terms of how

1:05:13

people respond to fear how people respond to um shortages in shops and

1:05:19

how people um respond sometimes through misinformation and anxiety about vaccines which usually

1:05:24

isn't about anti-vac sentiment per se it's actually about genuinely shared misinformation about about the potential

1:05:31

impact of the vaccine so i think we we have a lot more in common perhaps than we would sometimes think

1:05:37

okay also i didn't i don't know whether you wanted to come in as well i don't have much more to add

1:05:42

other than just acknowledging that there are logistical concerns um to do with infrastructure to do with

1:05:48

storage to do with transport and that's why investing locally and

1:05:53

building that capacity is so important and supporting you know one of the biggest calls from the african continent at the moment

1:05:59

is for technology transfer for getting the systems in support for getting the

1:06:05

systems in place that would facilitate um

1:06:10

these programs and as catherine has said i think we sometimes underestimate local capacity

1:06:16

because it works differently to how we're used to okay thank you very much um a question

1:06:24

here from i think we've just got a couple more questions and then we'll we'll we'll stop um this is a question

1:06:31

from sue crane she firstly talks about you know the difficulties around the

1:06:36

kobe vaccines and needing to be called stored and taking time to produce but also what will happen what do we

1:06:43

think what do you think will happen to the the millions of vaccines that the government has has ordered from various

1:06:50

suppliers so i could say something about the cold storage and i'll leave it to azure to

1:06:55

say something about the the uk and i mean i think i sometimes feel a little bit protective

1:07:01

with some of the criticisms made of the astrazeneca um vaccine in that the oxford researchers who developed that vaccine

1:07:07

it was a requirement it was a key requirement for them when they were developing it was to produce something that wouldn't require excess cold

1:07:14

storage so while pfizer and madonna both require you know minus 80 or minus 70 order or

1:07:19

whatever um artisanally it can be kept in in northern refrigerators and that was the re the researchers working off the

1:07:25

university that was their sort of starting point for the research and that it will be affordable which is why also i find it very challenging the

1:07:31

fact that differential prices are being charged to uganda and south africa and so on because the researchers who actually

1:07:36

initiated that research were very much based on the idea of this has to be a vaccine for everyone in

1:07:41

affordability and in terms of of cold storage so i mean the different vaccines do have different challenges

1:07:47

but you know that's what i think the fundamental ethics of research of thinking about how the way you do research

1:07:52

actually then impacts on on the access at the end of think of our zoo's arrow how about all these different things it's not just the access point it's all

1:07:58

the earlier things you've thought about honestly do you want to say something about the the millions of spare doses

1:08:04

yeah i don't really so at the moment i'm less concerned about that simply because you know we're still we're not in a

1:08:12

position where the manufacturer is happening um in excess of what's required um and i

1:08:17

know that you know many countries so just biden the biden administration this week um talked about

1:08:23

donating 80 million doses um to kovacs which will mean that they get

1:08:29

redistributed out to different countries so i just i i don't think our manufacturing and supply is matching up

1:08:35

to need um but yeah you know once we have an excess

1:08:40

hopefully we will hand them back out to the world but i'm not sure

1:08:46

you know how much damage will have been done by then and how late it will be in the day and how many more lives will

1:08:51

have been lost so that's it's really a question of timing um and just to pick up your point i was doing

1:08:56

about the unicef figures which i hadn't heard before that um that we could actually giving 20

1:09:02

of the stocks that we have access to at the moment while still keeping our own program rolling out

Lecture

Dealing with diversity

Diversity (and its portmanteau associate, ‘equality’) has become the watchword of a supposedly civilised society. We look out into our communities, think about the differences in other people that we encounter, and then wonder why some can be so hostile to people who are a bit different from themselves. The question has become an important one in the past year as we also ask how difference has had an impact on COVID-19 fatalities.

In this lecture we shall consider questions such as what do we mean by ‘diversity’? why should we worry about its definition?, and where does all the heated debate over difference, belonging, sameness and normalcy come from? Taking in some foundational philosophy from Georg Hegel, Jean-Paul Sartre, Simone de Beauvoir and the ground-breaking psychological work of Daniel Kahneman, this will be an entertaining and wide-ranging talk that will give much food for thought. 

Video transcript

0:00

think about the business of diversity what does the word diversity mean well i've been digging around all over

0:05

the place to find a concise and interestingly uh understandable

0:11

definition and the one i came up with was this one uh from uh not from the uk from enough but from

0:19

a a college called a university called ferris edu in the usa uh diversity is the range of human

0:26

differences including but not number two limited to race ethnicity gender gender

0:32

identity sexual orientation age social class physical ability or attributes

0:38

religious or ethical values systems that's an interesting one come back to that one maybe later on

0:43

national origin and political beliefs and well that's an even more interesting

0:48

one uh the whole business then it's when you start to think about diversity from this particular stand

0:55

this particular definition it tends to give you the impression that so somehow just about everybody you can

1:01

think of it's in there somewhere or other and of course that particular process is

1:06

deliberate it's the diversity it illustrates something which and it's more simple and naive terms i suppose you could say

1:13

simply tells you that the world is full of an awful lot of different people uh okay fine no problem with that okay

1:20

what what does that mean in in real terms with regard to living in a country like the united

1:26

kingdom um the uk being the kind of country it is is there

1:31

and and i mean it's diverse region diverse types of

1:36

of of race and religion and uh color and so on and so forth

1:43

is a very curious uh uh very curious example in

1:49

real terms and in order to make it more manageable what i've tried to do with in the initial stages of this talk

1:56

is uh shrink it down a little bit to something that people can manage to understand and one something which i think has been very

2:03

interestingly controversial over the past four years five years perhaps uh as we've gone towards

2:11

that wonderful thing called brexit no i'm not going to bring up brexit

2:16

i'm just mentioning it because this particular topic has become interesting in terms of diversity in the

2:22

political ramifications of leaving the european union and the subject which has been under much discussion is

2:28

of course the business of race and immigration so another thing which you may find

2:34

interesting about this year is that this year is a census

2:39

year and the reason why i bring it up is because uh it's obviously the census takes a

2:45

great interest in counting our characteristics in terms of this diversity uh uh definition

2:53

um quite a lot of them are counted and i i you may be interested to know that i've been involved in the census of the

3:00

as a census advisor helping people to fill in their online form over the past month or so as

3:06

a sort of part-time job i've had so i have a little bit of experience of the census i don't have this year's

3:13

data of course nobody will for a long time but i do have this data from the last census in 2011.

3:20

and it's with this uh uh uh i'm bringing you on to the subject of

3:26

the state of ethnic diversity in the uk i'm wondering when i asked you about

3:32

that what do you think how do you think the uk's ethnic

3:38

breakdown operates i mean how many people of various ethnic

3:43

origins live in the uk uh what their language capabilities are

3:48

what their origins are were they born in the uk were they born outside the uk what your perception of that is right

3:54

now in terms of uh of your view

4:00

of how this is supposed to be the case now i asked myself this question before i looked up

4:05

these statistics from 2011 uh and in the process of doing that i

4:10

surprised myself because i started to realize things about the way in which ethnic diversity within the uk

4:18

operates that i hadn't understood and one of the things i've putting on the next slide here

4:23

is a graph a chart which comes from uh the government statistics

4:29

and this is from from the last census and it looks at the areas of england and

4:35

wales by ethnicity so you may be interested to look up

4:40

on this particular slideshow this particular slide whereabouts in the world you are living it

4:46

it goes from the top east east midlands london northeast that's where i am northwest

4:53

southeast southwest wales uh west midlands and yorkshire and

5:00

the andama so what we have here is an interesting graph which shows you

5:06

the ethnic breakdown of these particular areas in percentages uh based around that

5:13

people who are asian white other black mixed mixed british and other whatever i'm not

5:20

sure what other is simply maybe people tell me later on well here we have the the the very

5:27

interesting thing one of the things i have discovered which i didn't really like really know at the time

5:33

if you live in london you're living in the most diverse part of the uk of of all the part all

5:39

the regions of britain i suppose or england in this this particular case london is definitely the one with the most

5:46

greatest diversity of the lot but look at the others the yellow parts the white british part

5:53

of each bar on this particular chart shows an extraordinary thing which i had

5:58

not realized that how large the white british majority is across the entire

6:04

uh across the whole of england i'm just making sure i get my terminology right um and if you happen to live in places

6:11

like the northeast of england where i am from you'll notice that the number of people who

6:16

uh who have asian uh black or mixed identities is actually

6:22

extraordinarily small yes this is a in the northeast is almost a totally

6:27

white only part of the world it's a very small minorities of people from other racial uh ethnic

6:34

backgrounds rather you can obviously see here from that there are other areas parts of the uk which have

6:39

larger numbers which is the west midlands but by and large those yellow bars are quite substantial

6:45

and again like i said to you earlier on this comes from the government zone figure spell for england

6:51

okay so that's state of ethnic university in the uk that would surprise me i thought

6:56

the numbers of people from other ethnic groups would be far larger than that and i'm interested to

7:03

know where i got those ideas from it's an interesting psychological uh fluke of the mind i suppose you might

7:09

say that i had made an assumption that in fact the the colored the non-yellow aspects of this would be far

7:15

larger than they are okay what about people where do people come from were they born outside or

7:20

inside the uk but this is for people who are who are from non-non-white british

7:28

backgrounds so if you look at this this is much more difficult to read but i i you know it's much more much more

7:34

small in terms of its text because it's very very uh uh

7:40

big graph a big chart but you can look all this stuff up on the on the government's own

7:46

website and find the exactly the same chart and what is interesting about this particular chart is that it shows the big dark blue

7:55

areas here which indicate people from various racial and ethnic backgrounds

8:00

who were born in the uk the balance varies from play from

8:07

ethnicity to ethnicity but as you can see what you tend to find is that uh there

8:12

is a considerable amount of of of a personal number of people

8:18

who were born here and you know have been raised here the actual total number of people were born outside the uk is

8:25

probably about 50 50 in terms of the total total numbers so we already have a small

8:32

black minority ethnic group in england of those something like maybe 40 percent were

8:37

born outside of the uk what about average age oh i just love

8:43

this chart this chart is the bit i found interesting if you look at uh

8:50

average ages of people across the uk a lot of crossovers which used

8:55

rex to write term england and wales uh in 2011 you'll see

9:00

that the average age in 2011 when this last census was done the average age was 39 but

9:07

people from other backgrounds tend on a lot turn by and large to be on average

9:14

younger asian black mixed and other all come in uh around about

9:20

a decade a decade younger and if you happen to be a mixed race even younger again

9:26

the average white british person in england and wales is actually older than the uh

9:34

uh than the overall average of england as a total which i can't find

9:41

fascinating in other words the picture you get there is of a relatively young

9:46

black minority minority ethnic group what about language skills this is a

9:52

very often you'll hear criticisms from especially from people who are opposed to immigration and is

9:58

put and find the whole business of ethnic integration their problem

10:04

the criticism they'll mean oh the criticism is often leveled oh you know people from abroad don't learn

10:10

english well actually it happens that they do and in the vast majority of instances

10:15

those pink bars indicate people whose first language is english

10:21

and claim it as as largely a language they use on a day-to-day basis

10:27

the vast majority in instances people using using english as their

10:32

first language doesn't say they're very necessarily all that good at it but certainly they use it as their first

10:38

language there are some instances which are uh where english is less used especially among amongst the chinese community

10:44

but by and large the vast majority in the uk are are at least proficient enough in

10:50

english to be able to be using it on a regular basis finally what about this thing called

10:57

salience i don't know if you unders you know what the word salience means science is really a complicated way of saying how

11:04

important a particular topic is in terms of its its

11:10

priority in the public consciousness in in england and one of the interesting

11:16

things to look at how immigration as a public thought how its salience of great immigration

11:24

and public thought has developed over the years now this particular chart uh shows

11:32

the change in sales of the patches from 1994 to 2019 this is how on average

11:41

individuals for found uh immigration important as a concept

11:47

within uh social development political policy etc

11:54

and as you can see that dark blue line has largely grown throughout the

12:01

two-thirds very early parts of of the of the new millennium grew to a pipe peak in around 2015

12:10

and has been declining as a topic of concern or importance ever since and in fact

12:16

reached more recent statistics over the past couple years sure it's dropped ever ever since then

12:22

in other words the idea that somehow immigration is a really important thing on the public in the public mind is has only really

12:29

been there since well i you can probably work out exactly where that peak occurred

12:35

that peak occurred during the period when we were moving towards the business of brexit

12:41

referendum when talk about immigration and talk about uh especially european union workers

12:48

working in the in the uk was a really important subject on in in the political agendas at the time in

12:55

other words there seems to be an issue here when when a subject such as ethnicity and race and

13:03

difference is brought up to the public mind suddenly people become more interested in interested in it they

13:10

become more uh they talk about a lot more they become much more interested in in

13:16

its consequences and in the process of doing that this particular area has a almost self-fulfilling snowball effect

13:25

once the subject is initiated it becomes much more important within within public consciousness when it's

13:31

not talked about it disappears almost altogether in comparison to other circus so uh other areas of of political

13:38

discussion such as economy or housing or defense so or terrorism for that matter so this is

13:45

all really i find really interesting in the way in which you i'll

13:51

just switch off from this for a second uh and come back to you uh so you've got a face instead of

13:57

pdfs i think one thing that fascinates me with the with this whole business is it it's picture it gives is a

14:04

slightly different one from the one i expected uh i live in across the northeast of england where immigration and

14:11

and and ethnic minorities are something which we we don't see a great

14:17

deal of because of the nature of the area i suppose but in in many respects

14:22

uh this picture that's often given of a country which may well

14:27

have issues with these with the business of black and minority ethnic individuals is not the case at

14:34

all because the statistics don't bear it out there isn't an issue with regard to

14:39

numbers of people who come from various backgrounds people who are here have been born here the people

14:44

who are living here have integrated fairly well at least in linguistic terms the people who are living here

14:50

contribute as much to the uk as everyone else so why has it been seen as a problem

14:56

why is it being seen as an issue at all and the the matter i think is a difficult

15:03

one to conceive of in the light of you know what fact of the matter

15:08

tends to show now i know people may say that after 10 years maybe things have changed

15:14

in terms of of the general uh uh

15:19

profile of society within the uk and maybe the 2011 statistics don't show

15:24

very much but i have an expectation that we will see that

15:31

that things have not changed very much over the past 10 years in terms of the overall racial and

15:36

ethnic and that's called a diversity profile of the entire country as a whole

15:43

now i'm using this as an example using i'm using the business of color of skin ethnic origin

15:50

and so on and so forth as a as an example of how particular areas of

15:57

of interest come into the public mind how they became become part of the business of a general concept of overall uh

16:07

everyday thoughts i suppose in some respects become important even in the situations where this is not

16:13

necessarily something which most of us are going to think about all the time and this these particular certain areas

16:18

of interest grow and and and ebb and flow as as time has gone on

16:23

why is that the case no i'm gonna sort of like take you through a little journey i hope

16:30

uh which is a slightly philosophical one a slightly uh psychological one and bring up one or

16:35

two theories about all this in terms of how difference in particular has become something which human beings tend to

16:41

react to in terms of their everyday day-to-day concepts of how

16:46

their lives are are constructed and how it becomes important to us in a

16:53

both an abstract way and also in a perceptual way in terms of which we which we see the world around us and in

17:00

order to do that i want to introduce something which is of interest i'm going

17:06

to go back to the slides again uh i'm just going to go through that one so i don't

17:11

need that i'm going to bring somebody up whom you may have heard of the slide slays why is

17:18

there any anxiety or a difference assuming there is such thing as anxiety but this difference well it's you you can trace

17:25

some of the issues some of the theorizing about this back to the work of george frederick friedrich

17:31

hegel back in the early part of the 19th century late 18th early 19th centuries

17:40

hegel's concept of the world has been highly influential his work

17:46

especially influenced karl marx but has influenced vast areas of other thought in the past

17:53

200 200 years and 200 years his work in particular about the progress of

17:59

history has been influential in which we interpret history and the way in which we interpret change in in the social sense of the

18:06

word and one of the most important aspects of his work is an area about how people determine

18:14

themselves in relation to their identity and in their identity in relationship to

18:19

others so in this particular little

18:25

slide here it says for hegel history equals the history of social relations

18:30

which unveils when two human desires are facing each other what human beings really desire is to be

18:36

recognized by others this means that human desires fundamentally a desire for recognition

18:41

human beings want others to give them an autonomous autonomous value a value that's their

18:47

own that makes them different from others this is what defines the human condition

18:54

hegel human beings are in this constant state of conflict

19:00

he conceived of this as how history is driven he conceived of history as being about

19:05

the business of us in conflict with others because of the nature of our own reverse determining our own autonomy and

19:12

relationship to other people in other words as soon as we come into con coming to some any kind of relationship with any kind of other

19:19

in the world around us we see ourselves both as recognizing another person's individuality and difference from us but

19:26

also it has an impinge it impinges on our own sense of ourselves we define ourselves

19:31

through the business of our interactions with other people from from the point of view hegel i

19:37

become myself through my interactions with everyone else i have i have contact with

19:43

their reactions their attitudes to me their sense of self their sense of difference in terms

19:50

of what makes them different whether it be their race their age being the thousands one things we talk about

19:55

when we talk about diversity and their their sense of interest individuality has a

20:00

bearing upon how i see myself as a person in my own right and now that doesn't

20:07

just simply means i'm at peace with that for hegel this was a driving force of how history

20:12

works in the sense that for me to be myself means that i'm in competition with you

20:18

for all the resources of the world around me i'm in competition with you

20:24

all you wonderful people out there for the things that make life possible not i'm not just talking

20:29

here about food and drink and breathing and you know hair and all the rest of it

20:35

but also about the the positions within society a sense of authority over myself a sense of who is

20:41

in my social grouping and who is outside my social grouping the very business of being in the world

20:46

creates the business what makes me a different person from someone else

20:52

my difference becomes important because of your existence of a hegel this is the thing that makes

20:58

us makes history happen our wars our conflicts our sense of

21:04

social development our sense of how society operates at the most fundamental

21:09

level for hegel was part and parcel of this process of how difference works

21:15

now this this particular issue you can agree with it or disagree with that as you see fit but one thing one of the

21:22

things you can't disagree with is how importantly impactful it was

21:27

in later times it was a huge amount of impact on the work of karl marx karl marx took

21:33

almost well it took many of these ideas and turned them into his theory with regard to cast conflict

21:39

conflict and the various aspects of historical determinism that form part of

21:44

the classical orthodox marxist agenda really in many ways and whole societies have been developed

21:51

on the basis of that and in and not only that but the very concepts of marxism still

21:57

hold a strong influence on how society works today people react to it either in positive or

22:03

negative terms in the process of doing that create the circumstances into which societies as we

22:08

know them develop so whether we like hanging on marks and whether we wish they'd never existed or

22:14

exist we wish they had existed or not existed their in their impact on on ourselves has become

22:20

profound far more profound probably that we will ever recognize and i'm going to come to another aspect of that in a

22:25

second hegel's concept of the self has had impacts of course upon the whole

22:32

business of how psychologically we operate and also i'll bring that up later on as well in terms of the work of daniel kahneman

22:37

but what is most important i think is to understand how hegel's ideas created a concept

22:45

called called dialectics which are part and parcel of much that we see around us in an everyday basis

22:50

for hegel the society society's development was dialectical in the sense that it is the

22:57

conflicts between individuals and the struggle of ideas that individuals

23:02

bring out in society that creates the kinds of social and technical and and cultural developments that are part

23:10

of our societies in the the very nature of that produces

23:15

uh new cultural paradigms so for instance you know people come up with with new

23:21

political ideas those political ideas may be opposed by other forces within society

23:26

in the process of that opposition though the new ideas either flourish or don't but in the process of

23:33

being opposed within society new ideas themselves come out of this this dialectic this opposition and

23:40

create new foundations for for for social development and in later in the deca later decades and centuries you can

23:48

see that probably in fact if i can make an example the business of the rise of of nazism

23:55

during during the 1930s and 1940s simultaneously also caused the strong rise of

24:02

of it's it's it's it's fundamental opposition which was communism or marxist organizations and

24:09

throughout most of europe and a swing within uh uh european european societies toward a much more

24:15

left-leaning liberal left-leaning kind of societies one can say for instance that

24:20

perhaps perhaps the very idea of a of a welfare state came out of

24:26

opposition to the ideas that nazism had stood for came out of the idea that somehow we couldn't go back to those sorts of

24:32

uh pre-world war conditions and this will be a dialectical development out of that out of the

24:40

existence of of of of nazism in its own right created the thing it was supposed to the

24:46

most and created the kind of good things about society or broadband society which we take for granted such as the nhs

24:52

it was it in opposition to those sorts of concepts that we created the social welfare networks that we have these days

24:59

so these these particular ideas i think are interesting as an example and i'm sure there are those who would

25:04

critique them and yes that's very true it's it's it does have its weaknesses but

25:10

i think it's interesting in the in as a foundation for examining why certain kinds of of consciousness of

25:17

difference have come about in in in in society um can i also bring up i'm going to go back

25:23

to the slides again another area another area of interest difference and gender

25:28

this is not about being transgender it's about being a woman one i don't know if you knew this i'm

25:35

sure you did being an educated bunch but uh hegel of hagel's work was highly

25:42

influential on one of the great thinkers of feminism named namely simon de bova

25:50

bova in 1940s was fascinated by existentialism um but

25:58

was very influenced also by hegelian ideas uh de beauvoir believed that

26:05

as a good existentialist as she was at the time that people are thrown into the world

26:12

without any prior uh essence which defines them

26:18

for her existence was far more important than anything like x like essence and in fact there wasn't

26:24

any essence at all upon which human beings could depend upon as their template for living a life for her

26:32

living a life was about making yourself who you were and so when beauvoir asks

26:37

what is a woman she argues that man is considered the default mode of existence while women is

26:43

considered the other thus humanity is male and man defines woman not

26:49

as itself but it's in relation to men uh there's the famous phrase that comes

26:55

from this uh comes out of the second sex in 1941

27:03

1949 one is not born a woman one becomes one

27:08

and uh if if you wanted a motto for feminism i also would suggest that the beauvoirs

27:16

phrase has become as you might say one of the most important aspects of defining what difference is in terms of the

27:24

feminine within society now uh hey her concept

27:29

of the self was a her concept was the cell of the self of women as being the other in relationship to

27:36

men came directly out of hagel it was part of a hegelian concept of the other as a

27:43

dialectical concept about defining yourself through the existence of other more powerful

27:48

entities in your in your life and in your existence and in this particular instance uh de beauvoir saw herself as

27:56

as you know asking the question what it is to be a woman in the 1940s you know at a time when

28:03

definition of women was largely outside of her control she was born into a society which saw women as

28:08

either wives mothers maybe as housekeepers maybe on the very rare

28:14

occasions as people who did either less important jobs or if they were willing to fight big battles over

28:21

it fights fight to gain some sort of purchase in terms of being an academic but it was difficult it wasn't easy to

28:28

do and not advance the question of why that was the case you defined the power of women as being

28:35

predicated on the kind of attitudes within society where the dominant group had created

28:42

their other in terms of women and this particular process

28:47

defined how she saw uh the the the struggles of women in the post-war

28:52

period that this should happen in 1949 is not an accident this is about a new

28:59

way of thinking in the post-war period this is about a new way of thinking about how society develops

29:05

and it is couched in the same sort of response to the existence of a kind of suffocating ordinariness for

29:12

women in the post-war period which is exemplified by quite a lot of if yeah

29:18

i've done if you've ever watched uh channel 81 on the on on tv on freeview uh and watched uh

29:24

talking pictures tv one most wonderful things about this tv channel is it shows stuff from the 1940s and 1950s and only

29:31

material from the 1940s 1950s in terms of films and tv shows and what is interesting about all that

29:36

is the role women have is nearly always either a kind of comic foil to the men

29:42

or subservient in one way or another oh they're being saved that's another thing which i find interesting they're constantly being saved

29:49

now this is nothing to do with i'm not going to sort of sit here and belabor you about the business of how bad men are

29:56

that's not the point the point is that from the from the point of view of simon de volva's work

30:02

feminism was couched in the whole business of women gaining some understanding of their difference

30:08

their relationship to men rather than being part of the male environment which they

30:14

previously seen as being their role they were seeing themselves as different intrinsically different

30:19

and therefore at the end of the day struggling for their own sense of self-determination that's an interesting psychological move

30:26

and an interesting based on an interesting philosophical position and i think it indicates something very important about the whole way in which

30:33

human beings were seen from the point of view of of the late 1940s and onwards okay

30:41

feminism ethnicity political change and so on are all based

30:47

on this into into in this conflict which uh disturbs the business

30:56

of how society works and produces new lives and new worlds

31:01

for us all in many respects but how does it operate on the psychological level well i've got something interesting for

31:07

you i don't know if you know the work of daniel kahneman

31:14

this is it modern psychologist he's a nobel prize winner some of you may know

31:21

he wrote a book called thinking fast and slow uh which came out about i think about

31:26

four or five years ago i can't remember precisely and he talks about

31:32

uh a psychological model called the dual systems model uh

31:38

kahneman's work has become internationally famous and enormously influential on on modern

31:45

thinking about uh prejudice stereotyping and so on and in many ways he sets the scene for

31:53

the modern psychological position with regard to how difference operates in in the 21st

31:58

century he he didn't invent the dual systems model but he's probably the one who was which presented the most

32:06

influential evidence and the most influential discourse on this subject so what does how does the

32:12

assistance model work well very simply our minds have two departments or two

32:17

systems that operate system one system two system one is the fast

32:22

quick intuitive side of our lives uh it's the side that we have little conscious knowledge of

32:28

we only really know about it working when it happens you know on a day-to-day basis but

32:34

system one has a very strong influence on our prejudices and stereotypical aspects of that of the way in which we see the

32:40

world and i'll tell you why in a minute system two is the rational side of our of our lives for all of us system two is

32:46

the bit that does the thinking system two is by definition slow it tends to take quite a bit of effort it gets tired

32:54

you may be getting tired of hearing me talk don't worry i'm going to shut up in a minute system 2 gets tired very easily it

33:02

can definitely drift off its focus and then consequently system 1 can often provide

33:07

much of what we conceive of as as our lives system one often intervenes in our lives

33:13

provide us with responses to events where system two is too busy uh being too tired or too busy doing

33:20

something else uh system one will act unconsciously and provide us with answers to questions

33:26

which at the end of the day we probably don't even think about so system one is fun fast the reason why

33:31

we have it is because it has it's an evolutionary advantage we gained it

33:37

during our evolution as a defense mechanism against threats when we were wandering across the plains

33:42

and savannas of africa as primitive creatures in the early days of

33:48

the development system one kept a lookout for potential threats in the environment and

33:54

allowed us to react to things before we even were conscious of the fact that they were they were there this fast early warning

34:00

system is there to in order to spot those sorts of differences in in around us that we

34:06

could potentially see as threats it started off as a way of enabling us to survive so we could have

34:11

we could live long enough in order to have children and of course those who passed on the advantage had an evolutionary advantage over over

34:18

the ages but we've still got it today we still have this early warning system that detects

34:23

changes in the environment that we probably haven't detected consciously here's the thing have you ever been driving down a road earth for those you

34:30

were driving ever driving down a road and suddenly you slammed on the brakes and only realized you spotted a child's ball

34:37

rolling across the street after the event oh it's happened to me a couple of times somebody has

34:42

been starting to step out from between cars but i've already got my foot on the clutch and break before that

34:49

has happened and that's because system one will automate those sort of emergency

34:54

responses for us kahneman's work as i said has been highly influential what he's

35:00

shown for us i suppose more than anything else is that we have built into a detection of

35:05

difference which means that we treat it off very often as a threat even when it's not particularly throughout or it is something which we

35:12

shouldn't be treating as a threat difference for us is anything that's not familiar within our environment

35:17

difference is anything remember what i just said difference is it for us is anything other and which is

35:22

unfamiliar within our environment so if i go back to the slides and take you right back to the top

35:28

again if i excuse me i go right the way back do you remember this first one and we were talking about

35:33

uh how you know ethnic minorities are a small percentage very small percentage

35:38

of most of england and wales and i said to you earlier on that we detect differences

35:44

because of the nature of our evolved early warning systems of system one

35:50

it this gives a good diagnosis of why the consciousness of difference provides us with a threat that doesn't

35:56

exist for a lot of us and i'll come back to seeing you instead of the slime for a

36:02

lot of us anything that's different can be seen potentially as a threat

36:07

our early warning system system one will give us a sense of that and it's up to

36:12

our system twos to countermand what reactions we do have to it but in circumstances in which we are

36:18

constantly bombarded with possibility that difference is a conscious issue remember that

36:23

graph i showed you about salience well we're constantly showing images of of of of

36:29

increasing numbers of migrants and increasing numbers of of of refugees

36:34

increasing numbers of of people who shouldn't be here according to whatever narrative is being fed to us at

36:40

the time there is a sense that this is often detected by system one as a threat without us even particularly knowing

36:46

that it's that it's happening because of the nature of how human beings work so for us if you want for us diversity

36:54

is a is a it's a thing in which we can acknowledge consciousness consciously

36:59

through system two as being clearly not a threat to us strictly something we should be welcoming

37:06

clearly something it gives us gives our lives advantage color cultural growth a sense of

37:15

advancement and progress within society but at the same time our inherited instinctual unconscious

37:23

responses to difference can be prodded and nudged by powers within society

37:28

who want to provoke the idea that diversity may be an issue which is a which is problematic and of course if

37:34

you just go along with whatever system one is telling you and you end up with a situation which there can be

37:39

conflicts with society based upon no factual evidence whatsoever because the evidence is not

37:44

forthcoming in any great any as you've seen earlier on it's not there really and in the process of doing that gain a

37:51

sense of that diversity is a problem when it isn't one diversity as a concept is something we

37:57

agree about and yet worry over for reasons which sometimes it's very difficult to understand

38:03

worrying over it is because of the nature of the being of how human beings have evolved but we know

38:09

this is the case this is the interesting point we know how we as human beings have evolved we know for instance through the whole

38:16

business of how our societies have well evolved in a dialectical sense the word and hegelian uh and and devova sense the word how our

38:23

societies have grown that we've dealt with difference in the past we we have

38:28

feminism has done a great gone a great way towards ensuring that the difference of women

38:34

has been brought to the forefront of the society and seen as being an important part of the way in which society develops

38:40

it is a constant and ongoing battle to sustain it because the old-fashioned tendencies towards you know those ancient

38:47

millennial millennial tendencies for us to see difference as a threat is still

38:53

instinctually there within a within a psychic being as you might say

38:58

um what else can i say this is uh an interesting area and i think something which is going to be

39:05

uh much discussed in the future uh it's not going to go away if i can take you right to the very end

39:11

of all this uh can i also say something about how we

39:18

might look at serious excuse me how we might think about all of this very often when we talk about diversity

39:24

we think about uh equality we think about let's treat everybody equally

39:30

well i really disagree with that concept and the reason why i disagree comes from

39:35

this wonderfully famous and enjoyable cartoon

39:40

of three little boys trying to see over the fence to it's american so it's the ballpark

39:46

they're watching baseball and on the left they're given hacking faces to stand on

39:51

and if they're treated equally what they end up with is somebody who's told gets even more advantage uh while the

39:59

shortest gets no advantage at all but when the same resources are diverted

40:04

in a way that respects their difference their diversity in other words respects

40:10

them in an equitable way then advantage can be had by all and

40:16

everybody get a free look into the ballpark of course one could also argue that

40:22

they should be really doing is knocking down the fence but that's a different argument for a different occasion

40:28

i use the word equity far more often than i use the word equality for this very reason and i look

40:33

forward to an equitable society rather than an equal one one in which we can gain a certain

40:40

degree of knowledge of what difference is and how a supporting difference is advantageous to everybody

40:48

i think that's as much by the way can i advertise my thoughts

40:54

bigger ideas yes you can wait for everybody

41:01

it's a great course it's a great course it's a great course thanks very much that be that that was

41:07

great i hope everybody enjoyed that that was there's a lot of things in there i think and that last slide is

41:15

well that's it isn't it that slide at the end well i think the equitable

41:21

society is the one we should be talking about not the equal one because it recognizes once we talk about

41:27

equity we talk about difference and we talk about diversity then we talk about it in a way that

41:33

acknowledges the fact that it's not a threat but i think it's easy to sort of to to hide that

41:40

behind people saying oh i treat everybody equally well no that's not the point you treat them with the kind of equity

41:46

they need and deserve and respect the respect they get but for being different is different as well yeah okay

41:54

right i'm going to start um looking at some questions for you now let me just there

42:00

was one that stood out to me um

42:06

yes you were you took us through some stats in the first part of the the lecture do

42:11

you think the pandemic i mean obviously we'll see when the census results the current census results come out but do

42:17

you think the pandemic will have an impact on those stats actually i already know that it hasn't

42:24

well it hasn't in terms of the numbers if you want to if you want to put it that way because i know that we

42:29

you may be pleased to know that we had a 95 turnout across the country so which is very good from a point of view

42:35

with census uh however if you're looking at the detail of how the census stats might might evolve uh this time around i would

42:42

not imagine there will be a huge amount of difference in the percentage of of a breakdown of

42:48

the way society operates however i think there may be some shifting in the way in which the salience

42:57

of these issues operate it's difficult to say precisely because

43:03

like i was saying earlier on it depends how much business of difference and diversity in black minority ethnic

43:08

groups become part of the news the more their part the news the more we tend to think about them the more we tend to

43:14

discuss them the more they become important so it's kind of like a cyclic process going on without regard to that and that

43:20

and my view is it's probably very likely that this particular issue is going to become something which will

43:25

impact upon some of the aspects of the way in which the census outcomes that are developed but that's just a guess

43:33

such a guess okay thank you um okay another well it's

43:39

not really a question it's more about a comment that you might have some thoughts on um b and this is from helen lawson

43:46

um she's she's saying i've always been confused by the the nomenclature in the this domain so

43:52

we're talking about ethnicity here and when people say asian they usually are referring to a handful of countries

43:59

india pakistan bangladesh and in addition people from the whole of sub-saharan africa tend to be bunched

44:04

together um and she feels that it's a shame for such wonderful um cultural richness and diversity to be

44:11

lumped together on the basis of skin color it is and it's purely an irrelevant arbiter of human value so i don't know

44:18

if you have any kind of thoughts system two tells me it's an irrelevant arbiter of human value and she's dead

44:23

right about that system one however tends to play it a slightly different way uh you'll probably guess i'm a huge

44:30

daniel kahneman fan and kind of like a bit of a groupie with regard to daniel hannah by the way can i point out if you haven't seen

44:36

some of his lectures on youtube please go and watch him he's very very good very funny at times and his work

44:43

is very important to understand in terms of which human beings operate in terms of difference because this is the issue of color of

44:50

skin though it may seem irrelevant in in in real terms in terms of the way

44:55

in which we operate as human beings it is very relevant but however our ancestral background our

45:02

ancestral evolved background tends to flag it up as something which is a threat and consequently we too tend

45:07

to fall into those particular traps of looking on on on ethnicity and

45:12

especially coral skin as something which is far more important than it should be okay great um another question from

45:20

elizabeth butterworth she's talking about research versus lived experience

45:25

how do you accommodate the latter in the former um research

45:32

is a well the whole point of our research is to provide a series of factual aspects of the way in which the

45:39

the the world around us operates in other words it's supposed to give us a kind of

45:44

agreement between figures uh statistics uh statements which are

45:51

in agreement with the state of affairs of the world around us oh the live lived experience is very

45:56

much a unique thing it's very much concerned about who you are where you are which part of the country you happen to be in

46:01

uh your upbringing and so on so your interpretation of how things operate in terms of your lived experience can be

46:07

very different from the the research-based concept of all that

46:13

consequently people who have difference often find themselves living a kind of experience which is

46:19

very much at odds with the way in which diversity is supposed to be supposedly operates

46:24

i mean i speak from my own my own point of view as a trans person i i when i first came

46:31

out as a transgender person in 2008 i was a part of a group of people who are

46:37

sequestered on the internet and had become who are really sort of not out at all we were

46:42

kind of like knew each other through through uh chat rooms and stuff like that but we we didn't know each other

46:48

as individuals and when i finally did come out my impression of reality took a huge

46:54

culture shock because i suddenly realized that my impressions of the way the world was through the group think that i was

46:59

involved in it within this closeted group was totally different to the way it was in in my

47:04

real life lived experience my real life lived experience was of a world which was fairly accepting in

47:11

which i was uh finding myself really being treated just like most of the other women within society but

47:17

before that i had been paranoid about the business that my world was going to come to an end the first time i ever stood up and

47:23

stepped out the streets i was going to be beaten to a pulp you know by transphobes and so on and so forth never

47:30

happened i was very surprised about this and the process of doing that looking at the

47:35

statistics if you look at the statistic you'll see that violence against trans people does exist

47:41

but in fact it's actual as part of the lived experience it's actually probably very very little of it in in

47:48

reality especially in the uk i don't know what's like the rest of the world so this indicates the difference between

47:53

how research works it can throw up an interesting con concept within within you know a

48:00

day-to-day discussion but at the same time your lived experience may be quite different when you get out there it doesn't mean

48:05

to say that violence doesn't happen to both the people from black and minority ethnic backgrounds and from

48:10

from for trans people and for women in general but the actual instance of it is

48:16

probably less than one would imagine because of the nature in which research can be interpreted

48:22

okay thank you b um another question here from um bernard godding um

48:29

he's saying that that he believes that by the end of world war one um

48:34

and as a real result deaths in the battlefield women were fulfilling very different roles in british society

48:41

does this offer uh maybe an alternative perspective to some of the ones that you've talked about today

48:46

yeah sure but they were they were because of the lack of lack of a workforce but that didn't stay

48:52

the case uh uh didn't didn't remain the case it didn't change the social aspect

48:58

of women's within society women were still seeing us in in social terms in cultural terms

49:06

as being predominantly housewives uh with all that applies in terms of their

49:11

their relationships with men when they were

49:17

out in the in the workplace they were generally speaking doing some very very low paid low paid work very often

49:23

interpreted as that work was interpreted as being something equate equivalent to pin money almost that they

49:28

were doing it almost because they it was something that they must have had a private income or something from elsewhere

49:34

so the whole business of how women's work was interpreted was very much interpreted in a

49:39

relationship with a predominant idea that men were the bread winners and should be

49:44

the ones going out to work and women should be the ones staying within the household now you

49:50

know this this particular idea was a was fruitful in the sense that it fired up a lot of what simon de bolvar later

49:57

said and i think those sorts of issues uh have fired also fired up an awful lot of

50:02

uh 1950s and 1960s feminism development of feminism over over that period and illustrated greatly

50:10

that this was not just about the business of jobs this was this is about the business of cultural attitudes and especially

50:16

cultural attitudes of otherness that you you know that were part and parcel of societies across the world

50:22

okay great and everybody's loving that final slide by the way [Laughter]

50:28

um right we've got time for one final question this is one from bunny cook and she's asking um why is

50:35

ethnic data gathered what does it actually say well it tries to give a picture which

50:41

would be a contrary as opposed to much of the mythology that is spread

50:47

throughout society about i suppose i think you know how what number of people from uh from

50:55

outside the uk uh live here uh what their roles are and so on also

51:01

those issues which at the end of the day uh you know need to be planned for with reagan that within the business of

51:06

education and provision so for instance if there was a case which seems not to be the case that there is a huge issue with with a

51:14

language with from with people from from outside the uk then uh then surely we should be looking

51:21

at a better educational provision with regard to that yes people need to learn english and yes

51:26

there is a need for english as a second language but it's probably not as big as everybody thought but it has often been thought of as a

51:33

dividing issue within society in demonstrating how somehow to use the

51:38

the the terms of of the opposition i suppose you might say that somehow it was deleted diluting the

51:45

culture and that uh uh you know that uh somehow culturally we were being

51:50

uh greatly uh uh uh harmed in some respect about by

51:57

migration to the uk from outside it was doing some to the business of what languages was what's working here clearly that

52:03

the data doesn't show that at all without the data it would all be really mythology and hearsay so it's really important that we

52:09

should have this kind of data i think at the end of the day and i personally don't mind being counted i hope you didn't mind being

52:15

counted i think it helps a great deal because at least at the end of the day we know where where the ground level statistics are

Lecture

The Sussex coastline

The English Channel can be taken as emblematic of the whole British coastline with its evolving and dynamic landscape of a marine shoreline. In this talk marking World Earth Day, we will take a journey along the Sussex coast from Chichester Harbour to Rye Bay exploring its geology and history, architecture and natural history, settlements and coastal changes. 

Using contemporary and historic images, we will study cliffs and saltmarsh, piers and promenades, suburban bungalows and a National Park coastline. 

Video transcript

0:00

you working on well on the coast and we're going to be looking at two distinct extremes of the coast one is the image

0:06

you see on the title slide on the left which is a physical landscape it's the currents on the english channel

0:14

moving around sand and shingle creating the patterns and there's ever-changing coastline

0:20

you have because coastline right around the british isles is not fixed i know we remember from school

0:27

this is the outline of the racials and we see each night on things like the weather it puts

0:33

of course every time there's a change in the coastline before the wave moving shingle changes

0:39

the coastline but that's a changing top and on the right hand side

0:45

is the human landscape this is the lower bomb um with the you know ice creams for sale

0:52

me quick hats art gallery the gay flags cards so we've got those two extremes if

0:58

you like pre-human landscape intensely physical landscape and we're going to look

1:04

along those two um edges okay now just to warn you

1:10

i'm a geography teacher so there will be map on display um and this is a very simplified geology

1:16

map can i stop you again just for a second we are aware that there are a few sound issues here jeffrey

1:22

there are also some boxes that are on the screen which is a bit odd i don't know whether you're seeing those on your

1:28

screen what are the boxes um i'm not entirely sure there's one at the

1:34

top one at the side on the right hand side do you want to stop share and share again and just give that reviews

1:42

and if you can try and be as close to your microphone as possible as well breaking slightly sorry folks this

1:48

didn't happen last week when we tested everything it technology didn't okay

2:00

that's it okay go ahead from there we've got a

2:06

simplified technology map of south east england and we're going to be working our way from the western side um

2:12

at portsmouth down through the area of the chichester harbour along

2:18

the coast through little hampton down to brighton into the chalk cliffs and then through the wheels and landscapes

2:24

of east sussex and we're going to end up on the kent border uh down here near zanziness now on this

2:31

map a way to the southwest down here we've got the isle of wight the island white is quite important to the

2:37

coastline of sussex though it's technically an amger a separate county uh to the

2:45

northeast of the isle of wight we've got the area of portsmouth harbour langston harbour chichester harbour and

2:51

it's a wonderfully complex area of islands creeks inlets and much more complex than we

2:59

have along the rest of the coast really of the rest of southeast england and there's a very good reason for that

3:05

and the isle of wight is the reason the channel storms which originate

3:11

out in the atlantic pile up from the southwest they break on the isle of wight and so

3:16

the full force of the weather breaks on the southern side of the island white it sweeps along the eastern side and has

3:24

smoothed off the coastline of sussex and to some extent kent but the area in

3:30

the lee of the isle of wight this area of the the solent

3:35

portsmouth harbor chichester harbour has been protected from the full force of thousands of years of wave

3:41

activity and so we've still got a very complex system which would have existed right the way

3:48

along the coastline of sussex but has been shaved off by the action of the atlantic storms

3:53

and so this is what we refer to as a fossil

3:58

landscape sorry my apologies um this is this very soft landscape

4:04

of sussex this is the area of thorny island which is the furthest south and west you

4:09

can go in the county and it's wonderful flat sands cockle

4:14

shell beaches marum grass very very attractive wonderful for bird life and wildlife but it's a very

4:22

easily eroded coastline except that the waves can't get at it with any great force you

4:28

can see a few um white headed waves in the background here that's really whipped up by the

4:34

wind those aren't the big atlantic storms which affect the rest of the coastline

4:39

so thorny island is rather interesting here we have um an 18th century map

4:45

um 1724 showing us thorny island which at that date and for the next 140 odd

4:52

years was an island it was the only parish in sussex which was entirely surrounded by sea and

4:59

it was a very fertile area it's got the village of west thorny which you'll see is rather confusingly on the east side of

5:06

the island now we think it's west thorny because there was a thorny farm or that

5:11

indeed is a thorny farm over on the mainland a couple of miles away to the east that

5:16

may be east thorny but it's the rest of history it's been west thorny it's a church a manor house and some

5:23

cottages and it stays like that really um until the early 20th century and in the 1930s

5:31

there's the threat of invasion uh with the threat of the uprising of hitler on the continent

5:37

um and the raf move in in 1936 built a huge air base here to protect

5:45

portsmouth which is a few miles away to the west navy base and it's a lot of action

5:50

during the second world war the raf depart in the 1970s is taken over by the

5:56

royal artillery and though is a big military base which makes it fascinating from a

6:01

walker's point of view or a naturalist point of view if it's one of the few bits of the sussex coast there are no piers and

6:07

promenades there are no fancy hotels there are no wine bars you've just got a coastal path along the seawall

6:14

with a big military basin in the middle so you can't cut across the island but you are permitted to walk around the

6:20

shore so you do get to see a piece of coastline like that which is given over to lots of turns

6:27

lots of goals lots of cormorants so it's ideal if you are a birder

6:33

now all of the west sussex coast is formed in a very very rich soil um correctly as a

6:40

geography teacher after so it's called low s it's a windblown glacial dust on the

6:46

south coast we don't have a lot of clay it's referred to as brick earth because that's what we have used it for

6:52

economically and it's the most beautiful soil and this is very near to fishborne where

6:58

there's a big roman palace just behind the trees on the right hand side about a half a mile down the road is the

7:04

fishborn roman palace that was discovered in the 1920s excavated in the 1960s

7:10

and it's far more than a villa colleague of mine who teaches roman archaeology said it's a definite

7:17

palace and just look at that beautiful soil those of you who've got less than good soil

7:22

might be salivating at the prospect of this you're very near the coast almost no frost because we're on south

7:28

coast of england maximum light beautifully rich soil often say to people if you could buy the brick earth soil

7:36

the only place you could buy it would be waitrose this is waitrose grade soil okay and that's what it produces

7:43

huge fields of grain uh this is a very famous village of bosom which is a village which features in the

7:49

do in in in the bayer tapestry and bosom is a village uh which has the the church

7:57

which king harold or harold is in duke harold to see them uh swore an oath to give the kingdom to

8:04

duke william of normandy that fell through we then have the inevitable battle of hastings

8:09

but this is uh where the action starts look at that grain it sweeps right down

8:15

to the shoreline virtually to to the beach boston won't have changed too much over

8:22

the last thousand odd years if you replace those leisure boats out there

8:28

uh with norman um longships um or indeed roman galleys uh you wouldn't be too far short of a

8:35

contemporary view that whole area of bosom fishborn all

8:40

the creeks around just the harbour wonderful for grain production and in this picture of bosom in the 18

8:46

sorry fishborne in the 1840s you can see there are two windmills in the picture an idea of how much grain

8:52

was being produced and there's a large sailing ship at the keysight by the warehouses and that's taking the

8:58

grain away it all goes to one place it gets exported to london it's a great food market

9:05

easiest to send it by sea around the coast not only do you have windmills in that

9:11

area because the great number of creeks and inlets the great many tidal mills now

9:17

we don't use tidal power in this country there is a working tide mill on the suffolk coast and one in

9:23

hampshire near southampton but they're really in the form of working museums if you go to france canada united states

9:30

they use tidal power we've stopped using it but this is the burdham tidal mill which still exists

9:37

it's now a rather luxurious house but that's utilizing the free power of you know renewable

9:42

energy sources from the sea if you carry on along the coast you go out onto

9:48

the area called celsi bill which is a big promontory um sticking down into the channel and he

9:54

was very much off the sea so contemporary view here with you know where you are the fisherman's hut and that lovely um

10:02

ragtag and bob tail of material you're getting fishing quarters of nets and fish boxes and lobster pots

10:08

um gives you a great feeling that you are there right on the beach and a little bit further

10:13

down go to celsi and this is a picture from 1905 of celsi fisherman

10:20

and you will notice that everyone in this picture apart from the small boy in the foreground has a beard they all look like captain

10:27

bird's eye with their gansey jumpers on their caps and in the front there some woven

10:34

pots for lobsters and crabs willow and there's a pile of willow bound up there ready to do some repairs celsi east

10:41

beach is still a very important fishing area and still today for crabs and for lobsters now if you go a little

10:49

bit further along uh the prominent tree you go around onto the the channel coast rather

10:55

than the chichester harbour coast and you get that look that you can see a long way around the british isles of

11:02

seaside development into war seaside development often not very architecturally distinguished

11:08

mostly in the form as it is here at bungalows this is pagan beach pagam is an area just to the west

11:15

of bolton regis some of you may may know pagan grew up in the years before the first world war

11:21

and developed enormously between the wars and in particular with railway carriages it was a great

11:27

haunt of people buying a railway carriage having it delivered you could buy one in the 1920s for 25 pounds

11:35

and it would be delivered if you can get the wheels you wouldn't need the wheels um but it would put down onto a network

11:41

of railway sleepers or concrete blocks and they made very good holiday homes lots of light lots of rooms

11:47

right on the beach no gas no running water no electricity no sewage disposal

11:54

so they're often frowned on by local authorities but planning regulations at the time meant there wasn't a lot of power they

12:01

had many of course have disappeared they are inevitably built wood they

12:06

disintegrate they get fires malicious and otherwise um

12:11

railway companies buy them back the heritage railway the booming industry around britain come

12:17

along and buy them for a substantial sum take them back to their depots and turn them back into railway carriages

12:24

they do sell for quite a lot of money these days if you want to buy one they are no longer 25 pounds

12:30

so now apologies we haven't seen any seaside resorts so

12:36

far we've seen farming and we've seen the fishing industry and some suburban development when we get to bogna

12:42

uh its original form it was called hot hampton bogle was a farm near to hot hampton

12:48

that kind of outgrew like the cuckoo in the nest and this is an 1807 print you've got some bathing

12:54

machines here you've got some visitor accommodation some seedy fences have been put up some people at the top of the beach

13:01

there enjoying the view some people strolling along the prom and so we've got

13:06

an early tourist industry tourism to the coast develops really from about the 1720s in

13:14

margate in scarborough at lime in dorset comes a little bit later to brighton

13:19

1730s and a bit later still here to wagner at the beginning of the 19th

13:25

century now if you go on the next

13:31

major settlement is little hampton and that sits along the the lower courses of the river aaron which is the

13:38

biggest river in sussex uh not in the form of the seven or the thames but it's the biggest river

13:44

in the county and the the aaron itself um the two banks of it are contrasting

13:50

the west bank is still old little hampton so you've got boatyards and you can see this one here not in the

13:56

first flush of youth an area called the rope walk there's some warehouses but on the eastern shore uh they've

14:03

redeveloped that side of the river and something that's happened around a lot of our

14:08

coast we're rediscovering riversides as shipping has got bigger um and there is more concentration on

14:16

the bigger ports so small ports like little hampton have run down the keysight's become derelict and about

14:23

20 years ago they decided to redevelop little hampton keysight um in housing there was a planning gain

14:30

to this because there was no way you could get to the riverside it was secured warehouses and keysights

14:37

now there is a very nice pedestrian walkway that runs for nearly a mile along the riverside in little hampton

14:44

and you can see the new developments there on the right hand side so it's brought a bit of life down to that side of the river

14:51

we go back to the early 20th century a rather charming postcard view here a massive bathing machines and little

14:58

hamptons still a very um attractive beach for families it's very gently shelving there are no

15:03

dangerous cliffs or or mud flats um so it's a very popular tourist destination and i love this

15:09

rather serious looking gentleman here on the left hand side this young man here with his uh collar and tie on on the

15:15

beach so rather rather a nice uh illustration here and you know very sensibly mum here has got a parasol

15:25

people unlike today did not want to get a suntan very sensibly from a health point of view okay

15:32

and then continuing um eastwood's on our way down towards worthing not really conscious of the

15:39

landscape behind because there's intense coastal urban development along the west

15:44

sussex shore but occasionally you get this opportunity i'm actually standing on a shingle beach

15:50

at a place called goring gap between worthing and hampton and that lovely west

15:56

sussex coastal plain with that beautiful brick earth soil grade one agricultural land uh running

16:04

along the shoreline you can see in the distance the southbound again ever closer it's a great wedge of

16:11

landscape running out from brighton westwards and so very rarely you could stand on a

16:16

beach and see a combine harvester working and more so in west sussex and then along

16:23

ever closer to worthing it's an extract here from a map ordnance survey map of 1940 and you can

16:29

see what's happening to that lovely rich farmland there are some remnants of an earlier industry the blue

16:36

cross hatched areas are glass houses and this is part of the celebrated worthing tomato industry

16:43

which is in decline in the 1940s but suburbia is taking over and you can

16:49

see here the housing is spreading out across the lovely rich coastal plain

16:54

hastened by the railway it was electrified in the 1930s and it's a very attractive

17:01

suburban landscape now i'm a suburban geographer so i would find it attractive but you get areas here like east preston

17:08

country club um some very fast looking motors out here um what was sometimes referred to as a

17:14

tudor ethan road house you're right on the beach here some very elegant ladies here

17:19

taking cocktails with 1930s beach furniture and then nearby you've got the much

17:25

restored mana road garage which is a it's a private dwelling people do still turn up thinking they're

17:31

going to buy petrol but someone bought this as a derelict garage and beautifully restored it always looks

17:37

like those of you been fortunate enough to been to miami looks like a bit of miami south beach here

17:42

with the palm trees and the blue sky and the lettering and the wrap around frontage but it's an extremely nice

17:48

piece of of rest i'm an industrial historian as well so it's rather nice to see that restored

17:53

and nearby at angering a classic 1930s house here this is 1936 when this was

18:01

uh being constructed it's by marcel brewer who was a hungarian refugee from um uh

18:07

persecution in the 1930s in central europe comes to britain and one of his first

18:12

projects was called sea lane house you haven't got to be an architectural historian

18:18

to know this is 1936. the more traditional style if you go

18:25

inland from angering to angering village hammering on sea is some distance from ring village there

18:31

you've got a sussex um farmhouse using the local flint

18:36

on the side it looks like flint picked from the fields on the frontage it's flint pebbles from the beach and

18:42

the garden wall as well but look at the roof you've got the byproduct of cereal growing because when you grow

18:49

all that grain which we've seen in various slides you only want the ears you don't want the stems so the

18:56

stems are very useful for thatching the rooves and at the back you can see that lovely

19:01

uh roofler we call that a cat slide roof and that will always face the weather

19:06

because roofs are more weather tight than windows and doors so you orientate your house so that the

19:11

long slope of the roof is facing the southwest so you're not facing in into the worst of the howling

19:18

gales which come along the channel coast so it's nice to see the comparison between

19:23

they're probably about 100 years apart those houses uh this one and the one before where you

19:29

can see the the societal difference if you go into the next one the largest

19:34

settlement we would have seen so far which is worthing um which is the largest town on the coast

19:40

in west sussex um you've got a lovely 19th century seaside parade here of balconies and

19:48

stuccoed houses they're all different if you look along there are very few houses more than one or two

19:53

identical it took about 10 years to build this terrace different builders different developers

19:59

it all seems to hang together very nicely without the benefit of planning these would have been sea view houses

20:07

but they're not on the beach um in the 18th century people did not build houses

20:12

facing the sea the sea was seen as wild and dangerous it's only towards the end of the 18th

20:17

century gets the romantic movement of art and poetry and writing that the sea is seen as something

20:23

beneficial to view but you didn't build your houses right on the sea front this is about a quarter

20:29

of a mile from worthing beach and it would have looked across market gardens to the sea inevitably they have been built over so

20:36

this is actually in the center of worthing when it was originally constructed would have been a very fine view

20:41

of the city it's also one of the most expensive streets to buy a house in in worthy they do open for the yellow

20:48

book you know the national garden scheme they open at the end of june and about 12 houses along here

20:54

have a joint ticket you can go in and out of people's back gardens and you can see what you can do with a

20:59

very small back garden but with a lot of money um it's always a joy to go in and to

21:05

gauge other people's lovely gardens the next community along uh part of a

21:13

big built up area but distinctive communities is shore and by sea and shore and by sea grows up in the

21:20

1200s as the river silted up old shoreham which is about a mile away to the north

21:26

the ships couldn't get in there and they moved the location down by about eleven hundred twelve

21:31

hundred uh nearer to the sea a magnificent norman church there said mary

21:36

some mary de hora h-a-u-r-a uh some mary of the harbour to give you

21:42

an idea of how important the the town the shipping was to the town it's a big ship building center and you can see

21:49

still what the sea is important there it's a boat yards and sailing clubs it's a very nice

21:54

independent community very keen to tell you in shoreham although physically it's connected to

22:00

worthing and brighton and it's not worthy and it's definitely not brighton it's a very very attractive little community the mud

22:08

flats out here usually full of bird life a lot of migratory birds in here uh pecking about a lot of egrets these

22:15

uh little white stalks you see along on the mud flats

22:21

if you go onto the footbridge across to the south side of the river which is called shoreham beach or bungalow town older

22:28

people still call it bungalow town you've got a view down the river you've got key sides running away

22:33

on the north side on the south side were boat yards which are now blocks of apartments but you've got that older

22:39

aspect of shoreham and the fishing boats out in the river and this is an important concept of what

22:44

i teach in landscape studies that when you look at a piece of landscape you're looking at two distinct threads

22:51

in the landscape and all landscape is about continuity and change and you're looking for those

22:58

elements of continuity well you know the river has been here for millions of years um the silt has been brought down

23:05

relatively recently by by river flows and by tidal activity uh the boats would have been here for a

23:11

long time fishing but they would have been wood and they're probably now fiberglass so you're looking for those concepts of

23:18

continuity and change i said that the south side of

23:23

the river was called bungalow town during the 1880s you start to see people moving railway carriages

23:30

lovely view here um there are actually i've foreshortened this picture there are actually eight horses dragging this

23:36

railway carriage over to the south side um and it becomes very much a theatrical

23:42

colony um shorum gets patronized from the end of the 19th century really up until

23:47

the present day uh by a theatrical community and during the early 20th century some

23:54

of the earliest british films were made here because you've got magnificent light and a colony full of outdoors

24:00

um and so film studios were here from 1912 and a great variety of famous people

24:08

settle here as weekend holiday homes and in the background you can see some

24:13

shipyards or boat yards and as they are running down in the 20th century

24:18

the the shipwrights uh move over to the south side of the river to turn

24:23

those railway carriages into rather palatial homes to get a transfer of skills

24:29

i did interview an older lady who lived on shoreham beach and several years ago and she said there

24:36

were two very distinct communities um if you went into the showroom it was full of boat builders

24:42

and rope makers and cell makers and as a very strong baptist and

24:47

methodist tradition uh and she said if you came over to shoreham beach to bungalow town it was full of theatricals at the

24:54

weekend having great hedonistic parties and she said there was a great consumption of gin and starlets

25:00

on the south side to much disapproval from the baptists the methodists on the north shore so two very

25:06

distinctive communities if you went from shoreham now going eastwards it's continuous built up area

25:13

it's really a part of greater brighton although it doesn't come under the municipal boundaries but it's completely

25:19

built up and this map of 1813 showing you fields and a

25:24

windmill in the center there and a ruined church that is completely urbanized now but that creek running

25:30

along the south side um is now a canal and it's now shoreham harbour so it's quite a commercial

25:39

port but in in 200 sorry excuse me 200 years ago um a very

25:46

rural setting with fields um as we've seen before coming down to the beach and a windmill

25:52

okay still some elements of that past now some older buildings these are part of a brewery maltings and you can see

25:59

the beach cobbles used there it's now a yacht club but we still got some nice pieces of

26:04

older landscape there but further eastwards you move across the border from west

26:09

sussex into the city of brighton and hove and there it's very much a working port

26:16

and this is ports laid by sea some big gravel belts here they import a lot of sand and shingle and various gravels for

26:24

the building industry and timber you can see a big ship in the background there

26:30

it's a big timber importers port and then eastwood still and

26:37

we're into brighton and hove except in 1813 hove is a very very small village with a

26:43

ruined church and great big fields going eastwards down towards brighton

26:50

hope still has a fishing fleet it's still got um an element of its past that continuity um

26:56

small fishing fleet hauled up onto the beaches you can still buy fresh fish from a little cabin on the

27:02

beach there so it's a nice link with the past but those big

27:07

fields that you see going away to the eastwoods of hove

27:12

they have a dramatic effect on how it develops we're going to come along to to brighton

27:18

my hometown very very shortly the next few slides but brighton was owned

27:23

by many many people multiple ownership and lots of very small pieces of land

27:29

and very difficult to develop small pieces of land to big set-piece architectural features

27:37

if you wanted to do that you had to buy land in hove which had better soil and was owned by

27:43

far fewer landlords who had their land in big blocks so those big fields we see in

27:50

hope lend themselves to to this and this is brunswick town this is a

27:56

great regency development it was called brunswick town west brighton because outside

28:02

of the area nobody had heard of the desserty village of hove but it is inhofe this is just one half

28:09

if you could look at that image and then double it to the right of where i'm taking the

28:15

picture that's the extent of brunswick town and you needed those huge areas of land

28:20

to do those big architectural set pieces and these are some of the finest examples

28:25

of regency architecture anywhere in the world when they developed in 1823 to about 1825

28:33

they just pipped the post before there was a big economic slide in the 1820s

28:39

so this had all been built and was up and running when there was an economic crash but it was always it was there

28:44

so it wasn't a failed project okay now we've got halfway along um this this

28:50

sussex coastline and here's brighton here um so we just moved from that west sussex coastal plain

28:56

a very very rich agricultural land creaks inlets down to a much more stable coastline of

29:04

the chalk cliffs running away this is the southbound running in here and so we're coming along and

29:10

into brighton now i apologize brighton has always been a

29:16

very important town in sussex it has nothing at all to do with the prince regent

29:22

later george iv coming to stay here brighton has always been a very big

29:28

community it's just never had a very good press it's never been very glamorous

29:33

until the uh early 19th century it was a fishing town it was a rope making sail making timber

29:40

imported coal importing port didn't need a harbour has a big flat beach you can land boats

29:46

on easily give you an idea of how important brighton was this is a map for image

29:54

uh created in the early 16th century and it shows you the 1514 french attack

30:03

on what was then called bright helmstone and brighton is big enough to warrant the french mounting a big

30:09

military expedition to burn it you will notice oh this is brighton with you know

30:14

west street north street and e street all alight the lower town a light big french fleet

30:20

offshore this is hove which has got five fishing boats no one is bothering to burn hove it

30:27

doesn't make a big enough blaze you want a big blaze so the rate players on the north french coast

30:32

can see you know the french attacking england um so it's important enough to warrant a

30:39

good burning if you have been to brighton this is the area called the lanes the old town just got very angular

30:46

streets it doesn't look like an old community with winding lanes that's because

30:53

it was burnt down by the french on more than one occasion and what the french didn't destroy a

30:59

great storm destroyed on the south coast and brightness two enemies ye french

31:05

and ye great storm and alternately they ravage the town so it's always being rebuilt in a very

31:12

angular format if you go down onto the beach at brighton this is in front of the old

31:18

town here is the fishing museum very nice new museum here it's a wet fish stall here

31:24

just behind here there's the smoke fishery a few fishing boats down here

31:29

they no longer commercially fish from brighton beach it's more in the form of a fishing museum but this would have been

31:36

the lower town this is where the boat builders the rope makers the sail lofts would have been

31:41

the fisherman's quarter up above on the low cliff uh would have been where the fishing boat

31:47

owners lived you know the merchants the timber importers the coal importers that

31:53

would have been you know the mercantile end this would have been the working class end down here

32:01

mention the fish smokers on brighton beach run by old friends of mine jack and linda linder mills and sadly jack died last

32:08

year he was well into his eighties but if you've never seen jack mills you would have seen because he's captain

32:14

bird's eye you know he's a tall red face long white hair big white bushy beard

32:19

and he looks like the the lady bird book of jobs the fisherman um he's a lifetime fisherman when he

32:25

came what was termed a boy ashore when you're too old to go to sea you become a boy ashore

32:31

and he set up a fish smokery which is right behind where i'm taking the picture now jack would say catch it there smoke

32:38

it here sell it here i work in food yards which we're all conscious of these days

32:44

so very very fresh and it's all he's what he's selling that day here kippers

32:49

fresh crab smoked trout smoked mackerel so that's a lovely piece of continuity of brighton being an ancient fishing

32:56

town but in the 21st century this part of our tourist economy

33:04

because most people know of brighton as not being a fishing town but being a great resort and this is a 1935 um

33:12

railway poster for the town and here's the west pier off here and the grand hotel here the

33:17

metropole hotel and the steamer and then his brunswick town that we saw earlier on

33:23

so brighton at the height of its tourist boom in the 1930s with some some uh kayakers offshore here and

33:31

transformed from a fishing and cargo community to being one of the largest resorts in

33:37

the country now when we were looking at the coastline in west sussex it's very low

33:44

lying it's very fertile and lots of creeks and inlets so it's very interesting but it doesn't got any

33:50

spectacle to it once you get east of brighton you get cliffs they're chalky cliffs but they're not

33:56

white chalk this is a cliff line of chalky rubbles this is material which was shattered

34:04

during the ice ages um moved down the slopes of the downs and formed the shoreline as layer upon layer

34:11

of chalky muds which is very easily eroded which is why

34:16

we have a cliff line here if you go a little bit further east you come into the solid chalk so

34:22

a few minutes walk takes you into an area rather confusingly called black

34:28

rock although it's chalk but you can see the chalk here with the lines of flint

34:34

running through it and you can see there's been various faults which have shattered the line of the flint's sent it offline

34:40

but this is the sussex coast now running away from many miles eastwards uh quite spectacular shorelines

34:49

in front of that cliff is a big chalk platform which is fascinating for uh for

34:55

wildlife all the rock pools here with crabs and shrimps and

35:01

small fish in there and great great fun to go down here it's a series of ledges

35:08

running down which correspond with the ledges in the chalk and you can see the cliffs running away

35:13

to the east of brighton here which makes a very dangerous coastline for shipping which is why brighton was so important

35:20

because it had a beach you could land ships on and get your cargo ashore safely you can't get a shore safely along this line

35:27

you rip the bottom of your boat out okay we saw some nice 1930s structures

35:35

either railway carriages or architect designed houses and the seaside in the 1930s is very

35:41

important to the local economy and this was built in 1938 salt dean lido

35:47

which has been reopened it became rather run down over the last 20 odd years but a community group has

35:53

bought it and is in the process of renovating it and it opened sadly uh two years ago just before we

36:00

had our big lockdowns but very much of the 1930s there

36:06

and then much more vigorous if we go a little bit further to new haven one of the cross channel ports we can

36:12

get a ferry to dp this is in the 1940s uh where you've got the railway yards coming down to the

36:18

seashore uh to the riverside i apologize um got swing bridge

36:23

and shipping in the harbour sadly new haven these days is not a thriving community

36:29

it still has the cross channel ferry and has some shipping but nothing like you see in this 1940s

36:36

picture there's been redevelopment down the keysight as we saw at little hampton

36:41

riversides are being rediscovered some rather attractive kind of new england style houses

36:46

um but if you carry on down to the river mouth uh you come to the fort and you can't get lost but it's called fort

36:53

road and this was new haven fort built in the napoleonic war period and

36:58

then strengthened again in the 19th century first world war second world war and was run by the military until the 1970s

37:07

you again you haven't got to be a military historian to recognize it's a fort and this is the gateway and

37:12

you go through this is wicked gate it's a rather fine museum in there um and give you an idea of the importance

37:19

south coast is the invasion coast you know from the romans right the way up uh to if you like you

37:25

know to the second world war it's been a heavily defended shoreline

37:31

a little bit further east you come to see ford and seafort was one of the the sink ports um this was a

37:37

confederation of sacks and communities um hastings was the only one in sussex

37:43

but you could have a franchise as we would call it today they were called limbs and so the kent and sussex towns

37:51

which were the singapores um could uh sanction out other ports to be

37:56

part of their organization and c4 was the first furthest west

38:01

a rather fine leonard's church here which we've been on the key side now i've said sync ports and if there's

38:08

any french scholars out there they'll be tutting you always say sync ports because if anyone calls them sank you

38:15

know they're the enemy and deserve to be sunk okay so it's always sync and these it was a way of making

38:23

money essentially um and the sync ports federation last through into the 19th century

38:28

it was completely archaic by then but all of the towns which are sink ports um always cash in on that now

38:35

you always are aware of it they tell you enough times but it's a rather fine

38:41

church here saint leonard's was santa was the patron saint of fish of um

38:47

of distressed uh mariners so if you were washed overboard uh you

38:53

said a prayer to saint leonards now you carry along uh to the far end of

38:59

seaford prom and again you're conscious of the invasion threat this is one of the martello towers

39:06

all down the east coast of britain from norfolk down through suffolk essex kent and into east sussex these were built at

39:12

the end of the 19th at the 18th century um to defend us against a possible

39:17

french invasion and this is the furthest west that you can get this is um tower 59

39:24

it's now the town museum you go into that round tower and underneath the beach

39:29

where i'm standing here is the museum because martello towers were like mexican hats and you only saw the top of the hat the

39:36

rest of it was under the beach where all the you know the artillery stores were the gunpowder

39:42

the shot the barracks the food stores they were underneath the beach fantastic

39:47

construct but lots of work people had to make all the bricks for it so huge amount of work

39:53

but that's the end of of seaford promenade and then you come into a wild bit of

39:59

coastline we haven't seen much wild coastline because sussex coast is

40:04

heavily urbanized but once you get beyond seaford you get chalky outcrops and you get kind

40:10

of kitty wakes and gulls down this side of the rock and you get cormorants down that side of the rock

40:16

um and a lovely piece of what you call us geographers would call a stack uh chalk stack offshore here

40:23

so very um dramatic big cliff fall here a couple of weeks ago huge huge cliff

40:30

fall um one of my colleagues at university of sussex who is a coastal physical geographer estimated

40:37

something like ten thousand tons of chalk came down in one event which is why you shouldn't

40:42

stand near the edges of chalk cliffs uh because they are very dangerous and you shouldn't stand underneath your

40:47

cliffs because they're equally dangerous one of the most famous sites in britain

40:52

uh are the seven sisters uh where the southbound national park

40:58

meets the sea and this is a picture i took one may evening a few years ago beautiful evening and you can see the

41:04

great chalk cliffs there completely unsullied with any promenades or cafes or bars

41:11

preserved in 1927 it was bought by a consortium of preservationists given to the national

41:18

trust and so it's been a wonderfully preserved piece of coastline kind of emblematic really of of england

41:25

you know the white cliffs albion the most famous bit of that of

41:31

course is not in the seven sisters it's a beachy head getting towards eastbourne and this is a

41:36

relatively unusual view of beachy head because you have to walk about two miles along the beach from the east

41:42

walking westwards um out onto what is called head ledge all these dark rocks under here

41:48

are sandstones because stuff called green sand which is a very hard coarse rock and it

41:53

protects beachy head from completely collapsing into the sea and there's the very very very famous

42:00

lighthouse now we're back into urban sussex because we now come to eastbourne

42:06

it's a 1935 railway poster here uh which hasn't changed the view has changed very very little

42:12

um beautiful bandstand built in 1935 and the promenade it's a different

42:18

promenade to many resorts because eastbourne was effectively owned by two families um

42:24

the davis gilbert family who were lords of the manor they owned the eastern half of eastbourne but the very expensive

42:30

western half was owned by the duke of devonshire at chatsworth house the devonshire estate still own huge areas

42:37

of eastbourne and they clearly clearly dictate what can take place on the promenade and

42:45

so there are no ice cream stores there are no itinerant cellars of hamburgers or or anything like that no amusement

42:52

arcades is a very elegant piece of promenade you want all that you go down onto the

42:59

pier which is at the davis gilbert end of the of the promenade now as you walk on past

43:05

the pier you get the two faces of his spawn on the most of the picture here shows you an old sussex seaside set of

43:13

buildings flint lovely soft red brick homemade locally made red tiles

43:20

and that's old eastport an area called sea houses and on the left hand side you can see

43:25

some very elegant three-story houses and this is where london comes down to the sea and this was the development by

43:32

the dukes of devonshire in the 1850s to create a resort out of what had been the fishing

43:38

community of eastbourne so you've got the two contrasting features there uh the very

43:44

kind of herb urbane london style and a kind of sussex urban style

43:52

on the right hand side carry on walking along the coast or driving along

43:57

and you come to a rather curious landscape one that i um really do enjoy um it's a landscape

44:03

which many people don't like they think it's rather scruffy i did my doctoral research on interwar

44:09

development and part of that developments were referred to as plot lands many of us would call them

44:17

shanty towns in academia these days you can't say shantytowns you get shot down in flames

44:23

uh you have to say landscapes of informal settlement but it's a shanty town by any other name

44:30

in the 30s they were often referred to as hutmans or track and shack development tells you

44:36

what they are i'm sure you're all familiar they're over much of the coastal areas of britain you find

44:43

this and this is norman's bay uh which always looks like an outpost of empire here

44:50

someone's pushed their plot land out onto the beach the garden looks like it's full of things which are going to come in handy

44:56

one day and it's a bit ragtag and bobtail but that's a kind of

45:01

interplay here between the wildness of the beach and this kind of edge of human

45:07

settlement here at norman's bay um but i i enjoy these they're not as

45:12

formal as eastbourne or worthing promenades behind norman's bay it's a very quiet

45:20

piece of landscape heaven sea levels or penalty marshes some people refer to it

45:25

it's a great network of channels and nature reserves see some ducks there

45:31

on on the on that channel at one time we thought all of this was a great bay of

45:37

the sea we still think that but not quite in the way of a bay of the sea like paul harbor

45:44

or something like that it was colleagues of mine who've studied the natural history here

45:50

by boring down into the muds and looking at the sediments think this was probably always looking

45:56

like it does today a bit more salty in the past probably a bit wetter in the past

46:02

but probably not a great big open stretch of water just a much much bigger saltier salt marsh but it's a lovely

46:09

contrast that landscape uh to you know the kind of the earth the urban

46:14

nature of much of the sussex coast well we've gone back to urban we've gone

46:19

to becksilong sea um wonderful distinctive building the delaware pavilion

46:24

again the earl stella wore the people who owned sex hill which is a little inland

46:31

farming community and in the 1880s they developed exhale on sea it's the last of the big

46:37

south coast resorts to be built it was just some fisherman's huts and a coast guard station

46:42

um but in the 1880s the buildings at the right at the back here were built

46:47

we've got a victorian and later some edwardian buildings and then in 1935 they opened the

46:52

delaware pavilion which has undergone a great renovation over the last 20 odd years

46:58

and so it's beautifully restored and it's the el you know it's the essence of a 1930s seaside building

47:04

um lovely open-air dance deck which is reopened about five years ago in the

47:10

1930s you could dance under the stars to a lovely band and so it has reopened a wonderful

47:16

spiral staircase inside and then carrying on eastwards from

47:22

there one of the most historic towns in sussex uh the only sussex town to be

47:27

um singapore is hastings now there's two bits to hastings there's the the western side which is the bit we

47:33

would have come to first coming in uh from that direction which is the victorian

47:39

resort where the pier is located the town hall the modern day shopping center and the

47:44

regency terraces and then you go around the headland uh a white rock and you come to old hastings and this is

47:52

still very much a fishing community it is in fact the largest

47:58

beach launch fishing fleet in the whole of europe it has declined over the years but it's

48:03

still the biggest beach launch fleet many of you will have seen

48:08

old hastings even if you've never visited because i'm sure you've all seen episodes of foils war which is endlessly

48:14

repeated uh much to our pleasure and that was largely filmed in um old

48:21

hastings um it's required this watching in our house uh my wife grew up in hastings her

48:27

parents had a guest house there and she was at school there so we try and we we look at that whenever we can

48:32

but that's very much a working beach it's always great fun to see them um bringing the boats ashore

48:39

because they they hover offshore until the tide is right and then they run them at full speed in

48:46

and up the beach and then they attach a cable to them and they're winched up the last bit of the beach and when they launch them

48:52

you can see a tractor on the left-hand side there they literally just push them back down into the sea

48:58

um so it's a very great spectacle to watch it you'll notice that where the cables run across the beach

49:04

you've got vegetation growing now most of the sussex species because they are heavily um

49:09

in part of the tourist economy vegetation gets trampled out it doesn't get a chance

49:16

does on the top of shoreham beach and bits of the brighton beaches away to the east near our bright marina which don't get

49:22

visited as much you get wildlife but at hastings here it's a heavily used beach

49:28

but not where the boat cables run so where the boat cables are you get some lovely seashore plants

49:34

growing up from many nature reserves running out at right angles to the wave front

49:39

in the foreground you can see the black huts which are called net shops and they're for storing

49:45

nets um i've often heard them described completely incorrectly as net dryers wet nets are very big

49:54

and incredibly heavy and if you tried to dry a net in these you pull the roof in so there are great big linen

50:00

lockers there's about four floors inside there and you fold your nets up and they're lifted into them and they're put in

50:06

there as you would you're airing cupboard at home they're very distinctive they are thought to originate

50:13

from damaged boats being pulled up on end so you cut off the damaged part of the boat

50:18

and put it on end and you know boats all are generally waterproof aren't they

50:23

they're black tarred sturdily built they make very good storage units

50:28

and they've evolved over the time course of time into these very tall black tired huts

50:35

it's also the rental of bits of beach was quite high in the past so a tall narrow hut doesn't take up as

50:42

much room as a long hut so you build them tall to cut down on your rental

50:49

now i was obvious from this picture that i'm up high taking the view i'm up a set of steps

50:55

called the lovely called the tamarisk steps and it takes you up onto the edge of the hastings cliffs

51:01

and they run away uh to the eastwood now these aren't chalk cliffs as they

51:07

are near to brighton they are sandstones and clays this is an area inland called the high wheeled you may

51:14

know ashdown forest and some leonard's forest be wild upland areas and this is where

51:20

it meets the coastline so you've got layers of clay and sand and it's a very rugged

51:25

very dramatic coastline very dangerous constantly collapsing because the sea

51:30

undermines the clay and causes the sandstone to collapse so you get views like this um at one time

51:38

that would have all been well wooded as you can see on the right hand side but there's been a recent land slip and

51:45

a whole series section of cliff has slid away it doesn't tumble down like an avalanche it just slides away and it slides away

51:52

with all its trees so those the trees which should be in that picture are further down the slope

51:58

growing at a drunken angle um and then it will stabilize and then there will be another cliff

52:03

fall um somewhere else along this piece of coastline there is no coast road

52:08

there's no promenade there are no settlements it's just too unstable so the coast road runs away a

52:14

long way inland and you're left with this lovely wild stretch the fairlight cliffs

52:20

part of hastings country park again this is a very good reason why

52:25

however much the temptation is health and safety warning coming up here do not stand on the edge of a cliff

52:32

the reason it's a cliff is most of it has disappeared so we always resist the temptation to go

52:37

to a cliff edge you can never say that too often and similarly don't be at the bottom

52:43

when all that slides down because no one will give you a warning bell

52:48

now the next community if you carry on eastwood is a great favorite of mine little town

52:54

of rye r-y-e and rye is anglo-saxon meaning the island and it's just an island

53:01

rising out of the surrounding marshes i am a trustee of rye museum it's a job

53:07

unpaid job i've had the last 15 years so it's great pleasure to go to rye some of you will know it

53:14

through reading or seeing on tv uh the novels by ef benson map and lucia

53:19

which was set in rye filmed on tv on many occasions it's a marvelous little town it's very

53:26

artistic so the whole town is full of poets and writers and dramatists and artists and musicians

53:33

um it's a very um if you like um swanky educated town i always feel if

53:40

i'm walking around right i should have a silk cravat on and suede shoes you know you would feel

53:45

underdressed if you weren't dressed as a proper loose gentleman it still has that effect

53:51

there is another part of rye about two miles to the south called right harbour and that is if you like is the

53:57

blue collar end of right it has working key sides and has always

54:03

been a much more vigorous industrial community it's got working fishing fleet this is

54:10

the mouth of the eastern rother and we're here on something called the boulder

54:15

key and lovely set of uh fishing accoutrements there and it's called the boulder key uh

54:21

because of these gentlemen and from the 1720s onwards

54:27

gentlemen like this very very tough men would go out on small boats into rye bay

54:34

at low tide and they would collect blue stones if you go on to the beaches of southern britain

54:39

they are flint shingle and they're either blue or brown they're all silica the brown ones have

54:45

been contaminated with iron they have no use whatsoever the blue stones are uncontaminated flints

54:51

and they were collected by people like this with a yoke and ropes or chains and very

54:59

strength and these are called trunks we make them in sussex you can still buy them they're very expensive especially

55:05

strengthened trucks and you collected the blue stones and these went away on ships up to the

55:10

river mersey they're unloaded at run corn they're sent down the canals to stoke on trent

55:16

they roast them grind them up and they're the raw materials for flint glaze

55:21

for the potteries and it depended on people like this collecting rocks on the beach

55:27

it sounds like something from dickens collecting rocks on a beach with a yolk and baskets the last truck

55:35

bearer retired in 1955 so well within my lifetime um and if you go to normandy you go to

55:41

the beaches near diep they still collect blue stones there in a very similar way they have donkeys

55:47

with panniers on them where they collect them so you've got this very old tradition which just goes in my lifetime

55:55

i always feel that these gentlemen or if you were standing next to them in a pub they're not someone you jog their

56:01

drinking arm because you know someone like myself talks to people people like this to pick up rocks

56:06

on a beach so you give them a wide berth i think

56:12

now we saw bits of geology map earlier on there's a more detailed jolly chat there is right you can see why it's

56:18

called the island it just sits as an island this is windshield c which is the this y e or

56:25

e y or e a ending is anglo-saxon for ireland we say

56:31

ireland we write island i-s-l-a-n-d but we don't say islam we say island and e-y y-e is

56:39

meaning the island not like the isle of wight or the isle of angels see it's meaning the dry spot in the

56:45

marshlands so if you think of london where you've got burmanzee and chelsea and battersea and

56:50

stepney and hackney these are all dry spots in a wet landscape and so his winch will see his rye

56:58

and his rye harbour and all this brown are the shingle beds which run out into uh rye bay the cream

57:06

is alluvium it's all the very rich river silts and mugs that have been brought down and the brown is the is the

57:13

the stony beaches and this would all be collected across the river is this area of

57:20

camber sands which is the biggest area of sand dunes along the south coast and to get way

57:26

down to devon and it's a huge area of sand very very spectacular um

57:34

as featured in various films if the if the filmmaker can't afford to go to the sahara desert

57:39

they go to camber sands and get sunny day very attractive place very very windy

57:44

there which is one of the reasons you've got sand dunes a little colony we're getting right towards the end of our journey

57:51

and here we've got a colony of canberra which was a plotland rectangular plots

57:58

of land sandy tracks unmade up roads little bungalows and what would have been shacks and shanties

58:04

now rather favored area and all along the beach uh we've got the

58:10

upturned boat here being used as a garden shed and my wife always thinks this is a maritime equivalent of our garage

58:17

things that are going to come in handy one day but this is all stuff scavenged from the shoreline

58:22

um and then beyond there you're at a place called broom hill and we're almost at the end of our

58:28

journey and this is a remote spot we're on the edge of dungeness of romney marshes and these are the

58:34

coast guard settlements um at broome hill and this would have been a god forsaken spot

58:41

we are very near the french coast it's only uh 30 odd miles to the french coast prime smuggling spot

58:47

through the 18th and into the 19th century um 200 armed smugglers coming ashore

58:53

and you were expected to stop them as coast guard preventive officers uh pitch battles down there sometimes

59:00

but this would have been a beleaguered spot he was surrounded with 200 armed smugglers

59:06

and then we got to the end of our journey because we started out over on that beach at thorny island looking across into

59:13

hampshire we're right at the far eastern end of sussex and that spit of sand is kent so we've just come to

59:21

the end of our journey and people always think of the sussex coast as being a bit like brighton

59:26

seafront on august bank holiday monday packed full of people lots of noise this was

59:32

a sunday afternoon at about three o'clock in the middle of august and i'm the only

59:39

person on the beach okay so you can find these quiet spots you and about a thousand seagulls so that's

59:46

the end of our journey so i'm going to stop sharing now and hand it back to the uh

59:52

the dedicated hands there are fiona who's much better with technology than me

59:57

thank you very much definitely that was that was fantastic and we have run on

1:00:02

slightly but i think it was very very well worth it so thank you jeffrey we do have a few questions that have

1:00:08

come in so we'll just quickly get through those just now now um one question from norman newton you

1:00:16

you showed us a photo of new haven harbour um norman was wondering what the date of the photo was

1:00:22

it's an undated postcard that someone gave me i think it's the late 1940s just

1:00:28

looking at the cars and the lorries there um which was well it's one of its high points sadly it no longer looks like

1:00:34

that it's been a very run-down commute one of the poorest communities on the sussex coast

1:00:39

these days sadly so uh as such it so far it gets lots of government money thrown

1:00:44

at it so it's kind of golden into the uh to that dark cloud but so i think if you

1:00:51

said late 1940s be about right for that image okay great well hopefully norman that answers your

1:00:56

question um and another question from pablo is a very important one actually um he's saying there seems to be an

1:01:03

acceleration in coastal erosion along the sussex coastline in recent years are there any practical solutions to

1:01:09

counteract this or do we just need to live with it you need to live with it coastal

1:01:16

defenses are horrendously expensive and the only people in favor of them are people who sell you marine gravel

1:01:23

and concrete blocks they don't last very long they take an incredible pounding the move these days is to what is called

1:01:30

soft engineering so in the past we would put up a sea wall to stop the sea and you know you get

1:01:37

these wonderful pictures of the waves crashing against them and flying up they don't last very long what

1:01:42

we try and do these days is to work with nature so you put lines of one example

1:01:47

it's about what are called wounds bund a rock boomed out into at right angles to the beach

1:01:54

of loose aggregation of big rocks like stuff called lavikai from

1:02:00

norway and the shingle piles up around them and the beach builds up of its own accord

1:02:07

or you put things offshore uh they were called called gabions they're like big supermarket baskets

1:02:13

full of rocks and you drop them offshore so that shingle can build up around those and it lessens the wave energy

1:02:21

that actually hits the shore so you're working with nature or you just give up the land

1:02:27

what they've done on the essex coast and in west sussex is to break open the sea wall

1:02:33

and let the sea have back what we took away from it and recreate the salt marsh and salt marshes

1:02:38

are what god put there to soak up wave energy we try and stop

1:02:43

wave energy but if you support it there's various things you can do

1:02:48

the southeast of england is relentlessly geologically sinking now this is not because everyone's moved

1:02:54

from everywhere else to the southeast of england which is what you read about in the daily mail it's it's because we are relentlessly

1:03:01

geologically thinking sea levels are relentlessly rising because of global warming

1:03:07

um and because of global warming also well not my topic i do have to say but we are

1:03:13

getting more storm events so we're getting hot stronger winds rougher seas higher tides and you add

1:03:21

that to what is a relatively soft coastline you're going to get coastal erosion so that's uh

1:03:28

that's an answer great thank you um one more question and then i think we might have to start wrapping up

1:03:34

and this is a question from jane fitcher and this is hopefully something you know and being from brighton she's asking if

1:03:40

the fish still come from the local seas in brighton yes they do they no longer

1:03:45

fish from brighton beach but if you go uh about a mile and a half eastwards you come to a big

1:03:50

yachty marina brighton marina that's where the brighton fishing fleet is based if you go back along to shoreham harbour

1:03:57

to the hove end of shurham harbor which is called aldrington basin the other half of the fishing fleet are

1:04:02

down there so we the fish is still caught in the channel off of brighton it's just not landed on brighton beach

1:04:08

but there's two very nice wet fish shops down there the fish smokery and very shellfish stalks so it's all

1:04:15

local produce great i've got one more question and then we're going to wrap up

1:04:20

this is from joe eden she's saying on the map at the ruins of alderington church was a

1:04:26

place called copperas did they pick up coppers there

1:04:31

for use in industry like they did here on sheppy at minster and warden bay

1:04:37

yes exactly so oh that's great you started me off now copperass is a miner called ferrous by

1:04:44

sulfate and it outcrops in the london clay and london clay outcrops on the suffolk coast the essex

1:04:51

coast north kent bits of the west sussex coast and paul harbour in dorset

1:04:56

and at low tide fishermen often storm-bound fishermen will go out on the mud flats collect

1:05:02

copperas which is very it's much heavier than you think it's going to be

1:05:07

they're kind of flat knobbly sheets of rock and it was sent away to favisham in kent

1:05:12

where they dissolved it in sea water boiled it up and the residue was used in the chemical

1:05:18

industry and it's what they mix it used to mix it with ink it made ink stick to parchment and vellum

1:05:24

and later paper it was used to dye wool and dye leather it's a very primitive form of chemical

1:05:30

industry but it relied on people scavenging the shoreline at low tide and

1:05:35

that you get copper s points copper ass bays all over the place nothing to do with copper nothing to do with gas

1:05:42

it's copperous and it always got sadly copperous gap is no longer called

1:05:49

that in the 19th century you they built the canal no tide you couldn't collect copper s so

1:05:56

the name dropped out of use and as late as 1974 the southern end of port slade was

1:06:02

called copperas ward but nobody knew what it meant apart from myself or another local historian

1:06:08

so it was henry chris and ports laid south uh which is geographically correct but

1:06:13

you know literally copperas gap just wreaks of pirate films copperous gap

1:06:19

haha yeah ports laid south another same ring too

Lecture

Cooking and eating healthily

Live from her kitchen, nutritionist Lamorna Hollingsworth will talk us through how to cook healthy, nutritional meals while cooking a warming Sausage and Lentil Hotpot! 

From the importance of fibre within our diet to the value of eating seasonal vegetables, she will offer top tips on easy ways to increase your intake of vegetables and advice on vegetarian and vegan alternatives. 

Video transcript

0:00

is um ready in front of me now if you're looking along don't worry you're quite not quite as organized um

0:07

because i just need to make sure i'm organized so that i can give you some great information today and

0:13

hopefully answer some of your questions at the same time so we are going to be multitasking no end today

0:19

um i'm not sure if it's all gonna go to plan who knows let's give it a go so um for those of you who are kicking

0:26

along um i will be pausing at various points throughout and as i said to take some

0:32

questions um and if you feel like you're a little bit behind at any point that would be your chance to catch

0:40

up tomorrow

0:46

i don't know if you want to bring the laptop that's in front of you slightly closer because your sound's going in and out very slightly

0:53

oh okay let me uh give that a go sorry folks for the interruption

1:07

[Laughter] can you still see me yes

1:14

all right i'll just try and speak up as well okay off you go okay

1:23

um so well let's let's let's get cracking shall we um so first of all we are going to be

1:30

cooking um putting our lentils on i'm going to talk you through the ingredients in a moment um but for those of you who

1:37

are kicking along let's get these lentils on so you want to take your saucepan

1:44

put your pop on and we're going to put in about a liter of

1:50

water and don't worry if it's slightly under or over um and we're going to put the bay leaves

1:58

and our cumin and our lentils so we've got some lovely

2:05

green lentils here they are great for fiber battery fibre i've rinsed mine already

2:25

okay so for those of you who are watching

2:30

along and you're not cooking um do you guys eat lentils very often

2:37

a lentil is something that you enjoy from time to time or they something that you uh you tend to avoid i know um

2:45

for some people it can be um worrying cooking think these kind of things if you are not familiar with them you

2:52

can get tinned lentils which are great um as well um if you don't want to cook

2:57

them from dried all right so i'm just gonna freestyle it

3:03

on my cumin there there you go and it's about a teaspoon

3:11

of comments a few comments and and la mourinho just people saying yes

3:16

lovely uh yeah i love lentils you've got you've got green lentils that we're using today

3:22

we've got um split uh the orange lentils and the split lentils if you like indian

3:29

food and today it's great to make from those

3:34

all right so what have i forgotten i've put in my and you guys who are watching who aren't looking along if i say i'm putting something in

3:39

and i haven't you guys can watch out and remind me because i've forgotten to put my babies in

3:45

now some of you may be lucky enough to have bay leaves in your garden but these are just dried

3:52

okay so what have i forgotten so far i've got my cumin i've got my bay leaves i've got my lentils

4:00

amazing and you know what i'm going to put my um nice chicken stock in here as well so

4:06

i've just got one of these little couches they're great if you don't have the time to make your own

4:12

chicken stock which i'm sure some of you do all right let's give that a stir and we're just going to let that come to

4:18

the boil and whilst that is uh thinking about

4:26

boiling we're going to get our sausages on so the reason i chose this dish today

4:31

is because it's a great sort of this in-between weather isn't it at the moment we've got

4:37

sunshine in one day and then we've got ice and snow at the next

4:43

and um it's uh it's a lovely dish we've got some great fresh green vegetables going on

4:50

spring greens obviously named after the spring and we've also got um leeks and carrots but then we've got

4:58

that heartiness of the lentils which is really going to pull it all together so um now depending on how non-stick

5:04

your saucepan your frying pan is um you may need a little bit of oil

5:10

i'm just going to put in a bit here not too much and i'm using olive oil

5:18

i'm going to pop mice just let that come up to heat for a second and then pop my sausages on

5:31

all right so one of the things i thought would be interesting to talk to you today is about the

5:37

importance of fiber now does anybody know how how many grams of fiber we're meant to

5:43

be eating a day does anybody know see if you uh drop

5:49

your ideas in the comments i'm going to ask you a few moments once i talk to you about the importance of fiber now

5:57

it's not exactly the most exciting subject perhaps um maybe some of you more familiar with the

6:03

the value of fiber um but one of the reasons that it's really important to ensure that we have a good amount of fiber in our diet

6:11

is because it feeds the gut microbes in our gut microbiome it gives orga also it

6:19

our gut and muscles more to work with as it's digesting our food to help keep us regular and it also

6:27

helps to provide food volume so it means that we're eating we can eat larger portions that's why if you bulk

6:34

out a meal with lots and lots of different vegetables and you're going to get lots of different types of fiber the gut

6:39

microbiome freaking does thrive on plant lots of plant diversity and we should be aiming

6:44

to eat 30 different types of plant-based foods every single week so that's another

6:51

little um game that you can play as you can kind of count up how many different plant-based foods and you include nuts

6:58

and seeds and living within that number that you're eating a

7:08

[Music]

7:14

week sugar spikes and lower cholesterol levels

7:19

if you don't have any ibs or gut symptoms that's you then don't listen to this next bit daily from

7:25

a general perspective we want to be aiming for two pieces of fruit five portions of veg

7:31

three portions of whole grains and one to two will be from seeds or nuts or legumes so did we get any ideas for

7:38

numbers how many grams of fiber we should be eating a day

7:47

oh you're on me fiona sorry about that and lots of people

7:53

saying 30 grams uh people saying 50 and then we've got

7:59

150 so quite a quite a wide range there

8:05

yeah okay brilliant so the 30 grams is about right but only 10 of people are

8:12

hitting at 30 grams so it's probably the case but most of you guys who are watching this today aren't quite hitting that number

8:18

this meal is packed full of fiber so it is a great one if you are watching along and you feel confident that it's simple

8:24

enough for you to have a go at home perhaps and then have it have a go right so i think the heat

8:30

is uh i'm gonna end up with burnt sausages i think at this rate

8:35

well hopefully don't get too much of a sizzle right okay so my sausages are

8:46

and if anybody's got any questions as we go if you've got any questions yet fiona are we okay um not any direct questions just yet but

8:54

i shall keep an eye out for them i think we're all right for now good

9:00

okay so i'm gonna start chopping

9:11

is this usually the case that fiona that gets to unlike herself

9:18

all right now i'm watching how i chop an onion lamarna i was just going to say you're sorry still going in and out a little

9:25

bit um your connection doesn't seem to be that great i don't know if there's

9:30

anything that we can look at there

9:36

um i'm not sure that there is i'm afraid no okay let's let's let's keep going and

9:43

see how we get on i'm just conscious that the the connection seems to be a little bit wobbly occasionally

9:48

yeah okay well we'll we'll power through so this is how i cut up an onion to make

9:54

sure that i don't end up with bits of onion everywhere

10:01

and one question here la mourinho where somebody was asking about are there any particular things to avoid

10:08

um obviously you're talking about fibre um you know there was a question around that you know whether there's any

10:14

particular things you should avoid you know

10:19

oh no not really i mean fiber we're going to get a majority of our fiber from uh from

10:26

fruits and vegetables and whole grains so um unless you do have uh some kind of

10:33

dietary intolerance if you have any medical conditions which

10:38

are affected by diets um then you do would need to speak to your doctor or your specialist or your

10:44

gp with regards to adjusting your diet um with regards to the fiber side of things

10:50

and as i said before if you've got any um like ibs or ibd um

10:56

bowel syndrome and then you would need to speak to uh your specialist with regards to the best type of fiber

11:02

for your type of condition but no not apart from that

11:07

okay okay so i'm peeling my onion very slowly

11:16

there we go all right and here is my top tip of peeling onions

11:22

but chopping onions we're going to take my onion and i'm left-handed so don't get confused

11:27

i've got the tail end and i'm going to hold on to the tail end i'm going to cut down vertically

11:34

try not to cut my finger off [Music]

11:40

and then i'm going to cut the other way

11:46

there we go and then because you leave the tail on it pulls it all together

11:52

simple so we don't have to chop this particularly finely if you are cooking along

12:00

so my lentils are bubbling away there i'm just going to finish chopping this

12:06

onion and then check my sausages

12:22

all right they're looking good

12:31

so we are we don't need to worry about kind of making sure these are completely

12:37

i mean these will end up going in the hot pot um what we're doing here is just getting some nice color on

12:43

we're sealing them and nice and easy you can choose your

12:49

favorite sausages i've just chosen a pretty simple sausage here for the demo um

12:55

any kind of sausages we'll see all right

13:02

did i jump in with a quick question la morena little question here um a question do

13:10

all the ingredients go into the pot except for the sausages which go in the pan

13:17

can you just repeat that please there's a question from one of our participants do all the ingredients go into the

13:23

saucepan except the sausages uh well yes we will put everything in the

13:29

saucepan by the end of it [Music] but for now but for now we've just got

13:35

lentils we've got bay we've got cumin and

13:41

the stock in the with the lentils and then we've just got the sausages

13:48

all right i'm going to attempt to do my garlic now some of you might have a lovely garlic press and i do have one of those i'm not

13:55

going to use it today though uh now i always find garlic really tricky to peel

14:01

and there's all sorts of crazy things out there which tell you you have a little clever ways of cooking

14:07

of chopping and peeling your garlic i've even heard of one have you heard of this one

14:13

you put it in a jar and you shake it and after about 20 minutes the peel comes off now that

14:19

i don't have 20 minutes so i'm going to do it the simple way i'm going to use the back of my knife

14:25

carefully you don't cut yourself obviously squash the garlic through and then because the garlic plate is squashed

14:31

the skin comes right off yeah jump in again

14:38

and it's just a quick message for everybody that lamorna does have a another camera that's looking down onto

14:45

what she's doing so if you're in speaker mode if you scroll along the gallery of cameras you

14:50

should be able to find that um along the top of your screen um and a couple of other quick questions

14:57

lamar enough well um well i'm there and somebody was asking about

15:02

what amount of lentils would you use and um is it garlic as well as onions which i

15:07

think the answer to that is yes yeah so we've got i've got about 200

15:13

grams here of green lentils um and this has four this is a great

15:19

recipe actually that you could use to um to make a head

15:25

have one meal and then maybe um have the leftovers later on in the week or you could freeze

15:32

it um so when you just feel like not cooking

15:37

then you've got a dinner you can kind of reheat really easily

15:47

all right so i've really roughly chopped my garlic here i know jamie oliver

15:53

and i've used i've used two and a half the recipe says to use two i really like garlic um so we've got

16:00

two here um i now need to chop up my leek which i've already

16:21

maybe um should keep your mind you need to check my suspicions as well that's right okay sorry uh

16:32

the morning watch the sausages all right let's talk about leeks i use

16:39

pretty much the whole of the leaf once i've washed it which i cut i cut down the um

16:49

i wash between all of the layers pretty much um i know there are sort of i know but

16:57

you can eat all of it and i love leeks so i've just cut this enough to make a little bit easier to

17:03

shop well mourinho your your bandwidth is low

17:09

again i'm just wondering whether there's anyone else in the the house that's using your internet connection just now

17:15

let's maybe

17:20

[Music] no i've got one on their normal internet the second camera is actually on

17:27

in on like a 4g connection so i was worried about that so

17:37

unfortunately sorry everybody about connection issues yes it's just one of the hazards of uh

17:44

operating line i'm afraid so let's persevere we'll we'll keep going all right

17:52

right the sausages are coming on nicely i'm just gonna finish chopping the rest of my

17:58

what else do i need to chop right we've got carrots and the leek

18:09

any more questions fiona um no direct questions although there was

18:15

one where one of our participants was talking about the lentil water having gone brown but i think that's probably quite normal

18:23

um when cooking lentils it has actually yeah and looking at mine

18:30

that has gone um colored as well but that's absolutely fine now i'm going to pop in a bit more

18:36

liquid into my lentils so i can see it's absorbed quite a lot already um so you might need to do this have a

18:42

look

18:49

there we go

19:02

um did you do the poll at the beginning actually i didn't i completely forgot

19:08

about that sorry folks that means i can ask

19:13

now so we've got today if we count up the different number of vegetables we've got here

19:21

in this one dish we have got parsley garlic kale

19:28

onion carrots leek lentils i'm not going to count the fae

19:35

but we've got seven already my question to you is how many portions of vegetables

19:43

do you eat every day

19:48

i'm just going to launch a little poll here so you can put your answers in people

19:54

yeah so hold your horses

20:02

you know what i'm making a dreadful mess here on the floor i'm so glad you can't see that camera can you see that am i by my feet

20:08

actually

20:13

last time i did the clip along i wore fluffy slippers i didn't realize that everybody could see

20:23

all right

20:39

okay so i am just going to i think everybody will have participated in the

20:44

poll now i think so i shall end that and i'll share the results on the screen

20:51

brilliant so there we go can you see that lamourna

20:57

okay um

21:03

oh 41 3 to 4. brilliant and 12 of you

21:11

gosh over seven well done everybody so i'm just chopping

21:16

up my carrot if you are cooking along feel free to crack on with your carrots

21:30

sorry a little more now we're just going to jump in with a question there um somebody's asking how many how how many

21:36

sausages and what type of sausages are you using i'm using just a plain pork sausage i'm

21:42

using um it's like a chipotle um because i just wanted to make sure for

21:48

the purposes of today that um we could get them all looking cooked and delicious

21:56

i think a really nice uh like a lincolnshire cumberland italian smile sausage would

22:03

work really well with this um we're gonna have so much flavor from the lentils you could also

22:12

put a sort of more of a spanish twist on this and you could replace if you're confident cooking with spanish chorizo

22:18

sausage instead of the cumin in the lentils you could use a smoked paprika and with the chicken

22:25

stock and the bay and you could use chorizo um or you could replace the lentils for

22:33

butter beans or another kind of white bean um instead as well there's lots of

22:38

different sort of variations of this recipe um but we uh we're sort of getting

22:45

some more traditional at the moment i also just want to make a point with

22:51

regards to my carrots i've not peeled them i've just given them a really good wash

22:59

and you're going to get lots of fiber from the um

23:05

the peel um and i really don't like food waste if i can help it

23:11

one of my top tips actually for potato peelings because while i do often keep the peel

23:18

on my potatoes sometimes i like to um i like to peel my potatoes

23:24

from my raised potatoes i don't like roasted potatoes with heel on but what i do

23:29

is i make the peel as long as i can and then i put the potato peeling on a tray

23:36

put them with a little bit of oil salt and pepper put them in the oven and you roast them keep an eye on them

23:42

and then they turn out into these like beautiful little potato peeling crisps they're so delicious if you've not tried

23:48

that and then they're a great little starter um or a little snack with a drink

23:55

did you probably understand that a new tip for everybody

24:04

well we've had one comment from sylvia mae who says yes thanks for the reminder about the potato fillings i haven't done

24:10

it for years so there you go wonderful wonderful so my sausages are pretty

24:16

happy there i'm going to take them out now and

24:22

put them to one side

24:29

you can use a slotted spoon for this or just using tongs

24:42

and you might have found your sausages cooked a little bit quicker i'm using this sort of remote poll so it's a little bit

24:49

slower than um normal um hops

24:57

it's a bit quieter now brilliant so we're going to put in our what are we putting in we're putting in our onion our garlic

25:04

leek and our carrots so that's going to go in my pan

25:12

here

25:19

quite hard cooking when you know everybody's watching try not to be a messy chef right that's

25:25

what's going on

25:33

and my onion as well

25:42

okay so i'm just going to give that a bit of a stir and i'm going to need the same one as my

25:47

lentils that's fine and this is just going to cook soften all these vegetables my

25:53

lentils are still simmering away nicely and what i wanted to do now is talk to

25:59

you um about and give you my top tips for

26:04

increasing vegetables into your diet and because i can see apart from the 12

26:11

of you who are eating uh seven portions of vegetables a day um

26:18

most of you hopefully will find some value from these tips so here we go i've got my six top tips

26:25

feel free to take notes number one start with breakfast it might sound a little bit strange to

26:31

have vegetables for breakfast but you could have mushrooms you could have

26:36

um you know maybe with some scrambled eggs or mushrooms on toast you could have add spinach and or

26:43

tomatoes to eggs you could do some kind of baked eggs um any kind of egg based breakfast tends to

26:49

go well with um your um you know adding vegetables um

26:56

some people you do hear about people putting spinach into smoothies and which you know obviously you can do

27:02

and if you're into that kind of thing but you know even just some fresh you know fresh tomatoes um on the side of

27:08

whatever it is you're eating could be nice my top tip number two use vegetables as

27:14

snacks um you can make your own hummus but vegetables sticks go really well

27:20

with um hummus and you can get in the supermarkets those little sort of mini pots of hummus

27:26

which are a great snack size um just chopping up some carrots cucumber sticks peppers and having those

27:35

in the fridge handy um so that when you are going into the fridge thinking hmm

27:40

watching my grandpa snack you've got those ready top tip number three is take your

27:48

existing favorite dishes and add vegetables to them um and you can use frozen vegetables i'm

27:54

not sure how everybody feels about frozen veg feel free to drop something uh you know a comment down do you like

28:00

frozen veg do you try and avoid it um sometimes actually frozen veg ends up

28:06

with more nutrition in it than the fresh vegetables because the

28:11

way this process is produced it's picked um it's frozen very very quickly so it does keep a lot of the

28:17

nutrition in the way that you can add these vegetables to your favorite dishes if

28:23

you put for example take a something that's pretty traditional that we probably have we all have from time to time like a

28:29

bolognese um you might just have sort of your meat and your onions in there but you could

28:34

also add some grated carrots you could add green lentils you could add um

28:39

frozen peas you could have mushrooms you could add courgette you really can sort of start adding lots and lots of vegetables

28:46

to the dish without actually changing too much of the taste okay top tip number four and cooking

28:52

vegetables have to have on the side of your favorite dishes and so you have your favorite dish and

28:58

then you can steam those veggies steaming does keep the nutrition within

29:03

the vegetable and if you boil your vegetables and you will a lot of the goodness will

29:09

end up leaching into the water and so if you are able to uh use a steamer

29:15

i use a petal steamer which is really small sits in the bottom of my saucepan

29:23

all right where are we number two top tip number five plan ahead you can't eat more vegetables if you

29:28

don't have them in your kitchen um even if it is just having a look once a week what have you got in

29:33

what are you missing and what are you planning on having um you know for the week ahead um that

29:39

can really help increase the vegetable intake and

29:46

if we're planning ahead to a week seems to daunting you can just plan maybe three days in advance and my last top tip is eat the

29:53

rainbow who does this already different colored vegetables do you give us different types of uh

30:00

vitamins and minerals and compounds and so you'll get different nutritional profile for example from like beetroot

30:06

than you would to something like kale so those are my top six tips for eating

30:11

more vegetables so hopefully you've got one or two there that you can take away and apply

30:17

and next time we uh we do a cook along you'll all be telling me that you're eating over five portions of vegetables

30:28

all right let's go back to the cooking because otherwise i'll get completely distracted

30:36

all right so if you're cooking along we've got everything that other vegetables cooking away in the pan

30:46

our sausages are sat on the side ready

30:59

everything is looking good okay any questions diana um well we've got a few

31:05

comments about the frozen veg that you were talking about lots of people do make our making use of

31:10

of frozen i do that myself actually um and comments around and people using

31:17

their veg water and soups seems like a very good idea or even

31:24

drinking it um yeah so frozen veg great for a quick

31:30

soup frozen casserole veg people seem to like that

31:36

so i'm gonna get some ideas from you all i think

31:50

all right so if you are cooking along um this is a great opportunity to get your veg ready now in the recipe

31:56

you've got the option here of using um kale and any kind of kale i've got just some

32:03

plain normal standard green curry kale here and i've got some spring greens and i

32:09

love both of these so i'm going to use half of each i've got 100 grams here of

32:14

kale and the bowl looks really full because it's it's so um it's already chopped up and it's so

32:20

curly i've also got 100 grams of spring greens

32:25

now they look like it looks like quite a lot but as this cooks down it will um it will reduce

32:35

and again just with regards to chopping your and getting your veg ready um it may be that you've always ended up

32:42

cutting out all of the stems and for the like the really big sections of stems and yes feel free to

32:48

do that but again in the spirit of reducing wastage and you can just chop them up really small

32:55

or smaller than the main leaf and then you can cook them just to sleep with normally um and please don't throw away

33:03

your broccoli stems um they are so delicious you can use them

33:08

in stir fries if you don't want to have them as part of the main meal that you're eating and broccoli stems are really

33:15

really great so um i know sort of we all uh we all eat the tree don't we

33:21

nobody wants to eat the tree trunk um but yes broccoli stems are really delicious

33:27

um you know obviously trim off any unsavory looking sections

33:35

it's good not to uh you know to really minimize the wastage if we can

33:41

if anyone's got any more tips for sort of potato peelings or any other food wastage tips

33:46

i'd love to hear them

33:52

so the way that i've chopped up this leaf i've sort of just halfway nearly got all the way through now um it's just into fine ribbons

34:00

and that means in any sections of store um i don't know if you can see down the knife they're just so small they will

34:05

just end up um you know you won't even notice them as part of the whole dish

34:18

right so my veggies looking great here it's looking nice and softened there's some

34:24

amazing smells coming out we've got the garlic we've got the leek

34:30

um a great opportunity here as well to check and see how your lentils are doing do they look

34:36

like they need a little bit more liquid feel free to add in a bit extra

34:43

okay so all we need to do now just checking

34:56

okay so i'm gonna pop my greens in to the pan

35:09

i am going to add in a little bit of extra liquid as well here and i'm going to put a lid on just to

35:15

make sure that they they'll actually end up more sort of steaming within there

35:31

i want that one

35:55

okay so the last um talking points that i wanted to take you through today was um the value of eating

36:02

local seasonal vegetables i've got another question for you lots of questions today

36:08

does anybody already have a vegetable box maybe that they get from one of their local

36:13

suppliers perhaps a local farmer or a producer does anybody already do

36:19

that but as a small country with our climate we're only able to grow certain types of fruits and vegetables

36:26

and it is actually very difficult for us to become completely self-sufficient and it is really nice to be able to feel a

36:33

connection to where your food is coming from reduced food miles does mean a lower

36:38

carbon footprint which is something something that we are all getting more and more aware of

36:44

a nice thing that you can do is to look into where you can get these local seasonal vegetable boxes from

36:51

um you'll be supporting your local economy uh the local community and and if vegetable boxes aren't

36:58

available where you are um then as and when things get a little bit more back to normal um you might find that

37:06

going to your local markets or local farmers markets you can get some um

37:11

you know you can see what's local what's in the season and support and local producers that way

37:18

um as we talked about already frozen fruit and vegetables picked in season is a great choice and

37:26

the other nice thing about eating and buying and eating food that is in season is it it's often

37:32

tastier and it's at its optimum and it's also cheaper to buy so it might be that you

37:38

do at various times of the year see that oh cauliflower's uh you know 49p

37:44

and then other times you're like oh wow they're one pound 19. and you actually start to um recognize the difference in price

37:50

because they are either in or out of season um just with regards to the level of

37:56

nutrition um studies do show us that vegetables like broccoli and spinach

38:02

do contain different levels of vitamin c depending on the season that they're grown and they do produce more in their

38:08

natural season so just a few points there hopefully of interest to you um and fiona i'd love to go

38:15

over to you and to have a look at the comments and see what people are saying around yeah okay doc well we've got sort of a

38:22

few suggestions here kale crisps are amazing um

38:27

roasted cauliflower leaves um a few comments about people that do

38:33

that do get veg boxes um and what else do we have

38:43

some one of our participants does a fruit and veg curry which sounds very interesting

38:50

um and actually another suggestion here as

38:55

well frozen frozen grapes are lovely in the summer um [Music]

39:01

rather than in their normal natural state so yeah what else do we have

39:09

and what do we have

39:15

now a bit of a question actually um the the the quantity that you're at the

39:21

moment how many people would that serve

39:27

so this first four um there will actually be three of us eating this evening but

39:33

already hopefully you can see the amount this is quite a large saucepan it's half full because of that level of veg

39:40

that we've got in there and i haven't even added the other vegetable vegetables here so yeah it's written for sort of really

39:48

generous portions you've got a great amount here of protein because we've got protein not

39:54

only in the sausages which obviously you can switch out for veggie or vegan sausages

40:00

um but we've got protein from the lentils as well um in terms of our macronutrient profile

40:06

so there are three macronutrients proteins fats and carbohydrates um we've talked about

40:12

protein carbohydrates we are getting from the lentils and we're getting carbohydrates

40:17

from the vegetables as well and then some fats we're going to get an ele some of the fat from the sausages

40:22

and we did use a little bit of olive oil at the beginning as well now um there you know a little while ago

40:30

it was you know especially when it was if weight loss you know was a um on

40:36

people's minds it was go low fat go low fat now the body does need fat um to function well instead of 4

40:43

hormones and it's really important for transporting absolutable vitamins around the body lots and lots of other

40:48

reasons as well um but yeah we've got a great a great profile here in terms of our

40:54

macronutrients

41:05

okay so i'm gonna add my um how are we doing for time all right um we're not too bad we're

41:12

we're coming up towards ten to six so

41:17

okay all right so i'm just going to add my vegetables to the mixture

41:25

here

41:31

now at this point you can really decide if you want this more um more like a soup or a broth

41:40

um or you know do you want to eat it over in a bowl or do you want to eat it on a plate

41:45

now i want this to have a little bit more liquid so i'm just going to add a little bit more water

41:51

um and you can see how it was a steady one different brands of lentils are going to

41:56

absorb different amounts of water different amounts of time and so it's always good to be able to have a little

42:01

look and and check these things

42:14

that's looking better

42:21

all right so i'm just going to show you how i like to chop my herbs because

42:31

all right so i've got some lovely fresh flat leaf parsley here

42:37

and uh i really like parsley so i'm gonna take out a really generous

42:42

sponge and what i like to do now is roll it

42:49

and i'm again partly because i don't like food braces

42:54

but also because i'm lazy i'm not going to pick off all the leaves i'm sitting through the stalks and i do that for coriander as well

43:01

and again if you've got really thick stalks obviously feel free to kind of snap those off um but this is i've just been lazy here

43:07

i've just got this pack of herbs from the supermarket i've torn off a big old bunch

43:12

and i'm going to roll them um yeah so imagine you've got a you've got

43:17

a piece of paper and you're rolling it i don't know if you can see with the camera angles

43:24

and as i'm rolling forwards i'm just sort of pulling all these leaves into one bunch

43:33

all right so you may or may not be able to see hopefully you can now i've got one knife parsley is now in

43:41

the hands and i'm just then going to chop and it makes it so much easier i used to

43:47

be like this sort of chopping chopping topping for 10 minutes to try and get my herbs finely chopped

43:53

middle chopped and they'd always be big sections i've missed mind your fingers

44:02

i don't take responsible for any poor knife skills all right

44:09

and there we go so easy so there's my parsley

44:16

chopped i think this should all i can see yeah perfect

44:25

now i haven't tasted it yet so i'm going to grab a spoon

44:32

and this is the point where you can add a bit more seasoning if you need it then burn your hands how's

44:42

oh that's really good you always see chefs on tv don't you they make their face but

44:48

that's really nice but putting the chicken stock in with the lentils at the beginning make such difference and of course you

44:54

can use any kind of um stock that you would uh prefer you know normal vegetable stock is fine

45:00

that's really really nice i've got a nice amount of liquid and i don't think maybe it could use a crack of black

45:07

pepper

45:17

all right so that is pretty much ready now i'm just going to slice my sausages so that they look pretty but you can

45:23

just chuck your straight on

45:29

and i think we're ready to dish up now i've got a question for everybody

45:35

you can you can drop your your answer in the comments or i'm gonna if you want to call

45:40

having seen this being cooked now for those of you who aren't cooking along do you think this is something that you

45:47

would have a go at and i think that's something that we were going to do in the pool at the end

45:53

was it not so yeah yeah right at the end i can

46:00

think about it then yeah absolutely

46:06

delicious

46:13

all right so i'm going to dish this up now

46:27

now if you're doing this at home or this you do decide to do this recipe another time

46:32

um what you can do is you can put your sausages in with the the mixture and so it's it's all

46:39

ready to go you can reheat the sausages mine's still quite warm so i'm happy with that

46:44

and also my guests aren't gonna be eating this until a little bit later on

46:52

and it's so lovely actually this dish because you've got the bright green of the greens there you've got the orange of the carrots

46:59

you've got the dark green of the lentils

47:05

these little bright kind of nuggets of carrot lovely

47:21

i love dishes that you can just sort of cook you know very easily very simply very quickly as well

47:27

we've sort of taken our time with this one as well a bit of fresh parsley on the top we are

47:34

finished and i've made a right mess here hopefully you can't see i've put kale everywhere i don't know the more enough

47:42

you want to hold that up to the camera up above you for everybody to see yeah can you see that there

47:51

[Music] wonderful i can't tip it towards

47:58

you guys at the front because if i do it will go everywhere um but that is your lentil and a sausage

48:05

hot pot with kale or spring breeze whichever greens you you've chosen and actually you could

48:11

probably use you could use broccoli as well um in that or any kind of cabbage if you're not so keen on the idea

48:18

of kale well speaking lovely well thank you very much now i

48:25

don't know we've got a few minutes left before we start to wrap up so i don't know if anybody has any

48:30

other um questions that they they want to ask lamorna before we wrap things up

48:35

and one one question that i do have which because i've been busy scrolling up and down all the comments i'm not quite sure

48:42

if we covered but um what you could use um as a substitute for the sausages you know for

48:48

vegetarian and vegan um diets yeah great question so um with the

48:55

sausages you can get vegan sausages or um corn

49:00

vegetarians and this will probably actually also work quite well with tofu because we are if you was if you

49:08

were to um uh instead of cooking the beginning when you put the sausages separately

49:14

if you put the tofu in um with the vegetables in with the lentils

49:19

and so that it absorbs some of the cooking stock from the lentils and the vegetable stock that you've already put

49:25

in there and that could probably be a nice option as well or you could dry fry the tofu and then

49:32

add it towards the end and that would help up the protein element as well but to be honest actually this is such a

49:38

um a flavoursome dish you can probably just miss out the sausages completely

49:44

you're going to get protein from the lentils anyway so be nice balanced dish and either way great um another question here would red

49:52

lentils be as good as green for this dish i would say that green

49:57

would probably be preferable preferable and over over red but if you if you try

50:05

it let me know okay can i just say to everybody because

50:11

i had a question about the recipe and i will make sure that the um the um the recipe is available alongside

50:18

the recording of the lecture on the members website so that you can go in and and download it and retrospectively

50:24

so that you can have a go at the recipe later on um here's a question could you use

50:31

jackfruit instead of sausages yes now jackfruit we don't tend to get

50:38

fresh very much in this country if you ever have time for a jackfruit it is oh it's delicious you've got these kind

50:44

of segments that are sort of very unusual more unusual texture i like to think of it as being almost

50:50

sort of peachy pineapple taste but you can get over here more often you can get

50:55

the um tin to jackfruit which are a great substitute and you can make vegan vegetarian pulled

51:01

pork with jackfruit as well so yes and that would be really lovely i lovely sweetness as well to the

51:09

dish if you wanted to give that a go lovely okay and well he's got a comment

51:15

from norman newton here who who said he's he's just been cooking along with us and he says it's delicious

51:21

so oh wonderful a little bit of validation i don't know

51:26

what it is so um okay so i think that's probably just

51:32

about us unless anybody has any other burning questions that that they have before we finish up so let's give it

51:39

another another minute or so i'm just scrolling to see if there's any other sort of

51:44

comments that we could maybe um

51:50

yes there was a question around obviously that's the the recipe that you've made is for four people in the quantities that you were using

51:56

would it be quite easy to cut that down to cook for one i mean would you have any tips around that

52:02

yes i would probably um i mean i've still got a huge saucepan full of um

52:09

mixed in here so it is four generous proportions um but it's a really lovely healthy meal

52:15

so it's really one that you can feel that you can eat eat up on and satisfied if you were to um you could

52:23

easily half the quantities and then maybe pop half in the freezer for an extra meal you could drop the quantities down to

52:29

one absolutely um and also if you've already got sausages you could pre-cook the sausages

52:36

and then you could um have those you know maybe if you had sausages for breakfast or for your lunch another day

52:41

and then you can just do the vegetable part and add the sausages

Lecture

The art of Easter

The story of the crucifixion and resurrection of Jesus has been at the forefront of western art for 2,000 years - from early inscriptions in the catacombs, medieval altar-pieces and Leonardo’s Last Supper, to the twentieth century works of artists such as Marc Chagall and Graham Sutherland. 

In this lecture, we will examine the gospel narratives of the events of Holy Week and Easter and explore how they have been interpreted by artists through the centuries.

Video transcript

0:00

talk about the art of easter and i'm going to look at the easter and holy week story

0:07

through the eyes of artists through the century and let's begin

0:14

by asking the question what a gospel is because i'm going to interweave the narratives and gospels

0:21

with the art that we're going to look at a gospel is not a biography we mustn't

0:27

come to the gospels with the idea that we're reading a modern biography of winston churchill

0:32

or gladstone or something they're entirely different sorts of literature and the gospel is not a history not a

0:39

history in the way that we understand it because the gospels are written from a post-resurrection perspective

0:45

in other words they're written by people who already believe in the resurrection experience

0:51

and people for whom that is at the center of what they're writing about at the center of their own belief and all

0:58

the gospels are written with particular questions in mind for example mark's gospel which was

1:04

written maybe between about 65 and 70 in rome is written with the question in mind why

1:09

are christians being persecuted if jesus is really the son of god why is

1:15

it that we're being thrown to the lions and mark tries to answer that sort of question in his gospel so what are the sources

1:23

where they come from well mark as i said was written between about 65 and 70

1:29

and interestingly the bishop of rome in about 95 said that mark's gospel was based on

1:35

peter's reminiscences that's really interesting isn't it so if it is then we're pretty much

1:41

first hand witness of what was happening to jesus the resurrection crucifixion

1:46

and so on what we also know is that luke and matthew both use mark

1:51

as their chronological blueprint as it were they follow the same order of events they have

1:57

similar sayings in them but also luke and matthew have sayings which are not in

2:02

mark but they're common so for example the whole sermon on the mount is present in luke and matthew but not

2:09

in not in mark and that suggests that luke and matthew had a different source from mark

2:14

and wove the two sources together and also luke and matthew have lots of

2:20

independent material including the birth narratives um very different birth narratives in

2:25

the two of them but mark and john don't have the birth narratives

2:31

and john well john's entirely different from the three gospels we call the synoptics

2:36

matthew mark and luke much more reflective much more theological

2:41

and also it's worth noting that the crucifixion narratives in the three synoptic gospels are very

2:47

similar in matthew mark and luke to some extent in john but the resurrection narratives

2:53

are very different in all four gospels and we'll look a bit at that as we come to the resurrection stories

3:01

i'm going to start here i'm going to start at the beginning of holy week i'm going to start with giotto and his

3:08

portrayal of palm sunday here is the story of jesus

3:13

coming into jerusalem about a week before the crucifixion riding on a donkey and of course a

3:20

donkey is making an important theological point because the jewish nation at the time

3:26

were expecting a messiah who would liberate them from roman occupation

3:32

they expected him to come riding on a white charger at the head of an army throw the romans

3:37

out and establish a kingdom which was like david's kingdom a thousand years earlier

3:45

but he didn't became our donkey he came in peace he came in humility and here's giotto's

3:52

take on it and i particularly love in this those men in the background climbing up the trees cutting down the

3:59

palm branches for the crowds to throw on the floor as jesus rides into jerusalem and there

4:07

just right of bottom center there's someone placing a cloak some clothes down in front of

4:14

jesus and here's a similar take here's a

4:19

russian icon from the 13th century a little bit a little bit damaged

4:26

perhaps and interestingly jesus on this one is riding side saddle

4:32

not many depictions of it with him riding side saddle

4:37

i'm fearing if you can hear me i've got somebody drawing on the screen in front of me one second i'll sort that

4:44

for you you saw that okay thanks um and not only is palm sunday

4:49

shown in terms of um paintings here is a wooden processional figure

4:55

thank you used in spain interestingly in spain there are still major palm sunday processions and

5:02

life-size figures such as this are brought out and decorated and pulled

5:07

through the streets as a reenactment of palm sunday and as a beginning to all the holy week

5:14

um celebrations and festivities that take place in that country

5:21

and so let's move on through holy week a little bit let's move on to morning thursday the very day we're on at the

5:27

moment and what's interesting about the portrayals of the last supper is that they make very different

5:35

theological points so here's for our angelico painting in about 1440.

5:42

in the san marco convent in florence frar angelico took seven years to paint

5:49

frescoes on the walls of each of the monk cells and each of the monks had a different

5:56

scene from the life of christ this monk obviously had the last supper

6:02

and there's mary kneeling on the left but the interesting thing about this last supper

6:08

is that frangelico has painted it as if it is a roman catholic service of

6:14

the mass jesus is going around with the bread and with the wine

6:19

giving communion effectively to the apostles but here's a very different

6:24

interpretation this is derek boots a netherlandish painter northern

6:30

renaissance painter and rather than it being set out like a mass

6:36

here it's set up much more like a meal and of course although this is

6:42

pre-reformation the reformation didn't kick in until luther in 1517

6:48

nevertheless you can see hints already of reformation theology occurring in northern europe in the art

6:55

works as much as in anything else and boots has given us a very typical

7:02

netherlandish interior here in which he set the last supper um i quite like the waiter who's

7:08

i'm standing there at jesus right shoulder as if he's about to take an order for the next course and here's the

7:16

big one the famous one leonardo da vinci's last supper and in a sense it's the last supper that

7:23

we all think of when we talk about holy week and art isn't it

7:28

and what's really interesting about this is that um each of the apostles is drawing our

7:34

eye towards jesus the central character all of them are looking at him

7:40

pointing at him talking about him and inexorably our eyes drawn towards the

7:45

middle of this painting all the time we can't can't not look at jesus in the middle

7:53

and going on a bit here's tintoretto's take i'm painting in venice

7:58

um a much darker last supper isn't it because what tintaretto is giving us is

8:05

a depiction of all the dark forces that are ranged outside

8:10

all the dark forces that are about to condemn jesus to death

8:15

and it's really interesting to compare some of these with each other's and see what sort of message the artist

8:21

is giving us and tintoretto in those clouds above in those angels and so on is certainly giving the

8:28

message that something momentous is about to happen even interestingly if we look at the

8:34

light source top left there a sort of flaming

8:40

chandelier it's almost as if the flames coming out of that look like wings

8:46

perhaps tintaretto is hinting at the dove the holy spirit or at an angel

8:53

and here's reuben's um well into the baroque period now and the apostles crowded around jesus

9:01

as jesus looks up to heaven to bless the bread and who's that turned away let's judas

9:08

judas typically was portrayed in yellow and his judas scratching his chin

9:16

thinking what's all this about has this all gone too far it's the moment before judas gets up

9:24

and walks out in order to betray jesus

9:30

john doesn't give us the story of the last supper he doesn't give us the story of the

9:36

bread and wine and jesus saying this is my body this is my blood

9:42

what he does give us is jesus washing the disciples feet

9:47

so a very different interpretation in john's gospel of what's going on and here back to

9:52

giotto here's jotto again giving us his interpretation of what this might have looked like

9:58

jesus making the very strong point just as he did on palm sunday

10:04

that he's coming not as a lord not as a king not as someone to exercise power but

10:11

rather in humility as someone who is here as he says in this episode in john

10:17

to serve and not to be served

10:22

then after the last supper things start to unravel pretty quickly jesus takes his

10:29

three closest disciples peter james and john and goes to pray in the garden of

10:35

gethsemane here's andrea mantegna's take on the garden pretty unrealistic in terms of middle

10:42

eastern countryside and famously in the synoptic gospels

10:47

jesus says take this cup away from me nevertheless if it's your will that i

10:53

suffer then i'm willing to go ahead with it and interesting to what mantegna gives us is

10:59

not a cup being offered to jesus but a cross and there we can see top left a little

11:06

group of cherubs with one of them holding the cross out to jesus and the three disciples peter james and

11:13

john have fallen asleep jesus is about to go back to them and to

11:19

say could you not watch with me for one hour while i was praying

11:26

and then he's arrested giotto again giotto has this wonderful series

11:32

of depictions of the events of holy week and here in this one what we see here is

11:38

the moment of the kiss the moment of betrayal there is judas again dressed in yellow

11:44

kissing jesus and the whole thing is a melee isn't it you can almost hear the noise from here the clashing of

11:52

the weapons um there on the left is peter cutting off a servant's ear

11:58

which is related in john's gospel and there's a horn being blown um so the whole thing is chaotic and

12:04

quite deliberately so the way giotto is portraying this and here's for

12:10

angelico's take on it i always feel sorry for the monk who gets this on the wall of his cell um because the

12:18

monk lived with whatever fresco for angelico had done for his whole time in the in the

12:23

monastery so he's perhaps there for 20 30 40 years living with this picture

12:29

of the betrayal um again it's pretty robust to us there's peter on the right

12:35

cutting off that servants here i'm a couple of soldiers putting their arms out to arrest jesus and to lead him away

12:42

and how about this this is caravaggio this is very different isn't it because

12:47

here we're at a distance we're observing a scene in these with caravaggio pretty much as always in

12:55

his paintings you are in the scene you're being jostled here you can almost smell the garlic in caravaggio paintings

13:02

i think we're really close up we're right into it and there is judas kissing jesus someone

13:09

on the left shouting in horror these soldiers in there in their huge armor putting their arms

13:16

out to arrest him and to lead him away

13:22

so he's led away he's put on trial the gospels are a little bit confused

13:28

about the trials and the order but they're pretty sure that he starts

13:33

off before the high priest so here's matthias storm he was a follower of caravaggio

13:40

and so again we're close up on we were in this picture ourselves and the high priest with his finger up

13:47

pointing to heaven perhaps saying you know who are you who do you think you are what's all this

13:52

about jesus looking down um modestly humbly and that servant i love with a

14:00

smirk on his face saying yeah i know what all this is about you know we're we're going to

14:05

string him up in a few hours time aren't we

14:11

and this is another one of the same subject by matthew stone again we're right in this and in this

14:17

one the trial has been taking place and here the soldiers are mocking jesus

14:25

they've dressed him in the crown of thorns they've put a robe on him they're saying hail king of the jews

14:32

and what does he do he looks down silently well the interesting things with

14:37

caravaggio and the baroque painters who follow him is where does the light come from

14:44

i mean this one is clearly coming from the candle it's enlightening the soldiers on the

14:50

left mocking him jesus on the right and of course there is a touch of irony here because jesus is the light

14:58

of the world and here's the candle the light lighting him up

15:06

so then on to another trial and the gospel suggest that the reason

15:12

they sent him off to pilate for trial is that the jewish courts didn't have

15:18

the right to put someone to death that had to be done by the romans so

15:23

here and look at the date isn't this wonderful early 6th century in ravenna in that wonderful series of

15:29

mosaics in ravenna and here's jesus in front of pilate and pilate

15:35

washing his hands nothing to do with me this is not my fault somebody else make

15:41

the decision and in a sense pilot becomes a symbol for everybody shrugging off

15:48

responsibility doesn't he this is not my fault someone else can make the decisions

15:54

is a way of passing the responsibility off to other people and pilate and his washing of hands

16:00

becomes a ubiquitous symbol of that

16:05

and jesus is led away jesus is mocked jesus is whipped uses scratch marks

16:12

there on his chest almost and you can feel in this mantega the the weight of sorrow on him can't you

16:19

there's that crown of thorns on his head and these two almost grotesque looking characters

16:25

who are leading him away in order to present him to the crowds

16:30

here's hieronymus bosh what i love about hieronymus bosh are the faces on the crowd for example

16:37

here we get all sorts of peasantry who've been brought in by bosch as the models and here

16:45

pilate is presenting a very skinny looking jesus to the crowd

16:50

and the crowd are yelling and howling for his death for his crucifixion

16:56

you might have noticed bottom left something rather strange going on in this picture

17:02

and the art historians think that what happened is that it was commissioned by this

17:07

family bottom left and at some point later no one quite knows why

17:13

they were painted out and a light job was done at painting them out and

17:18

they're sort of reappearing slowly through the over painting and interesting if we look top right

17:25

there we see here anonymous bosch has given us his view of what jerusalem might have

17:31

looked like fifteen hundred years before he was painting it looked suspiciously

17:36

like a netherlandish town square and this is here thomas bosch as well or

17:43

maybe his studio the art historians think again it is pilot

17:49

presenting an even skinnier jesus in this case to the crowd and we can again we can

17:56

hear the clamor can't we the clash of weapons the shouting that's going on

18:01

in that crowd down below there and all sorts of people giving that opinion about what should happen

18:08

and of course the cry goes up from the crowd crucify him crucify him

18:16

here's tinteretto's take on it i love some of the works of tinturetto

18:21

i love particularly the story if you go to venice and you can see tintaretto's house in venice

18:27

and just around the corner from his house is his local little parish church

18:32

and the story goes that tintaretto aged about 17 went to the local parish priest and said

18:39

can i practice my painting on your walls a bit now when i was a victim of a church i'd

18:45

have said of course not go away but the vicar there said the priest there said yeah you can practice on my

18:51

walls a bit and the church has got five magnificent frescoes by tinturetto

18:56

practised as a 16 17 18 year old lad but here here jesus is being brought out

19:04

again to the huge crowd of people

19:10

and caravaggio does it differently all of these he's brought out to a crowd here

19:18

eche homo behold the man as it says in john's gospel he's brought out to us we are right at

19:25

the front of the crowd in this one jesus is dressed in his crown of thorns

19:31

carrying the reed a mocking scepter and we are close into this as with

19:37

caravaggio we're not standing back we're not part of a huge crowd as we are here

19:42

this is about me and jesus and the soldiers who are presenting him

19:49

and here's a very very different take this is jacob epstein perhaps the greatest of 20th century sculptors

19:56

ek homo again in coventry cathedral epstein did this piece in 1935

20:04

and when coventry cathedral was bombed in 1941 as the new cathedral was being built

20:11

which wasn't open until the 60s epstein lent this statue to coventry

20:17

and it's still there and there seems to be some sort of uncertainty about who owns it

20:22

whether it's epstein's um estate or whether it's a cathedral or what but

20:28

still then it's it's stayed ever since and his titian um again a venetian

20:35

artist with the same story jesus being brought out jesus being

20:41

shown to us it's interesting the way the emphasis changes when you shift to being one of a

20:48

crowd the observer and being close in here's a piece which is painted it feels

20:56

just for me this is for me to respond to for me to meditate on

21:04

and then after the trial after jesus has been whipped after he's been mocked

21:10

he's made to carry his cross and he carries his cross up the via de la rosa as it's called the

21:16

way of suffering to the cro the hill where he's going to be crucified

21:22

this is an anonymous piece in siena an altarpiece about 1340. jesus on his

21:30

own carrying the cross there with a monk contemporary monk praying as jesus

21:36

carries his cross past but here this one there jesus alone here

21:42

he's surrounded by a crowd of people here there are loads of them crushing noisily shouting

21:50

there on the left is mary his mother as always in medieval paintings dressed in

21:55

blue and there are two very curious little figures bottom right are they um children what are they

22:03

um are they left over from another painting no one's quite sure who or what they are are they another bit of the story

22:11

that bartolo was putting in it's always interesting to look in these

22:16

at their their take on the architecture this one looks um remarkably like a

22:22

tuscan hill town in his body chili we're back to it being

22:28

just jesus and it seems as if the artists are here making the point over and over that

22:34

although he's in a crowd although it's noisy actually he's alone there's just him

22:41

doing this he carries this cross he carries the burden he walks to crucifixion

22:47

on his own nobody can actually help him although of course someone else does

22:53

carry the cross for him simon of cyrene in mark's gospel because jesus continually stumbles picks

23:01

up the cross and carries it for him

23:06

and how about this one this is bruegel i talked to slide ortega about the noise

23:13

about the confusion about the clamor this is really interesting because as often the case

23:19

with bruegel you can't quite find where the main subject of this painting is

23:25

if you remember bruegel's christmas paintings when mary and joseph turn up in

23:31

bethlehem for the census you have to work quite hard to find mary joseph on the donkey

23:37

you have to work even harder here all sorts of things going on in this painting so right in the middle if we go close up

23:45

there he is carrying his cross he's just stumbled

23:50

soldiers are around him making him carry the cross but lots of other stuff going on as well people bottom left there

23:57

looking away doing something else there's a party out hunting perhaps

24:02

just some people just been shopping and carrying their goods home and i think bruegel is making the point

24:09

that all this goes on amidst ordinary life for most people most people are not

24:17

observing what's happening to jesus they're getting on with their normal day they're getting on with

24:22

their shopping or their hunting or playing with their dog or whatever else they're doing there's

24:27

even someone there just left of center near the bottom who looks if he's got a bag of swagger over

24:33

his shoulder and he's just been robbing somebody

24:40

so then we come to the crucifixion and again artists find different ways of

24:45

showing us the crucifixion and they make points as they're doing this is a fantastic

24:52

very early illuminated manuscript not many exist from this sort of date we're late

24:58

6th century here and the artist here is giving us quite a few bits of the

25:04

narrative all at once we've got jesus and the two thieves crucified either side of him

25:10

we've got the soldiers one piercing jesus's side on the left one offering him drugged wine on a

25:18

sponge to take away the pain on the right which he refuses then down below we've got soldiers

25:25

playing dice they are gaming for jesus's clothes one of the perks of crucifixion

25:32

is that the soldiers got the effects of the person who was being killed and then bottom left we've got mary and

25:40

john that touching story in john's gospel when jesus says to mary

25:47

this is your son and to john this is your mother giving them into each other's care and

25:54

then bottom right we've got a crowd of women looking on the same women who are to become a little later

26:00

the witnesses of the resurrection

26:05

um chimabue painted a number of crucifixions like this many of which now

26:12

hang in italian churches and the jesus that he gives us

26:18

is a jesus who is drawn out and with the weight of suffering that is

26:25

carrying and this is clearly of a suffering christ and interestingly at this stage in the

26:32

middle ages and for the next hundred years or so the suffering is palpable

26:38

they're really dwelling on it and one of the reasons maybe of course that

26:43

um 50 60 years after this was painted the plagues were to ravage europe time

26:49

and time and time again and as we look at the depictions of art from the mid-14th century onwards

26:57

when perhaps as many as a third of the population of europe died from plague

27:02

we see suffering being increasingly portrayed in the crucifixion pictures

27:10

so which day did jesus die now that might seem a silly question we all know it was good friday but

27:17

actually in the gospels they give us two different answers to that question

27:23

in matthew mark and luke the last supper is the passover meal the passover lamb

27:30

would have been sacrificed on thursday afternoons it is now

27:36

and the passover meal eaten as the last supper thursday evening today's monday thursday

27:44

but john doesn't do that john wants jesus to die at the same time as

27:50

the passover lamb so for john the last supper is the day

27:56

before passover the last supper is not a passover meal and jesus is killed

28:02

jesus dies three o'clock on the afternoon of the day when the passover lamb is

28:09

sacrificed and the jewish people would have been eating their passover meal that evening

28:15

after jesus had died and there's an interesting theological discussion going on isn't it between the gospel writers

28:21

here as to if jesus is the passover lamb if he's sacrificed at exactly the same

28:28

time what does that say about our interpretation of the crucifixion

28:35

whereas if it's the other way around if jesus shares the passover meal with his

28:40

disciples then the meaning of the last supper

28:45

is intertwined with the meaning of passover and there's a very different theological

28:51

spin being put on it perhaps the reason as i mentioned earlier that in john's gospel

28:58

we don't have the bread and wine this is my body this is my blood it's precisely because he wants to delay

29:06

passover until the next day until the day jesus is killed

29:12

and there are lots of different ways of showing this as we know here for instance is a wooden crucifix

29:18

in milan 14th century i'm emphasizing the pain and the suffering

29:24

here an entirely different take is a an alloy crucifix 17th century

29:31

from the democratic republic of the congo and worth remembering here that

29:37

all cultures have created and recreated jesus and his story

29:44

in their own image jesus was no more a black african

29:49

than he was a white european and back to these wonderful giottos

29:56

here's one of those fantastic pieces i'll blow it up for you um crowded the noise again

30:03

what i love in this unusually the crosses are very high aren't they they're way up in the air here and they're way up in

30:10

the air so giotto can give us these angels flying around manically between those

30:16

being crucified with and we can't see very well in this reproduction but with

30:21

looks of horror and distress upon their faces what's happening to the son of god and

30:28

as we saw earlier there at the bottom there are the soldiers gaming for the

30:34

clothes and interesting the soldiers are carrying beautiful medieval shields here kyoto really went

30:41

to town on those this is masaccio and this is perhaps one

30:47

of the most important paintings in the whole history of art look at his age masaccio is 24 about

30:55

when he's doing this and what masaccio perfected was single point perspective the renaissance

31:03

the urdu nasans were struggling to work out how you could depict three dimensions on

31:10

a flat surface a massacho cracks it this fresco

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in santa maria novella in florence it looks as if we are looking into space

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we're looking into several different layers of distance here outside this arch are

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the two dark donors and then inside are mary and john at the foot of the cross

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behind the cross is god the father holding the cross up and behind him

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there's yet another arch taking our eye further and further but it's flat we

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know it's flat um what they're doing is playing with

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linear perspective we know that these railway lines are the same distance apart

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all the way along the line but by making them converge

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we think that there is distance here our brain is tricked into seeing

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a sense of 3d on this flat surface

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and just as with carrying the cross some of the crucifixion depictions

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are jesus on his own there's nobody here there's not a soldier there's not his

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mother there's not the apostles he's got to carry the weight of the world on his own shoulders

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as he does in this velazquez and if we look at this closely we can see the blood dripping down the wood of the

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cross right at the bottom of this painting velazquez really hitting us hard with the horror of

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what's going on here as does this 18th century russian

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orthodox brass processional cross we see the ribs we see the horror we see those long thin

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arms stretched out both being nailed to the cross but also those arms open welcoming us embracing

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us and this really unusual piece by james tiso

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a french artist who moved to britain and worked in britain for about 20 years this is the crucifixion scene from the

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cross how often do we see the jesus eye view of good friday well here it is

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here he's looking down on those women um his mother and the others i'm horrified of what's happening we're

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looking down on the soldiers we're looking down on the crowds we're even looking down on the entrance

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to the tomb that we see top left there

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and here's a very different take barbara hepworth 1966

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there is a sun rising behind the head of the christ figure

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with his arms open and the colors if you know mondrian's paintings

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using those primary colors that are a feature of all of those grid-like mondrians from

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the 1920s then what happens well then he's taken

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down from the cross and this is a quite popular painting subject

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for the middle ages here's an anonymous piece of 14th century from italy and jesus

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being taken down and given back to his mother

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and the women who are about to anoint him ready for burial his rembrandt's take on it very

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different rembrandt painting the light source as coming from jesus himself

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jesus still the light of the world even in death for rembrandt

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and the same true to some extent of rubens rubens typically gives us very contorted

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bodies look at the muscles on those two soldiers at the top letting him down

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from the cross look at the way all of the figures are bent and shaped

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and then when he comes down from the cross not a gospel episode but one which

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is much represented in art the pieta the moment when jesus's mother mary

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receives him the dead body of her son and often as here this looks like

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a mother cradling her child and it's mirrored in many of the madonna

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pictures that we see around christmas time the same true in this pergino although

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jesus is perhaps out of proportion in this rather long and having to be supported

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by a couple of other people as well and here the big one the famous one

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michelangelo um done when he was aged about 23-24

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this is in saint peter's rome of mary tenderly cradling her dead child

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and then on to easter day how do you symbolize how do you paint something so momentous

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and yet so inexpressible wonderful piece of english alabaster here

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with jesus climbing out of the sarcophagus and here what's he doing here well here

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he's being helped up almost he's ascended he's already out himself and this

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russian icon is giving us a very strange view of what's going on

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there's piero de la francesca the soldiers asleep as jesus

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comes out of the tomb and pierre del francesca has made it very obvious

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that he's still bearing the marks of crucifixion we can see in his side on that left hand

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and left foot the blood is still there and the artists are making a very important theological point

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that this isn't just a recreation of some sort this is the same one who was crucified

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is being brought back to life by god

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um the gospel narratives are curious of the of the resurrection in mark there are no

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resurrection appearances if you look in your bible you see all sorts of strange footnotes in mark

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chapter 16 and the best scholarship reckons that it ends

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at verse 8 of chapter 16. then in john there's a lot in john

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there's the empty tomb there's mary magdalene the gardener perhaps the the best and most famous of

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the easter stories there's doubting thomas there's jesus by the lake in luke there's just one story jesus and

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his disciples on the road to emmaus and in matthew quite short on the resurrection narratives

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the angels at the tomb the soldiers were asleep there's just one appearance and the commissioning of the disciples

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sending them out into the world to baptize everybody in the name of the father the son and the holy spirit

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so here's raphael quite a busy painting this again he's come out of the sarcophagus

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the soldiers looking astonished at what's going on and angels those same angels who were flying around

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in horror on good friday are now celebrating and cheering

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and we go to the garden we go to the story when mary magdalene goes to the empty tomb and sees the

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figure who she thinks is the gardener and he turns around and says mary and

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she recognizes that this is the risen christ and many of these depictions are dropping

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us a hint and i think there's a hint here look at the fence there's a hint here

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that this is a recreation of the garden of eden that the fall that happened when adam

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and eve disobeyed god is now being reversed and we are being restored to paradise

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by the resurrection and quite a few artists give give us a hint of that

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here's robert alemayo mary reaching out to touch jesus but

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not quite being able to remember jesus in john's gospel says don't touch me don't cling to me don't

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hang on to me the greek there is really difficult to translate

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and here here we've got titian um again we've got that sort of tuscan hilltop town in the background

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and jesus carry what she got there he got a scythe

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is this a hint that he is about to put the sickle into the harvest at the end of time the

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resurrection is about the end time and jesus remember the saying in mark's gospel

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the fields are ripe for harvest is about to do the harvesting

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and to look at how the 20th century interprets it this is graham sutherland this is in

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chittista cathedral slightly curious and so not a big painting it's about two two sheets of a4 in size

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with the garden on the right we can see those flowers at the bottom and jesus slightly curiously seems to be

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ascending up a fire escape a sort of metal staircase as he goes up

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with one hand pointing out and then finally the road to emmaus the

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beautiful story of two disciples meeting jesus on the

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road incognito it's interesting how many resurrection stories

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jesus is not recognized and i think the gospel writers are making the theological point

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that you might meet jesus on the road at any time you might at any point in your life find

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you're walking alongside jesus or you think he's the god or you think he's somebody else so

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how would you behave how would you act if this is jesus walking alongside you

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so they walk alongside he tells them the stories of what has happened he

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interprets for them and they invite him in for supper

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and histitian's take is jesus sharing supper with the two disciples in emmaus

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and the point at which he takes the bread and blesses it and breaks it is the

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sudden moment of recognition they realize who he is

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and he disappears from their sight it says in luke's gospel here's caravaggio again we're part of

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this aren't we we are sitting at this table and we can smell smell the roast chicken

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here or whatever that bird is we can almost smell the grapes and look at the way these two men are leaping up

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in astonishment they've suddenly recognized that this is jesus and i love the elbow of that man in the

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green jumper on the right this is a workman his jumper is threadbare

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it's an old jumper and here's matthias stom um this

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follower of caravaggio taking on the same story with jesus

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breaking the bread and looking upwards to heaven in thanks

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so what does all that teach us what does it all say to us well a number of things are happening in

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tandem aren't they because what i've done is to hint at some of the art historical developments

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to hint at some of the developments of the renaissance and the way in which they develop perspective

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looking at some more modern pieces going back behind that a bit to giotto and so on

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and alongside that we appreciate the changes in theology the way people were seeing and

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interpreting the stories differently in their own context so we get these

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um changing experiences of spirituality being shown through the work of the artists and also we can see

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coming through it and given more time we could do it in more detail see the impact of the renaissance and

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reformation are all these pieces so so we've looked at all these stories

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very quickly but we've seen the way in which artists interpret them

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is actually really important in their context they're not just painting the story of

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on palm sunday or the last supper they're painting the story from a particular time

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and for a particular understanding of what was happening in the gospel stories