
Literature: Good As You - LGBTQ+ Literature in the Twentieth Century
Course details
Course code
Q00012033Course date
Number of classes
8 sessionsTimetable
Tutor
Stephen SmithFee range
How you'll learn
Qualification name & awarding organisation
Level of study
Entry Levels 1,2,3: If you have never studied this subject before and you’re not confident in your skills, Entry levels are a good starting point.
Level 1: Covers basic skills and knowledge needed for this subject
Level 2: Building on basic knowledge or experience. Similar to Grade 4/ C at GCSE or O level in England or Standards in Scotland.
Level 3: Learn about the topic in-depth and have a broad range of skills. Independent working Equivalent to an A level in England or Higher in Scotland.
Beginners: A perfect introduction if you have no experience and skills in this subject.
Improvers: The next step if you have basic skills or knowledge but want to progress them further.
Advanced: Build on the solid experience and skills you have in this subject, applying your skills and knowledge in a more complex way.
Course overview
Course description
These texts are concerned with literature’s role in breaking taboos, and bringing into the mainstream issues that were formerly and still are in some sections of society regarded as transgressive. Though this is an important component of the course, and is still a live issue, given changing political circumstances in Europe, the U.S. and Africa, this course is not designed to argue a specific perspective, but instead to evaluate the contribution made to literature by these authors, each of whom was or is a member of the LGBT+ community.
We will range from Woolf’s love-letter, Orlando, written to Vita-Sackville West, through Australia, Europe and wartime London with Patrick White, both novels which touch on the issue of being transgender; examine the love poetry of Auden and Gunn, particularly his remarkable work, The Man With Night-Sweats, ending with Edouard Louis’ semi-autobiographical novel, The End of Eddy, describing poverty and prejudice in Northern France.
You will discover that this literature is of the first order, and will be minded to explore further the voices of those who for much of the history of Western literature were constrained to self-censor their subject matter.
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