Art Appreciation: Art Appreciation: Art in Churches
Course details
Course code
Q00016858Course date
Number of classes
1 sessionsTimetable
Branch
WinchesterTutor
David BrindleyFee range
How you'll learn
Venue
St Lawrence Parish Rooms (Winchester)Colebrook Street
Winchester
SO23 9LH
Level of study
Entry Levels 1,2,3: If you have never studied this subject before and you’re not confident in your skills, Entry levels are a good starting point.
Level 1: Covers basic skills and knowledge needed for this subject
Level 2: Building on basic knowledge or experience. Similar to Grade 4/ C at GCSE or O level in England or Standards in Scotland.
Level 3: Learn about the topic in-depth and have a broad range of skills. Independent working Equivalent to an A level in England or Higher in Scotland.
Beginners: A perfect introduction if you have no experience and skills in this subject.
Improvers: The next step if you have basic skills or knowledge but want to progress them further.
Advanced: Build on the solid experience and skills you have in this subject, applying your skills and knowledge in a more complex way.
Course overview
Course description
Church buildings are important places to see art, and this area provides many excellent examples, Beginning with some of the art dating from the earliest years of Christianity, this extensively illustrated study day with WEA tutor David Brindley traces the history of art in Europe through the works which we find in Churches. Some important Saxon Churches are found in Hampshire, and we look at their distinctive architecture, and the wall paintings which they contain. The distinctive Norman style, especially the astonishing stone work, leads us on to Gothic and the soaring heights of such buildings as Salisbury Cathedral. These buildings are the backdrop for beautiful stained glass and wood carvings such as misericords. The flowering of Renaissance art fills Europe’s churches - the frescos of Giotto and Fra Angelico, the glories of the Sistine Chapel and Leonardo’s last Supper all receive attention. The counter-Reformation styles such as Baroque bring us to the art of Caravaggio and Reubens, and we move into the nineteenth century to consider textiles and metalwork in English Churches. Arriving in the twentieth century we examine some of the art commissioned by cathedrals such as Coventy and Chichester.
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