
History: The Art of Norway - The Emergence of The Modern
Course details
Course code
Q00012803Course date
Number of classes
10 sessionsTimetable
Tutor
Tim StimsonFee range
How you'll learn
Level of study
Entry Levels 1,2,3: If you have never studied this subject before and you’re not confident in your skills, Entry levels are a good starting point.
Level 1: Covers basic skills and knowledge needed for this subject
Level 2: Building on basic knowledge or experience. Similar to Grade 4/ C at GCSE or O level in England or Standards in Scotland.
Level 3: Learn about the topic in-depth and have a broad range of skills. Independent working Equivalent to an A level in England or Higher in Scotland.
Beginners: A perfect introduction if you have no experience and skills in this subject.
Improvers: The next step if you have basic skills or knowledge but want to progress them further.
Advanced: Build on the solid experience and skills you have in this subject, applying your skills and knowledge in a more complex way.
Course overview
Course description
The art of Norway was slow to emerge from the foreign domination of Denmark & only began to take of in the early 19th century. Artists such as J C Dahl had to find a way of painting the dauntingly harsh landscape of his homeland whilst educating Norwegians that their own land was worthy of depiction.Based in Dresden he painted his evocations of Norwegian grandeur based on study tours back home .The next generation was able to paint for the emerging buying-public at home ,depictions of Fjord ,mountain ,forest & river based on the principle of outdoor painting encouraged by Hans Gude.By the 1880s French outdoor painting ,more the authenticity of Bastien Lepage rather than Impressionism ,was inspiring young Norwegians to paint what they knew personally.Following the pan-European practice of working in one spot as an artists colony, Fleskum ,outside Oslo was a base provided by Christian Skredsvig ,where enchanting midsummer idylls yet realistically painted found ready buyers.Working outdoors in all weathers to grasp greater authenticity found Frits Thaulow up to his ankles in the snow! Eilif Peterssen introduced local country folk into his evocations of the hidden valleys of inner Norway.Kitty Kielland & Harriet Backer reveal that modern ideas of equality are beginning to be felt by independant women who managed to find the training necessary to compete with the men. Christian Krohg was the exception from those artists around him - he painted the city & he painted poverty, hunger
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